Called kyun in Burmese, teak is a dense and durable wood that is treated with oil and used for building, sculpture, carts, and most utilitarian Burmese objects. Burmese teak is known around the world for its durability, and its high oil content makes it less likely to crack.
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Nats worship was integral to indigenous beliefs in Burma/Myanmar since before the arrival of Buddhism. Burmese-carvings of these mythical or deified humans are seen in Buddhist temples, pagodas, government buildings, and in nat centers throughout Burma. Nats existed in early forms in shamanism and animism beginning when life was associated with agricultural pursuits and the…
Burmese carvings are known for fine craftsmanship, masterful decoration, and functional items including carved heddle pulleys used in strip-weaving. Used in pairs at the top of the loom, heddle pulleys are functional and aesthetic and usually decorated with auspicious images symbolizing figures or animals protecting the weaver, assuring good quality weaving, and pleasing the gods…
Heddle pulleys were used in strip-weaving, a small-loom process producing long cloth strips sewn together creating a larger textile such as blankets and ritual cloths. A source of pride for the carver, heddles were decorated with carved figures or animals symbolizing auspicious beings scholars believe protect the weavers and assure their weavings were of good…
Burmese carvings are known for fine craftsmanship, masterful decoration, and functional items including carved heddle pulleys used in strip-weaving. In pairs at the top of the loom, heddles are functional and aesthetic and usually were decorated with auspicious images symbolizing figures or animals protecting the weaver and assured good quality weaving that pleased the gods…
This elegant heddle pulley with a hamsa is carved from a single piece of Burmese teak and portrayed with deeply cut wings to express well-articulated feathers. Having an unusually long tail, it runs from his rear and curves to the top of its head. Its feet are atop two connected heart-shaped panels that hide the moving thimble between them providing a more artistic feel. This piece is in very good condition, is wonderfully weathered, and has with minor losses with a fine patina covers its originally painted surface. Mounted on a black wood base, this heddle pulley pairs well with item number 11298A.
Artisans from Burma/Myanmar are masterful carvers of lyrical teak figures in action, whether they are dancers, nats, attendants, or deities. Although there is a metal hook on the back ostensibly to attach the piece to a surface or wall to embellish architectural religious, governmental, or secular structures, it was fashioned to be viewed in the…
Nagas are powerful folk art serpents similar to dragons who live in the underworld or in waters, move through the earth as if it were water or fly through the heavens. Often described as a half-serpent, half-human, these semi-divine mythical animals have a past in animism and were object of rituals, worship and devotion as a…
Antique hand-crafted kitchen-accessories and tools and other objects such as coconut cutters are examples of the artistic skills of Thai carvers to transform functional and utilitarian objects into attractive decorative pieces. Coconuts are ubiquitous in Thailand, used for all aspects of Thai life: coconut milk and meat are staples in traditional Thai dishes and are…
Carved Burmese/Myanmar teak heddle pulleys were primarily used in strip-weaving, a process using small handlooms to weave long, narrow strips of cloth sewn together to create larger textiles such as blankets and ritual cloths. They are used in pairs and are tied together by a string that runs through a mechanism at the top of…
Traditional Burmese dance has its roots in folk religion and is a combination of ancient animism, nat worship and a later syncretic blend with Buddhism. Ethnic minorities often perform dances that include warriors , Zawgyi (shaman) and nats wielding swords or holding drums while dressed in full-body costumes. Burmese performances were regulated with limitations on…
Burmese women always have taken part in demanding strenuous work, but they rarely see themselves as farmers. This is because of Burma’s old patriarchal culture, narrow Burmese laws and social limitations of rural beliefs that define them as workers who labor for men: their father, brother or husband. This wonderful painted folk-art wood panel of…
Burmese women always did strenuous work, yet they rarely see themselves as farmers. This is due to Burma’s old patriarchal culture, Burmese laws and narrow rural beliefs defining them as workers laboring for men only: their father, brother or husband. This wonderful painted wood panel of a barefoot female farmer depicts her with the long…
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