Called kyun in Burmese, teak is a dense and durable wood that is treated with oil and used for building, sculpture, carts, and most utilitarian Burmese objects. Burmese teak is known around the world for its durability, and its high oil content makes it less likely to crack.
Showing all 10 results
Elegant antique heddle-pulley carved from a single piece of Burmese teak topped by a hamsa, a goose-like bird and sacred Buddhist symbol of wisdom. Auspicious symbolic animal images are believed protect the weaver, assure quality weaving, and pleases the gods and spirits. Finely weathered from time and use.
Burmese teak heddle pulley surmounted by a graceful peacock that symbolizes wholeness, combining colors and fleeting nature of all things. Based on old animistic beliefs, heddles are decorated with auspicious animals providing the weaver protection, assuring good quality weaving and pleasing the gods.
This elegant heddle pulley carved from a single piece of Burmese teak is topped by a peacock, which in Buddhism represents the short-lived nature of all things. In Burmese animistic traditions, it auspicious animal images protect the weaver, assure quality weaving, and please the gods and spirits. Finely weathered from time and use.
This elegant antique heddle-pulley carved from a single piece of Burmese teak is topped by a hamsa, a goose-like bird and a sacred Buddhist symbol of wisdom. Auspicious symbolic animal images are believed protect the weaver, assure quality weaving, and pleases the gods and spirits. It is wonderfully weathered from time and use with minor losses with a fine patina. Mounted on a black wood base, this heddle pulley pairs well with item number 11298A.
This exquisite teak carving of a Mandalay Burmese male dancer wearing a sarong is in a fluid twisted pose emphasizing his strength, balance and grace with his raised hand is in a position similar to a Buddhist mudra. His humble status is reflected his head scarf and a bejeweled sarong with insert glass that reflect light and add movement and depth. His joyful beautiful face stares with open eyes and slightly parted lips It is simply a gorgeous work mounted on a contemporary frosted stand to complement any setting.
This antique coconut grater is a very practical multi-use creation designed to cut, grate, shave, husk, and shred coconuts and large fruits and vegetables. Some were carved as crouching rabbits and others like this were realistic renderings of small mammals. Its decorative appeal includes lovely 6-petal flowers above its four legs and elegantly curved and metal piece extending ” W:from its mouth. With its warm and rustic feel, it would be a unique decorative addition to any kitchen and an interesting conversational piece.
This exceptional naga was one of two that comprised a gong stand. Gongs were used in Burma for both ceremonial and musical purposes in religious, state, or secular settings. A protection figure, this naga is a superb carving elaborately decorated with gold lacquer and pigmentation. He opens his mouth wide bearing mother-of-pearl teeth and a curled blood red mouth and tongue to drive away malevolent spirits, also reinforced by the large glaring eyes circled in red. On first glance it is menacing, but its history as a protector of Buddha Shakyamuni make it prized as a fanciful, gleeful guardian. His scales are arched relief designs of mixed lacquer and ash and they are highlighted with inset cut mirrors and green sequin-like glass “jewels.” It is mounted on a museum quality stand and is in excellent condition for its age and use despite missing an ear.
Vintage Burmese teak heddle-pulley used in strip-weaving on small handlooms. Here surmounted by a ferocious mythical lion as guardian of Buddhist law. Mythical beasts believed to protect the weaver and assure high quality weaving.
Traditional Burmese dance has its roots in folk religion and is a combination of ancient animism, nat worship and a later syncretic blend with Buddhism. Ethnic minorities often perform dances that include warriors , Zawgyi (shaman) and nats wielding swords or holding drums while dressed in full-body costumes. Burmese performances were regulated with limitations on…
Burmese women always did strenuous work, yet they rarely see themselves as farmers. This is due to Burma’s old patriarchal culture, Burmese laws and narrow rural beliefs defining them as workers laboring for men only: their father, brother or husband. This wonderful painted wood panel of a barefoot female farmer depicts her with the long…
End of content
End of content