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$135.00
This charming miniature ewer or small pitcher was made during the Tongzhi Period 1856-1875) and used to pour soy sauce, oils or other liquids. The spout and handle are elegantly curved and thick cobalt blue designs are set on a spotted grey ground with a chrysanthemum on each side and abstract plantain curved vertical leaf…
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$175.00
Chrysanthemum and bindweed decorative motifs are often used deigns on surfaces of underglaze cobalt blue and white porcelains, were especially popular in the 1860s – 1880s during the Tongzhi period and appear on both domestic and export ceramic pieces. Since bindweed grows wrapped around pine trees, it is a symbol of the close attachments formed…
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$255.00
Scenes with landscapes, distant mountains, bodies of water and architectural structures in nature are common subjects in the Chinese aesthetic and closely related to the scholar’s beliefs and their way of life that includes Four Scholarly Pursuits (siyi) and Four Treasures of the Scholar’s Studio. The three main Chinese belief systems of Taoism, Confucianism and…
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$235.00
This gorgeous porcelain ewer is covered in a saffron glaze, also called red coral glazed porcelain, created by potters in the Qing dynasty as a variety of new glazes at that time including a new coral red variety known as shan hu hong. This low-fired iron red glaze had a yellow tinge resembling the color…
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$135.00
Blue and White porcelain was first made in China during the Yuan dynasty and its production increased during the Ming and Qing dynasties. Before that, ceramics fired at lower temperatures were every day functional-and-utilitarian pieces using inexpensive clays and colors made in quantities for the poor. Because porcelain was superior to other ceramics, a huge…
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