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Decorative every day Shiwan ware pieces are recognized for their fine craftsmanship, vivid expression, and colorful apple-green and drip glazes. Shiwan potters mixed waste materials with local and inexpensive clay – one of the earliest artistic forms of recycling. Shiwan chopsticks holders are unique kitchen accessories, especially as wedding gifts.
This delicate small carving of seated White Robed Guanyin in meditation is carved in the round with fine details on all sides. Seated on a two-tiered radiating lotus throne this small, important and beautiful image was placed on a home altar with other Buddhist statues and house gods. It is mounted on a frosted acrylic base.
This colorful antique Shiwan stoneware food offering would have been placed on a Chinese home or temple altar to augment or in place of a plate of stacked fresh fruit. These offerings are still made honor the family’s ancestors, communicate with deities and bring prosperity, good luck and health to the home.
Decorative utilitarian Shiwan ware pieces are recognized for their fine modeling, vivid expression, and colorful apple-green and drip glazes. Chopsticks were commonly stored in wall pockets with a hole for mounting. Covered with auspicious symbols, they were often part of a bride’s dowry as “chopsticks” is a pun for “speedy arrival of sons.” It can hold utensils, dried flowers, and other objects and is a unique wedding gift.
Decorative utilitarian Shiwan ware pieces are recognized for their fine modeling, vivid expression, and colorful apple-green and drip glazes. Chopsticks were commonly stored in wall pockets with a hole for mounting. Covered with auspicious symbols, they were often part of a bride’s dowry as “chopsticks” is a pun for “speedy arrival of sons.” It can hold utensils, dried flowers, and other objects and is a unique wedding gift.
Taoist priests like this were placed on home altars to bring wishes of fu – a virtuous, prosperous and long to the home in which they were placed. This vibrant figure hold a ritual cup symbolically containing the elixir of life in his left hand. The open back cavity reveals the slip that was placed there during a consecration ceremony by a taoist priest.
This 19th century Tuareg “king” manilla bracelet/anklet made from brass, copper and iron in the shape of horseshoe is a magnificent example of African metalwork composed of massive flat finials with 10 facets. Adorned with traditional raised finely detailed etched and hammered cross-hatched designs, diamond shapes, triangles and circles, this fine piece is excellent condition with appropriate signs of age and use and comes with a wood and metal stand.
This 18-19th century Tuareg manilla was fashioned using a sand mould in a traditional horseshoe shape with bulbous rounded faceted ends. decorated with hand hammered fine details which have faded from age and wear. Individual Tuareg tribes each use unique symbolic imagery and decorative motifs passed down for generations. It comes with a wood and metal stand.
This elegantly shaped horseshoe-shaped manilla from the Mali and Niger region is decorated with hammered and incised embellishments, designs, and decorative motifs unique to individual Tuareg tribes that have been passed on for generations. It is divided into distinct sections, each with detailed traditional etched linear designs, circular cutouts, diamonds, grooves and terminating in large rounded knot finials incised with layered triangles designs. Bracelets/anklets of this massive size were never worn as jewelry but were used as currency and to represent status. The patina shows its age, long use, and wear. It comes with a wood and metal stand.
Tuareg wrist and ankle manillas made from sand moulds were usually shaped in a large C. Recognized for their unique etched designs, symbols, motifs and faceted knob ends, each is a one-of-a kind creation. This bracelet has massive finials with 12 facets containing detailed hand-etched and hammered designs including raised circles. It is in excellent condition with appropriate signs of age and use and comes with a wood and metal stand.
Sources
Helen E. Hagan and Lucile Meyers, Tuareg Jewelry: Traditional Patterns and Symbols, Xlibrus Corporation, 2006.
This finely fashioned antique Tuareg manilla bracelet/anklet is a traditional slim circular-shaped bracelet with hoof-shaped terminals, hand incised striated decorations, and faceted rounded beads at the open ends. Manillas were important currency for nomadic populations since they were easily portable. It is in excellent condition with a fine patina and comes with a wood and metal stand.
This antique hardwood local female deity from a provincial area in South India is a Devi, a positive female spirit and fertility deity. Hand crafted as a child’s toy, it was intentionally crudely carved without much detail and created to entertain and instill pride in the local community’s heritage and religion. It has a shiny patina from natural hand oil as it was handled daily for a century or so.
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