Showing 73–84 of 94 results
Miniature 4th century BCE elegant xenon Apulia vessel, flared rim and handle, with painted orange geometric designs which may have been a child’s cup or used for votive purposes.
This provincial Guanyin made for a home altar sits in anjali mudra. Portrayed as humble, approachable, she wears a 5-lobed diadem, hair in a chignon with braids and modest robe seated on a waisted lotus throne with stacked lotuses.
Each of this whimsical gold and red-burgundy lacquered pair of male fu lions sits erect on a high pedestal heads thrown back with flaring ears, bulging eyes, decorative stylized manes and a small bushy tail. Their spirituality is displayed by the pair silently emitting the blessed mantra “aum”: the open mouthed lion forming an “au,” and the other completing it with a closed mouth to form “mmm.” The workmanship on these pieces is masterful, although rustic and provincial, and they are rare with their Buddhist symbolism and because most pairs of fu lions pairs were lost during China’s modernization.
Produced in Thai kilns in the 14th to 15th centuries, Sawankhalok glazed stoneware lidded bowls were distributed through southeast Asia along with a variety of larger and smaller items. Lidded bowls like this were used to store many things, especially spices, powders and cosmetics, betel nut chewing materials, and medicine. This bowl rests on a thick foot, has a lid with a brown lotus bud handle and covered with decorative panels of underglaze brown crosshatch and vegetal scrolls.
This vibrant carpet can be used as aid for meditation to sit on or hung on a wall.
This ancient bronze ge dagger-axe is a true glimpse of the changes in military history and would be a great addition to a collection of weapons throughout the ages. Widely produced and used in the Han it virtually disappeared after introduction of chariots and tightly military formations.
Ancient spearpoints with this triangular blade called triangular lanceolate projectile spear point were found under multiple feet of sediment about 40 miles from Austin, Texas are revising ancient American history as they are believed to be the oldest weapons ever found in North America. Considerably older than those made by the Paleoamerican Clovis culture, formerly…
This Song earthenware tile depicts the legendary scholar, poet and alchemist Taoist deity Lu Dongbin, one of the Eight Immortals, who sought to discover the elixir of immortality and used charms still used in Chinese homes to prevent illness and ward off evil. He and his fly whisk are auspicious symbols of longevity and a wish for immortality. Firecrackers, are traditionally used to celebrate the Chinese New Year, to bring in wishes for a safe and prosperous year, scare away evil and provide pleasure for the ancestors’ spirit.
Most jauk keras (strong, scary) masks of a giant are often red or orange to reinforce a volatile dance with jerky movements. This jauk manis (good, sweet) mask dance is a more controlled, regulated and enacted with more calm and human movements.
This mid 20th century Buddha Shakyamuni in Earth Witnessing position is carved in rural Lao style. Covered with gilt, the small rustic and simply carved image follows Lao artistic canons for depicting a Buddha: a curved hairline and high arched eyebrows that meet at the bridge of the nose, distinct hair curls, long ears, and a flame-shaped radiance emerging from his ushnisha. Its very large base is as tall and wide as the image, reflecting Laotian beliefs that a high pedestal reflects a deep respect for the Buddha. A base has been added for display purposes. Authentic old Lao images, even small personal ones like this, are difficult to find.
Colorful bearded official/entertainer doll with traditional hat, dark blue and gold robe holding paper clappers castanets. Mounted on lucite.
Charming Chinese Nuo Opera dancer wearing a costume with 5-petal plum blossoms symbolizing a wish for the Five Happinesses: prosperity, long life, health, a virtuous life and natural death.
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