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Most small utilitarian pottery jars like this were made in ceramics centers in Africa-Proconsularis, the name for Roman North Africa territories and were either a perfume, oil, ointment or cosmetic jars. Wheel made it has grooved furrows etched on the surface without frills for durability.
Mingqi are ancient earthenware pottery items usually made using a bivalve mould and covered with a lead glaze that fired to a dark green. The lead in the glaze often combined with tomb dampness for centuries creating a chemical reaction changing its coloring into a lustrous and iridescent green seen here. Han mingqi were ancestral…
This is unusual piece was likely on a scholar’s desk along with pots, brushes, water droppers, boxes, ink stones and other daily used objects used for a variety of tasks: a brush holder, a paper weight and more. With its round body covered with the landscape of a Chinese village, mountains and seas and the calligraphic name of the scholar owner Shu Dai Ji (舒逮吉) it would be perfect for placement on any style desk or in a study.
Nandi is among the most frequent Hindu deities worshiped in public places, temples, homes, or on a home altar throughout India. As one of Hinduism’s mythical animals, Nandi is Shiva’s vahana, (his mount that transports him), attendant and leader of his attendants and guardian of all four-footed animals. A recumbent image of Nandi on a…
Metal oil lamps (diyas) made for deities in Hinduism are recognized by distinct designs, symbols or figures which identify specific deities to devotees wish to offer their prayers used in homes and temples for daily prayers (puja). This heavy brass antique votive from India is a Vishnu diya with a shallow yoni shaped cup, short…
A stupa is a memorial shrine and a sacred burial mound to house sacred relics associated with the Buddha or other Buddhist saintly persons, a symbol of the Buddha’s enlightenment and a model of the Buddhist cosmos (McArthur, p. 179). Initially they were hemispherical mound-like shapes and were transformed in East Asia into a pagoda…
This small antique brass Nandi is exquisitely handcrafted with a wonderfully aged patina. He sits recumbent on a raised rectangular platform. Delicately incised with decorative details delineating the head, neck, snout and body, his right leg and tail are sinuous, graceful ornaments rather than defining features. His head is at a 45-degree with lyrically curved horns in contrast to most versions with horns extending backwards. This Nandi is based on a South Indian cow whose humpback is emphasized here by two parallel lines covering it as if is part of a saddle or another ornament feature.
This small antique-Chinese-wood-carving represents Mazu, which translates as “Mother Ancestor,” the tutelary deity “Protector of the Sea” who protects seafarers and is very popular among Taiwanese, Fujianese, and Cantonese sea cultures. This syncretic cult figure is the most imortant ofthe female Taoist-Deities and continues to be worshipped by Taoist, Buddhist and Popular Religion followers. In…
This small fearsome carving is the Taoist Thunder God who provides protection from injustices and punishes earthly beings and wicked spirits who harm humans. His drum and mallet produce thunder and his chisel to punish evildoers. He has a bird’s beak and claws and dragon’s wings and rides a mythical hou who protects it masters from evil and bad fortune. This carving and the Guanti God of Justice on a Hou (16325) are from a detailed bed frame with many protective deities guarding the home.
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metalsmiths from Eastern India using the same lost wax casting process for millennia. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece is a typical grain measure and has a handle for hanging and decorated with horizontal striations across the top and bordered by downward striated triangles with a smooth patina from age and use. This bowl were regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
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This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metal smiths from Eastern India using the same lost wax casting process for over 4000 years. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece has a handle for hanging with horizontal striations and downward striated triangles with a smooth patina from age and use. This type of bowl was regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metal smiths from Eastern India using the same lost wax casting process for over 4000 years. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece has a handle for hanging with horizontal striations and downward striated triangles with a smooth patina from age and use. This type of bowl was regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
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