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Nanhai Guanyin on Mount Putuo sits as a triad with acolytes Shan Tsai hands in prayer and the Dragon Princess offering the “illuminating pearl.” Very rare Ming sculpture on an Acrylic base is one of our favorites VA collection carvings.
Carved ancestor figure as an official sits on a backless chair with a decorative pedestal in official’s attire holding a long slender curved hu-tablet, all signs of his office and status. He is vibrantly painted in red, the color of fu, as a wish for prosperity and status.
By making the Queen Mother larger than her horse and adorning it with decorative accessories – wide blanket, prominent head gear, double rowed harness, decorative medallion – this provincial artist emphasizes her power as Tao goddess of life, fertility and granting immortality.
Rare provincial carving of Guanyin in lalitsana clasping a rosary on a mythical Hǒu that symbolizes righteousness, morality and ushers in peace and prosperity. Small yet powerful, consecrated and mounted on Acrylic base.
Rare single image of Kitchen God and wife, indicating their close/lasting relationship as family’s protectors. Detailed elaborate officials’ robes, headgear. Individually portrayed holding hu tablets like those held by high court officials or Taoist priests.
Wonderfully carved Nanhai Guanyin with ornate and beautiful diadem centered by elaborately framed Buddha Amitabha in meditation. Vibrant aura radiates spirituality, opulence, serenity and strength, as well as compassion and grace, making this a truly masterful piece of art.
Apple green glazed teapot typical of Shiwan kiln pottery known for its brilliant flambé glazes in the 18-19th century. Hexagonal shape with yoked rounded handle with spiral decorations that adds a decorative touch.
God of Literature, Books and Writing, Education, Learning and Examinations, Wen Chang is the patron saint of scholars. Thin, surly, demon like with exposed ribs and facial distortions, he stands on a dragon’ head among waves. Unique wonderful carving that would look spectacular on a desk.
When ancestral images are taken out of context they are very difficult to identify so we describe them in generic terms as a Chinese Officials or Taoist Officials. This carving may represent the noted historical figure the principal regent Dorgon of the first Qing Emperor Shunzhi who ruled from 1643-1650 as a”quasi” emperor based on…
Taoist priest wearing a winged hat with a taotie warning against excess, and hands in the Sword Gesture used to cast out evil and offer blessings. Often on horses, priests were models of morality reflecting the Way of the Tao stressing harmony and oneness with nature.
18 original Lohans were the major disciples of Shakyamuni Buddha whom he, at his death bed, entrusted to protect and promulgate Buddhist teachings. Over centuries, their numbers increased to over 500 enlightened beings recognized for their courage and supernatural powers. In Mahayana Buddhism, Lohans represent the ideal toward which Buddhist devotees should strive as they…
Taoist priest or shaman with a double-winged hat with a mythical taotie as a warning against greed and excess. His left hand in the Sword Gesture to cast out evil and right holding a tael symbolizing wealth and good fortune
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