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This extremely rare late Ming/early Qing dynasty antique-Chinese-wood-carving carving is divided in two parts and is significant for its juxtaposition of images as well as its unique iconography. The top is one of the Taoist officials in typical officials-attire: an official’s hat, a tiered robe with a red sash extending to the tops of the…
Although this wonderfully carved antique figure portrays an ancestor depicted as an official, his atypically benevolent and finely modeled face makes him a very endearing figure. Old and weathering from age in its rear, this piece was repainted probably in the 20th century, as was periodically done with old figures with losses, especially due to seasonal South China climate. With his individualized convincing features, he is a very relatable rather than authoritarian figure, possibly resulting from the affection of the family that commissioned it. This beautiful and vibrant carving would enhance any setting.
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This exceptional official is one of the most significant ancestor figures in our collection. His attire, glass eyes and distinct facial features indicate a wise man of importance who commands respect. Cranes and clouds symbolize longevity, wisdom, good fortune and emphasize his high rank.
This very finely carved figure of an ancestor was commissioned by a family of either high status or wealth, having been carved from a single piece of an exquisite and rare hardwood with a lustrous patina. The exquisite carving in beautiful dense wood and patina make this a wonderful and distinctive piece.
Attendant Chou Ts’ang, to Guandi, most revered Chinese military hero and Taoist God of War, hands clasped and eyes down in respect wearing detailed military clothing and boots on high pedestal with painted gold florals.
Graceful heavenly attendant carrying offerings with ribbon winding around her, a nod to the phrase “May longevity bring blessings.” Elegant and serene demeanor honoring the being she attends.
Sensitive modeling of the face, body and lotus base, its appealing features and graceful garments, make this diminutive statue truly endearing. The rear inscription indicates it was commissioned to celebrate the wedding of a daughter and, as such would make a superb wedding gift.
Antique recumbent long horned Nandi seated on a high pedestal throne, with jeweled decorations on head and body is an incense holder . Beautiful patina, finely cast.
This charming miniature ewer or small pitcher was made during the Tongzhi Period and probably used in a restaurant or home kitchen as a dispenser for soy sauce, oils or other liquids. With an elegantly curved spout and handle it is covered with chrysanthemums, plantain curved vertical leaves and bindweed vines. The lid has a lotus shaped bud for lifting, and the bottom has a Chinese antique export seal.
Small teapot with intricate cobalt blue chrysanthemum and bindweed designs widely used in late 19th century in domestic and export wares. Ball handle on lid.
This is unusual piece was likely on a scholar’s desk along with pots, brushes, water droppers, boxes, ink stones and other daily used objects used for a variety of tasks: a brush holder, a paper weight and more. With its round body covered with the landscape of a Chinese village, mountains and seas and the calligraphic name of the scholar owner Shu Dai Ji (舒逮吉) it would be perfect for placement on any style desk or in a study.
Nandi is among the most frequent Hindu deities worshiped in public places, temples, homes, or on a home altar throughout India. As one of Hinduism’s mythical animals, Nandi is Shiva’s vahana, (his mount that transports him), attendant and leader of his attendants and guardian of all four-footed animals. A recumbent image of Nandi on a…
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