Showing 241–252 of 426 results
This charming oil lamp is decorated with auspicious symbols: Fish symbolize harmony, marital happiness and double fish mean “may there be abundance.” The oil cup is a lotus seed with a lotus leaf, symbols of a harmonious and fruitful marriage and also mean “the continuous birth of sons,”
Exquisitely carved with expressive and spiritual bearings, these three 19th century rare small antique wood Apostles have eyes with inset glass, painted lashes, and well-articulated facial features . The crack lines on each side of their faces indicate the process by which the eyes were inset in front of the faces. All are seated, bearded and wear similar robes, although the garments are in different vibrant color combinations, the hand positions are varied and the body postures diverge slightly. Each is mounted on a two-tiered wood base, elevated at different heights. This piece is featured in a VA instagram post.
Zhenwu (Perfected Warrior) is one of the most important and powerful Taoist deities, god of one of the 4 cardinal directions (the north) revered for his potent magical powers to suppress demonic forces. This provincial image for personal devotion and reflects his classic iconography: seated on a throne, bare feet resting on a snake and a tortoise, a celestial scarf and maille armor. Intricately carved he has a powerful presence.
Zhenwu (aka Xuanwu, Wuandi and Zhenwudadi) is one of the most revered Chinese Taoist figures, venerated for his ability to heal as well as to protect his country and the emperor. There are various depictions of his attire, but here he wears a plain black robe with an official’s belt which he holds in his…
Zhenwu was known by many names and titles, the most common ones being the True Warrior, Perfected Warrior or Northern Emperor. As one of the most popular Taoist-Deities during the Ming and Qing dynasties he was an emperor known as protector of the state and the imperial family. During the imperial dynasties was a patron…
This exquisite teak carving of a Mandalay Burmese male dancer wearing a sarong is in a fluid twisted pose emphasizing his strength, balance and grace with his raised hand is in a position similar to a Buddhist mudra. His humble status is reflected his head scarf and a bejeweled sarong with insert glass that reflect light and add movement and depth. His joyful beautiful face stares with open eyes and slightly parted lips It is simply a gorgeous work mounted on a contemporary frosted stand to complement any setting.
This exceptional naga was one of two that comprised a gong stand. Gongs were used in Burma for both ceremonial and musical purposes in religious, state, or secular settings. A protection figure, this naga is a superb carving elaborately decorated with gold lacquer and pigmentation. He opens his mouth wide bearing mother-of-pearl teeth and a curled blood red mouth and tongue to drive away malevolent spirits, also reinforced by the large glaring eyes circled in red. On first glance it is menacing, but its history as a protector of Buddha Shakyamuni make it prized as a fanciful, gleeful guardian. His scales are arched relief designs of mixed lacquer and ash and they are highlighted with inset cut mirrors and green sequin-like glass “jewels.” It is mounted on a museum quality stand and is in excellent condition for its age and use despite missing an ear.
Artfully shaped hsun ok pieces to hold offerings to monks and make merit reveal much about Burmese artisans: exceptional lacquer ware skills, support for monks and devotion to Buddhism. This large elegant Hsun Ok has a flaring pedestal, lid with a finial symbolizing a Buddhist stupa and applied mythical animals and floral decorations. Early 20th century pieces with these special details are harder to find and copies abound.
Nandi is among the most frequent Hindu deities worshiped in public places, temples, homes, or on a home altar throughout India. As one of Hinduism’s mythical animals, Nandi is Shiva’s vahana, (his mount that transports him), attendant and leader of his attendants and guardian of all four-footed animals. A recumbent image of Nandi on a…
This finely and delicately modeled vintage Burmese bronze Buddha Shakyamuni in the Earth Witnessing mudra displays many characteristics typical of the Burmese Mandalay style. His soft youthfully sweet face with slightly smiling lips is framed by a filet headband, snail like hair locks, and almond-shaped eyes are inlaid with glass. Made in the 20th century with the lost wax process in which the mold is destroyed, this piece is a one-of-a-kind exquisite work of art in excellent condition.
This antique carving of a Devi, the Sanskrit word for divine probably was a child’s toy and and a protective item. She has a tikka mark on her forehead, ample breasts – a wish for fertility-, and an upright stance asserting her position as a protective deity. It has been handled so often the wood and paint are extremely smooth with a shiny patina.
While major deities such as Guandi were officially sanctioned by government and religious authorities, many popular deities and historic figures were integrated into Popular Religion beliefs where they were assimilated and greatly modified with local traditions and iconographic depictions such as this. We assume this is Guandi, one of the most revered Chinese deities based…
End of content
End of content