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Hindus use oil lamps (diya) like for ritual prayer rituals (puja) performed on home altars. Light and the act of lighting a lamp signify purity, virtuosity, goodness and brings one good luck and power. Peacocks are common motifs symbolize love, joy, peace and harmony.
As a wish for a prosperous and healthy family with many sons, this small table elegant probably was in a young couple’s bedroom to hold small personal statues and store precious items. Guanyin sits a hǒu holding lotuses in the right panel and the left has fertility symbols rats with melons. It is perfect for creating a personal home altar and a unique wedding gift.
Given the auspicious images on this finely crafted red and gilt jewelry box, it was probably a wedding gift for a fortunate couple as a wish for fertility, harmony and many and sons. The doors have a carved lotus symbolizing beauty and purity and the top has 5 bats surrounding a longevity roundel. When depicted on a box, it means as “May you have a harmonious marriage with the Five Blessings” (longevity, health, wealth, virtue and a peaceful death) and signifies completeness, togetherness and harmony.
Each of this whimsical gold and red-burgundy lacquered pair of male fu lions sits erect on a high pedestal heads thrown back with flaring ears, bulging eyes, decorative stylized manes and a small bushy tail. Their spirituality is displayed by the pair silently emitting the blessed mantra “aum”: the open mouthed lion forming an “au,” and the other completing it with a closed mouth to form “mmm.” The workmanship on these pieces is masterful, although rustic and provincial, and they are rare with their Buddhist symbolism and because most pairs of fu lions pairs were lost during China’s modernization.
This intricately carved black and heavily gilt antique cabinet is a fine example of a Straits Chinese furniture made in Guangdong for the Southeast Asia market. Carved openwork panels with phoenixes and lotuses are symbolic wishes for harmony, blessings, rank, good fortune; outstretched wings wish for harmonious marriage, many sons and the inside decoration a wish for status and successful career. Although flamboyant for todays taste, it is a unique accent piece and gift for newly weds.
This small elm cabinet is from Fujian province known highly decorative vernacular for the new wealthy merchant class. Vernacular furniture was often red lacquer with auspicious symbols. The left door has a magpie on plum tree branch and the right a magpie with a chrysanthemum. The magpie is the bird of joy and happiness and the magpie and chrysanthemum mean “May the whole family be happy,” The a plum symbolizes longevity) and when they have 5 leaves are a wish for the Five Joys/Happinesses: health, wealth, longevity, a life of virtue and a peaceful death. These cabinets were perfect gifts for newlyweds as a desire for double happiness, a long and fruitful marriage with sons
Whimsical carvings of fu lions were the most popular mythical animals in Chinese homes, especially during the Ming and Qing dynasties, as free standing statues, designs on furniture, architectural elements and functional pieces in private homes or gardens or on a home altar to bring fu and the blessings to the home. This incredibly cute…
This very fine ladies vanity cabinet is covered with red lacquer, the color of blessings (fu), highlighted with gold and deeply carved and painted decorations of auspicious symbols to bring happiness, good fortune, long life and many sons to the elite couple who may have received it as a wedding gift by parents in hopes of them successfully carrying on the family tradition. This is a reflection of the Confucian belief having sons to carry on the family name is essential to real happiness.
Produced in Thai kilns in the 14th to 15th centuries, Sawankhalok glazed stoneware lidded bowls were distributed through Southeast Asia along with a variety of larger and smaller items. Lidded bowls like this were used to store many things, especially spices, powders and cosmetics, betel nut chewing materials, and medicine. This bowl rests on a thick foot, has a lid with a radiating glazed petals surrounding an olive-brown glazed lotus bud handle. The cover’s side has a band of pointed star points and the body is covered with an intricate scroll of white glazed colored branches and florals.
Finely carved figures were attached to ox cart yokes to protect farmers from malevolent spirits who inhabited all seen/unseen sectors of their world. . This beautifully carved ox cart yolk image is a chinthe, a mythical Burmese lion/dragon creature commonly decorating many everyday items. A propitious spiritual and protective guardian, the animalsymbolizes power, courage, and strength. This carving displays the common traits of a lions with a long face, large eyes, a long sharp nose, a lion-like beard, and a flame-like shape on the top of his head. Masterfully carved with careful attention to details, see the deeply incised hairs that cover his body. The 2-part piece is held together with a wooden plug. Though for daily use, Burmese craftsmen created beautiful objects and finished them with the best materials they could afford.
The low profile and fine lacquered finish of this charming antique wood chest add warmth and a touch of antique fine craftsmanship to any setting. The two intricately carved drawers for storage lend it to a multitude of uses. Carved auspicious symbols to bring the Five Blessings or Happinesses include peonies and vines, butterflies, plum blossom and a Japanese lily. The sides have inset panel with florals and the bottom has a decorative apron with a beautiful fretwork vine design. Its warm patina extends to the detailed brass butterfly handles.
This terracotta head was crafted during the Majapahit Empire in Java and was either part of a Hindu bas-relief frieze or made as a freestanding figurine. Most figures found are small decapitated heads with no bodies, and it is very rare to find a complete figure with a naturalistic facial expression. As with many heads, this one displays Javanese facial features, hairstyles and ear ornamentation typical of the period. It has a naturalistic facial expression and wears large round coiled earrings, possibly suggesting it represented someone of the upper classes. It is in very good condition given its age and use and is mounted on a metal stand. This items pairs with Majapahit Terracotta Head 1137.
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