Showing 49–60 of 155 results
Chinese Noa opera mask is likely a female zhengshen – a benevolent gods with kind and honest nature and gentle disposition -symbolizing the power of good to defeat evil. Age and heavy use
This excellently carved civilian official with gilt highlights was commissioned by a family to place on a home altar for veneration and to impress those who viewed it. The imposing ancestor figure grasps his belt of office to show his pride in passing examinations to become a civil official, which leads to a life of rank and prosperity for him and his family. Statues like this are an affirmation of persistence, success, status and power and they honor those who display these characteristics.
Pair of bronze palanquin rings to transport Khmer Empire royalty and elite decorated with a lotus motif found in Lopburi, Thailand, the western most Khmer outpost.
Pair of oil lamps for good fortune with diamond shaped double lozenge meaning many treasures, and plum blossoms, symboling the Five Happinesses – wealth, health, longevity, peaceful death and love of virtue.
Rare and charming carved attendant pair to flank deities on circular pedestals presenting boxed offerings with ribbons as wish for longevity.
Antique Home, Temple or Palace Guardian Figure symbolizing protection and devotion. Beautiful courtly multi-tiered attire and tall, pointed headdress signifying celestial and royal status. Rattanakosin style blending elegance with sacred symbolism.
Burmese teak heddle pulley surmounted by a graceful peacock that symbolizes wholeness, combining colors and fleeting nature of all things. Based on old animistic beliefs, heddles are decorated with auspicious animals providing the weaver protection, assuring good quality weaving and pleasing the gods.
This elegant heddle pulley carved from a single piece of Burmese teak is topped by a peacock, which in Buddhism represents the short-lived nature of all things. In Burmese animistic traditions, it auspicious animal images protect the weaver, assure quality weaving, and please the gods and spirits. Finely weathered from time and use.
Carved Mandalay style peacocks with outspread feathers like this were placed over entrances to protect religious and government buildings. The peacock was emblem of last Burmese Dynasty symbolizing the monarchy descending from the sun.
The Chinese characters within a circled seal in the mold on the bottom indicate this teapot is an antique. As the thin ribbon blue collar as wishes for long life, it is a perfect birthday gift. Recommended for decorative use only.
This elegantly shaped and beautiful high-fired antique porcelain ewer was decorated on its outside with a saffron-colored glaze called a coral red glaze. The sides have a white glazed quatrefoil panel with hand-painted multi-colored floral designs on a white background within a gold frame interspersed among sinuous gold leaf vines across the body and neck and a white glaze covers the inside and bottom. Its beauty is enhanced with its graceful spout, colorful white and gold panel beautiful.
Utilitarian ceramics like this were used in home kitchens and restaurants to hold oil, sauces, soy or other liquids. This spouted blue and white porcelain jar has four loops, also called lugs, so a natural fiber such as rattan could be threaded to either secure a top create a way to hang it to a peg. Sealing the top was very useful if the jars contained liquid and needed to be transported. The piece is decorated in a free and expressive manner with a charming impression of a country scene of a building in a landscape surrounded by tall trees. The cobalt is thick and dark in some areas of the foliage and applied with a thin, sparing and light brush elsewhere.
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