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In Babayan’s native Armenia, autumn is celebrated as a golden time of reflection, with shinning sun, fresh air and multi-colored leaves. The painting expresses the season’s tension between decay and beauty with delicate, swirling strokes that evoke both transformation and stillness.
This lyrical and radiant painting captures the energetic dance of summer and nature in full bloom. With swirling marks, dynamic color and movement, Anush memorably celebrates her favorite season.
In Angels of Love, three angels rise organically above what can be interpreted as the Tree of Life. Symbolically for the artist, love nourishes both the internal and external roots of the universal Tree of Life in all of us.
This vibrant glass painting of Krishna along with the Peacock (3983MCE) were inset in an antique Indian wood cabinet or chest. One of the most popular Hindu deities, he is beautifully depicted serenading his adoring gopis with his engaging flute.
This glass painting of a peacock was one of a pair of panels inset in an antique Indian cabinet along with Krishna Playing his Flute (3982). Beautifully painted with reflective silver accents it is a vibrant and remarkable wall hanging. As both panels were originally displayed together, we recommend they be kept as a pair.
In Beginning, Anush Babayan merges the cosmic with the terrestrial, depicting a radiant Tree of Life emerging from the energetic ether. Swirling galaxies and ascending tendrils root this sacred symbol in both time and timelessness, speaking to the eternal origin of consciousness and creation.
In Birth of the Universe, Anush captures the raw, primordial energy of cosmic creation through a vortex of color, motion and radiant texture. At the center of the painting, a spiral form unfurls into space at the moment of origin—powerful, luminous and sacred.
Framed Acrylic Painting
This is one of a pair of “Buddha in Bliss” paintings by Lark Pilinsky, celebrating the energetic spirit and joyous wisdom shared by the Buddha with all of humanity.
Acrylic on Canvas
This is one of a pair of “Buddha in Bliss” paintings by Lark, celebrating the energetic spirit and joyous wisdom shared by the Buddha with all of humanity.
In Christ’s Sacrifice, Anush Babayan evokes the divine mystery of redemption through an ethereal, cross-like form that rises into radiant light. Here layers of radiant texture and color suggest both the pain and transcendence of spiritual transformation.
Framed Acrylic on Archival Board
This glorious Lark Pilinsky painting received a Gold Award in the USA Group Show at the Metropolitan Museum of Art in Tokyo. Part of her California Shores series, it is an homage to J.M.W. Turner, the English Romantic “painter of light” whose landscapes and seascapes emphasize the brilliance of light and color.
In this painting, angelic beings dance around a radiant core, merging with ethereal waves of gold, violet and stardust textures. The composition evokes a kind of celestial choreography—at once a celebration of divine presence and a meditation on spiritual illumination.
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