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Wing or ear cups (yushang), a term that describes its side flange-like additions to its ovoid body, appeared as early as the Zhou dynasty (1046-256 BCE) made in lacquer and later from a variety of materials. Lacquerware cups were used as dining vessels used for rituals and ceremonies contain fragrances, food or wine; and the…
Hu vessels, first made in the Shang Dynasty is an ancient-pottery wine vessel whose body swells in the middle, flares into a narrow neck and often has a raised circular foot. Very popular during the Han dynasty, it was used as an ancestral tomb burial object (mingqi) to hold liquids and elixirs for the deceased…
Mingqi are ancient earthenware pottery items usually made using a bivalve mould and covered with a lead glaze that fired to a dark green. The lead in the glaze often combined with tomb dampness for centuries creating a chemical reaction changing its coloring into a lustrous and iridescent green seen here. Han mingqi were ancestral…
A palanquin is a wicker or light wood human-powered mode of transport once used in Asia to carry people, usually for a royal or single person of elite status in Khmer-Empire society. Derived from the Sanskrit word for bed or couch, it is often a covered vehicle without wheels called a litter carried on the…
Stone reliefs or mold made earthenware brick tiles were made for ancestor worship and to decorate doors and the walls of tombs, temples and other structures from the Han Dynasty onwards. As China expanded its trade along the Silk Roads in the Song dynasty, foreign artistic influences began to be seen in the expanded use…
The Song dynasty (960–1279CE) is considered the most culturally brilliant era in later imperial Chinese history. A massive expansion produced government and public buildings and tombs with walls decorated with earthenware unglazed mold made brick tiles. Some were purely decorative and others were wishes for happiness and comfort in live and deceased people’s afterlife called mingqi. With…
Banquet scenes and feasts have been part of Chinese art and culture for millennia. They include celebrations of important rituals and social events, both public and private. These can be religious or social rituals, funerary practices performed by families filling their obligations of filial piety, family fêtes, scenes of scholarly gatherings, casual feasts for couples and…
Chinese belt hooks were worn with the hook end on the wearer’s left and fastened to clothing with a button like bronze piece fixed to the belt’s end. Initially only functional, metalwork belt hooks became a symbol of wealth, high status and power by the Han Dynasty. They were made using a variety of materials…
Unglazed earthenware pottery cocoon jars were used extensively during the Han dynasty as mingqi, items made for placement in tombs to comfort the deceased on their journey to the afterlife. These ancient pottery vessels were ancestral objects, part of ancestor worship, made to revere and honor the deceased, fulfill Chinese duties of filial piety, and have…
During the Song Dynasty earthenware unglazed brick tiles made using a mould were produced to decorate inner chamber walls of tombs and government and public buildings. Used as funerary decorations to wish the deceased happiness and comfort in their afterlife, these Song Brick Tiles are another example of a mingqi ancestral item. Without knowledge of…
The Song dynasty (960–1279) is considered the most culturally brilliant era in later imperial Chinese history. A massive expansion during this dynasty produced government, public and religious buildings and tombs with walls decorated with earthenware unglazed mold-made brick tiles. Some were purely decorative and others were wishes for happiness and comfort in the deceased’s afterlife called…
The Song dynasty (960–1279) is considered the most culturally brilliant era in later imperial Chinese history. A massive expansion during this dynasty produced government, public and religious buildings and tombs with walls decorated with earthenware unglazed mold-made brick tiles. Some were purely decorative and others were wishes for happiness and comfort in the deceased’s afterlife…
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