Showing 13–24 of 37 results
In the Han, belt hooks became a symbol of wealth, high status and power hung vertically from belt holes used in life and buried with the deceased for his journey to the afterlife . Ornamented with incised decoration this beautiful piece is dragon shaped with beautiful verdigris deposits.
Families placed cocoon jars with auspicious designs containing magical mixtures of mulberry leaves in tombs for departed’s souls to drink to transform in afterlife.
Luristan nomads made sophisticated bronzes prized in the ancient world for their designs and fine craftsmanship. This Iron Age finely cast curved long horned goat is set on a lucite base.
Rare bronze/copper alloy ring-shaped Sukhothai bangle bracelet with 3 raised knobs and decorative ends made for person of importance and stature. Fine patina.
This earthenware brick tile bordered with a deep scalloped frame depicts a vase with a bouquet of propitious flowers: a chrysanthemum and a peony wrapped with an elegant ribbon. Tiles like this were made to decorate the large numbers of buildings created during the prosperous Song dynasty and to adorn tombs. This elegant brick is in good condition for its age with expected chips and cracks, some restoration of background and a re-glued frame break on each side. It has earth adherents from its burial in a tomb.
This small juglet has a globular body, a round base, a very short neck, a wide mouth and short handles on each side. Like many other small Second Temple Period (circa 597-300BCE) pieces it is a functional item covered with a black slip and burnished. Small juglets like this “…were finished to a higher quality and were used for cosmetics and scented oils [and perfumes and ointments].” (Frank) This piece is intact, in good condition and a genuine piece from ancient history. There are two chips on the mouth rim, body dents, and burnish losses, all expected for its age and longer than two millennia old burial.
Source
Tom Frank, “Imagining the Past: Archeology and the Bible: a juglet to anoint,” September, 2014.
This pottery Judean juglet was made during the Biblical Period in the Holy Land (Levant) and used to hold perfume or other costly items. Its upper body tapers inward to a narrow neck to limit its pouring rate and conserve its costly contents. Covered with slip to lessen leakage and improve their appearance, these were used throughout the Roman Empire.
Early Christianity oil lamps were also seen as a symbol of light and a manifestations of the presence of the divine.
Produced locally in Roman North Africa ceramic centers in Africa Proconsularis after the Roman Empire expanded, pottery like this was shipped throughout the Empire. Functional wares called coarse wares were covered with slip to make them less porous and sometimes as here red paint added for decoration.This finely shaped red clay earthenware is less typical than other bowls with thinner, taller and slightly curved walls.
This Roman ceramic flagon is a uniquely shaped vessel used to store and pour potable liquids. A crème slip carinated jug with a high profile and a trefoil pouring spout, it has a strap handle attached from the carinated edge to just below the rim for easy handling. Roman coarse wars like this were use for liquids and to make offerings to household deities.
The shape of this elegant carinated ancient earthenware pouring vessel used to hold and dispense potable liquids: water, wine and other drinks. They were used to hydrate everyone including laborers, field workers, ship-rowers, army personnel and people in their homes and were placed wherever they were needed.
Hu vessels, first made in the Shang Dynasty is an ancient-pottery wine vessel whose body swells in the middle, flares into a narrow neck and often has a raised circular foot. Very popular during the Han dynasty, it was used as an ancestral tomb burial object (mingqi) to hold liquids and elixirs for the deceased…
End of content
End of content