Showing 145–156 of 196 results
This very masterful and unusual Jauk mask carved by the Balinese community on Lombok has a sweet smile and moustache and eyebrows of animal hide and hair. The dancer wear gloves with very long fingernails moving his hands back and forth to generate anxiety in onlookers.
This remarkable figurine is Guanyin on her mythical mount, the Hǒu, guardian master of the universe and model for righteousness and morality who symbolizes bringing forth peace and prosperity.The round orb in its mouth representing a pearl can be rubbed for good luck. It is one of our most unique and favorite Buddhist statues, mounted on a frosted Acrylic stand.
This Nanhai Guanyin (Guanyin of the South Sea) sits in her cave on Putuo island in the South China Sea with most of her traditional features. She is portrayed as White Hooded or Clad Guanyin with her hair in a bun covered with a short hood seated in royal ease (lalitsana) with her right hand…
This ancient figurine is Harpocrates the Greek god of silence and secrets holding a jar made for a home shrine. He probably represents a royal and temple cult, as he wears a double crown symbolizing both Upper and Lower Egypt and his royal emblem signifies his association with the reigning Egyptian king, who was considered a manifestation of the Egyptian god Horus. Missing part of his right side when excavated, and no with no repairs this is a true slice of history. It pairs well with #1845 Ancient Pottery Figurine of Child Nurturer Goddess.
This Roman Egyptian figurine from Alexandria of a woman holding a young child is a Kourotrophos, a class goddess figures holding infants or children. Referred to as “child nurturers”, these were revered deities, cult figures and mortals who were also fertility symbols and protectors of the young. Made from a bivalve mold, this terracotta figurine was probably placed on a home altar for protection. Mother and child figures like this are universal and appear in cultures throughout the world. It pairs well with #1844 Ancient Harpocrates Figurine.
This antique coconut grater is a very practical multi-use creation designed to cut, grate, shave, husk, and shred coconuts and large fruits and vegetables. Some were carved as crouching rabbits and others like this were realistic renderings of small mammals. Its decorative appeal includes lovely 6-petal flowers above its four legs and elegantly curved and metal piece extending ” W:from its mouth. With its warm and rustic feel, it would be a unique decorative addition to any kitchen and an interesting conversational piece.
Exquisite carved Taoist Queen Mother of the West Jade Maiden attendant who carries a peach of immortality grown in the Queen’s Garden. These fruits blossom every 3,000 years and are served at her famous banquet in the Western Paradise.
This Guanyin image was probably one of a pair of images along with the Taoist Queen Mother of the West (16206A-WACK) placed together on a community, local temple or home altar. Created by the same local artisan, they are provincial rather than imperial style having a humble, unadorned and simple rendering, seated on backless thrones, hands covered by a ritual cloth, uncharacteristic of Guanyin but common for Taoist goddesses. Both wear layered robes and a high pointed crown – the Queen Mother’s centered by a phoenix and Guanyin’s by a flower surrounded by symbolic aureole of radiating light. Both have soft blissful smiles with eyes cast slightly downwards to engage their devotees. Initially covered in bright polychrome colors, there are traces of surviving red, yellow, green, brown and black.
This provincial Guanyin made for a home altar sits in anjali mudra. Portrayed as humble, approachable, she wears a 5-lobed diadem, hair in a chignon with braids and modest robe seated on a waisted lotus throne with stacked lotuses.
Each of this whimsical gold and red-burgundy lacquered pair of male fu lions sits erect on a high pedestal heads thrown back with flaring ears, bulging eyes, decorative stylized manes and a small bushy tail. Their spirituality is displayed by the pair silently emitting the blessed mantra “aum”: the open mouthed lion forming an “au,” and the other completing it with a closed mouth to form “mmm.” The workmanship on these pieces is masterful, although rustic and provincial, and they are rare with their Buddhist symbolism and because most pairs of fu lions pairs were lost during China’s modernization.
Whimsical carvings of fu lions were the most popular mythical animals in Chinese homes, especially during the Ming and Qing dynasties, as free standing statues, designs on furniture, architectural elements and functional pieces in private homes or gardens or on a home altar to bring fu and the blessings to the home. This incredibly cute…
Fine open-lattice fret work cupboard door with auspicious symbols of blessings associated with a fulfilling life: longevity, wealth/ prosperity, health/peace of mind and love of virtue/high moral standards as well as a happy marriage. .
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