Showing 157–168 of 212 results
This charming vintage porcelain cat teapot with raised paw for pouring tea, removable head and a sinuous tail handle is whimsical and colorful with a red ribbon collar, green bow and green, black and red accents defining the expressive face, ears, head and paws, all beautifully hand-painted.
This porcelain rotund cat teapot has a raised paw to poured tea, a removable head to add water and long sinuous tail handle. He is whimsically and finely hand painted with colorful designs: blue for the ribbon-like collar, pink, green, black and blue accents on the face and head and green streaks on its coat and tail.
This porcelain teapot is a rotund cat figurine comically sitting on a mouse. It has a raised paw spout, a removable head and a long sinuous tail handle. The whimsical and colorful design with long ribbon and blue collar with a dangling blue bow and the black, pink, and brown accents that define the face, ears, head, paws, and body and all are hand-painted.
This charming Chinese Republic porcelain cat teapot with a raised paw used to pour tea and removable head for addeing water has a long sinuous tail handle to pour brewed tea from the opening at the end of the paw. The accents defining the face, ears, head, and paws and the whimsical and colorful, thin blue ribbon collar and dangling ornamental bow are beautifully hand-painted.
Unlike other white porcelain cat tepots, this charmingly plump one is a single piece. Tea is poured from its raised paw but it has no removable head for adding water. Instead, water is added using the opening on its back. Its long sinuously curved tail is a handle and its paw is the spout. It is whimsically and colorfully hand-painted with a thin ribbon-like gold collar with dangling ornamental tassels and red, brown, gold, orange and black accents defining the face, ears, head, and paws.
This elegant Chinese Republic Period porcelain is the Taoist immortal Han Xiangzi carrying his auspicious flute dressed in a beautiful blue robe with wide black borders, fine internal decorations and a decorative yellow floral undergarment. On the bottom is the kiln seal. As the patron saint of musicians and florists, it is a great gift for someone who enjoys these pursuits.
This small charming Qing or early Chinese Republic teapot is in the form of an attendant, the arm she holds up imitates the spout of a teapot, the left arm arches to touch her waist suggesting a teapot handle and the hair is atop her head with flowers is a removable lid for pouring water inside. She typical attendant clothing, a high mandarin collared jacket draped over a flaring skirt that is the piece’s base.
This rare wood carving of the Buddha as an infant is remarkable because of the way it has survived. As with many antique Chinese wood carvings, there is extensive deterioration from age/insect damage. Although there is total loss to the arms, legs and torso, it is virtually untouched from the neck up. This is a piece for lovers of wood, with the body worn to a delicately smooth but irregular surface. It is probably more striking than original piece, as its erosion shows the random miracle of chance and is highlighted on a frosted acrylic base. .
This extraordinary rare and delicately rendered rural carving is a female bodhisattva possibly Guanyin seated on a lotus throne atop an ox. Beautifully highlighted in vibrant gold and adorned with intricate designs on the lotus petals and ox’s saddle coverings, this statue shows how the concept of a bodhisattva was adapted to the deification of “draft animals” (beasts of burden) who were integral to rural daily and agricultural activities in Chinese Popular Religion, Buddhism and Taoism beliefs.
This delicately carved home altar Guanyin is gender neutral in meditation on a lotus throne. Her humble demeanor, modest robes and absence of stylized decorative details exemplify the best of provincial Ming and Qing carvings. She is a tranquil figure with simple, soft, and beautifully rendered facial wearing a five-lobed crown symbolically representing the five Dyhani Buddhas and reflecting Vajrayana Tantric influence.
This magnificent 19th century Kerala, South Indian carving highlights the extraordinary abilities of local artists to combine Indian with western artistic styles and techniques. Joseph stands slightly elongated in an altered European contrapposto pose, depicted as light-skinned, blue-eyed, bearded man with western features. Likewise the infant Christ with blue eyes has a child’s smile, hands are crossed at the chest, dressed in a flowing white garment.The combined tenderness, softness, and strength make this a powerful and vibrant yet highly approachable image.
This rare Chinese carving is probably Chun-ti P’u-sa, a tantric female deity called the Bodhisattva of Light, worshipped by Chinese Chan (Zen) Buddhists as a merciful Bodhisattva. In tantric style she has three faces, multiple arms and six hands, and an elegant lobed crown centered by Amitabha, as does Guanyin. This is an extremely rare and important piece and is as lovely as it is spiritual.
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