Showing 85–96 of 221 results
The peacock is very significant in Buddhism, especially the Theravada Buddhism practiced in Burma. It is one of 108 images on the Buddha’s footprint and reflects the short-lived nature of all things, since it appears and vanishes as swiftly as it displays and furls its tail. It is believed that peacocks can eat poisonous plants…
Seated imperiously on a horseshoe chair with legs on a turquoise embossed pedestal on a base with carved characters of her title “Holy Mother in Heaven,” this majestic Mazu is depicted in the imperial style, wearing a regal flat topped headdress and elaborate robes with dragons and an officials girdle at the waist highlighted in red and covered with gilt. This wonderful carving is in excellent condition after years of use.
This serene and meditational figure represents a Mahayana Buddhist monk on a backless chair, right leg crossed and right hand palms out in a sign of blessing. With his gentle features – eyes half-closed looking down and his mouth set in a slight sweet smile, enlarged ear lobes of an enlightened being – and softly flowing robe he brings a peaceful and meditative spirt to any space. Made to be viewed in the round It mounted on a custom black wood stand.
Ht: 6.25” W: 5.5” D: 3.25” | FREE SHIPPING WITHIN CONTINENTAL U.S.!
This charming antique white glazed porcelain figurine is a cat teapot with a raised paw with removable head for pouring liquid into the vessel and long sinuous tail as a handle to pour liquid from the opening at the end of the paw. The hand painted design is whimsical and colorful with a thin ribbon-like blue collar and a dangling ornamental bow with black accents defining the face, ears, head and paws.
Known as the Laughing, Happy, or Fat Buddha, Budai is regarded as a deity of contentment and plenty. Like most Early Chinese Republic porcelains this piece is hand decorated in famille rose enamels with vivid blue, red, and green pigments portrayed as a stout, smiling, bald monk in robes with a large, exposed pot belly surrounded by five children. Since the stomach is considered the seat of the soul in Chinese beliefs, it demonstrates his open heartedness. His wide smile attracts the children surrounding his body indicating his regard for them and his joy when they encircle him and well as the belief he can bequeath families with children.
Puppet theatre has traditionally assumed a major role in Chinese religious rituals and honoring major life and historical events. Local productions with beautifully carved puppets, music, drama and costumes instilled societal and cultural values as well as providing entertainment to audiences of all ages and educating provincial ones. This head has a typical tapering shaft…
The Queen Mother of the West is one of the most significant of the female Taoist-deities and as a syncretic deity, has a huge Popular Religion and Buddhist cult following. She is one of the Great Chinese Goddesses and patron deity of women who controls life and death, creation and destruction and determines the life…
Wearing a magnificent headdress with her iconic phoenix this rare image of the Taoist Queen Mother holds a cup with the elixir of immortality which grants eternal life. She sits on an regal horse with a bell hanging on his chest. In the Taoist tradition horses symbolize man’s harmony with and the elegance of nature.
This ancestor figure of a huntsman in the round is unique, standing on a domed pedestal, facing half right holding a flint lock, wearing a hunting coat, a two-level hat, traditional under- and outer-garment, and thick boots. As the noted scholar on Chinese wood carvings stated, a similar figure like this “unusual and extraordinary ancestral image of a huntsman with a flintlock gun, was the only ancestral image in his vast collection which “depicts the calling of the deceased.”
Although they are Buddhist images, Lohans are portrayed as a real person with very individual, distinctive, and un-idealized features. His benevolent youthful sweetly smiling face with downcast eyes is an image of compassion, wisdom and peace.This exceptional, beautifully crafted rare 17-18th century Ming/Qing large Lohan is from the same Buddhist location as the foreign-born heavy bearded Lohan Bodhidharma, and the same artist may have carved both. We recommend keeping them as a pair to display together.
This charming rare White Robed Guanyin sits on a Hǒu, the mythical guardian beast that symbolizes righteousness and morality and the mandate to usher in peace and prosperity. This Hǒu is a gentle Buddhist creature curled around Guanyin’s side as she in lalitsana clasping a rosary. This fine and rare provincial folk version of Guanyin is a small yet powerful carving, mounted on a frosted Acrylic base.
This rare and intriguing Nanhai Guanyin sits in her cave with internal layers at Putuo. On the top is the donor who commissioned the piece, seldomly placed within the Guanyin tableau.Two levels of attendant pairs flank her: the upper with her two acolytes Longnu, (the Dragon Princess) on her right holding a flaming gem, and Shan Tsai (Sudhana) on her left with hands, now missing, clasped in anjali mudra of reverence and two generic attendants are on the on the bottom. This work is truly remarkable in its execution and iconography.
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