Showing 157–168 of 169 results
This mask is patih keras, a strong king’s prime minister in orange symbolizing a tough, intense and powerful person reinforced by his large bulging eyes, powerful stare, red lips and full black moustache. Personally collected in Bali in the 1970s, this beautifully carved mask is in excellent condition with a wash applied on the back to make it look older.
This fine, deeply carved and painted Balinese mask is the king’s strong prime minister (patih keras), a position of prestige usually filled by warriors of the second Hindu (ksatrya) caste. The large bulging eyes increase the power of his stare and the outsized thick bright red lips symbolize his intensity. This mask was personally collected in Bali in the 1970s and is in excellent condition with minor hair loss on the eyebrows.
This fine vintage historical ethnic Balinese mask is Kebo Taruna. the powerful Balinese minister (patih) feared by Gaja Mada the brilliant Javanese “Elephant General” who brought the Indonesian Hindu Majapahit Empire to its peak and conquered Bali in 1343. His peculiar half-smile, forceful eyes and angular nose are carved to complement his intense expression, make it look more forceful and add energy to the mask. These features describe the minister’s power and confidence. Finely carved and embellished with animal hide and hair for his mustache and eyebrows, this mask is in excellent condition.
Click here for the blog Indonesian Dance Masks (Topeng): Spiritually Connecting the Community
This fine vintage teak carving depicts a Burmese dancer holding a sword with his right hand behind his head. His attire includes elements of formal court dress: a court cap, a top with long sleeves ending at the wrists and collar with half-round segments, and a skirt-like sectioned pants with dramatic wing-like projections. Also, males and females could not touch during the performance. As a set, the three panels the Female Farmer with a Hoe (T052C-BLE), Female Farmer with a Basket (T052B-BLE) and the Court Dancer T052A-BLE) would make a unique and charming wall arrangement.
This delightful polychrome wood folk panel of a barefoot female farmer carrying a basket is one of special, finely executed modern folk “antiques” created in Burma in the past few decades. This charming creation exhibit the skills and creative imagination of a Burmese folk art artisan producing an attractive earthy and decorative quality that compliments and adds warmth to any interior. By adding a back hook it can be made into a unique wall decoration. As a set, the three panels of the Female Farmer with a Hoe (T052C-BLE), Female Farmer with a Basket (T052B-BLE), and Court Dancer (T052A-BLE) would make a unique and charming wall arrangement.
This delightful polychrome wood folk panel of a barefoot female farmer is one of some special, finely executed folk-art “antiques” created in Burma in past decades. It exhibitss the skills and creative imagination of a Burmese carver-artist who producied a fine earthy, attractive, fine decorative piece to compliment and add warmth to any interior. By adding a picture hook, it can become a unique wall decoration. As a set of 3, the panels Female Farmer with a Hoe (T052C-BLE), Female Farmer with a Basket (T052B-BLE) and Court Dancer (T052A-BLE) would make a stunning and charming wall arrangement.
This vintage rice paddle or spoon from the Indonesian Island of Lombok was likely carved by a Sasak craftsman. The end of the handle is bird head, probably a parrot, with a finely carved beak and angular cuts indicating its delicate neck feathers. Parrots are revered throughout Indonesia, home to 85 species.
This traditional but unusual mask (topeng) of Rangda was a rare toy or was used to teach children Balinese lore and religious and artistic expression. It has wonderfully carved upper fangs, bulging eyes and protruding teeth and, as a personification of evil Rangda, who leads an evil army that instills anxiety and fear. This mask is in very good condition considering its age and use.
Timor masks like this are rare and characterized by large roughly cut eyes, the absence of some teeth and the remaining ones being menacing. They are stored in the rafters above the house hearth accounting for their smoky black color. Often decorated with animal hide with hair, the facial pieces have either not darkened fully in the rafters or, when placed on top of each other, did not darken evenly. Frequently a bit threatening due to the black color, missing teeth and their frequent lack of balance, these ancestral masks are used in offering rituals designed to drive off malevolent spirits.
This large rare vintage Timor ancestor mask has huge eyes, a horsehair beard, an inverted curved U-shaped mouth and two small half-circle ears and is an ancestral carving said to protect living relatives. In excellent condition considering its age, storage and use, its black patina results from its storage above the hearth and comes with a museum-quality metal stand. This mask is one of 3 of our masks featured in the original 2002 Spiderman movie pictured on the wall in the collection of Norman Osborn, the Green Goblin.
Ibeji carvings from Nigeria are idealized folk art conforming to Yoruba artistic and cultural conventions without closely reflecting human likenesses. Symmetrical and restrained with oversized elongated heads where one’s spirit,…
This small finely carved hardwood has distinctive Yoruba Ibeji features. The elongated head is flat with full lips, thick eyelids, incised lashes, flat prominent ears and the nose and chin are centered with cheeks and eyes on opposite sides of a thin conical head. A stylized coiffure divides each side into sections with plaited linear designs and scarifications appear across his face and often on his body. The strong stance with hands on his hips is supported by massive legs low to the ground, his member is visible, the buttocks jut outward and both are signs of his fertility and power as are his thick rounded shoulders and arms.
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