Showing 133–144 of 169 results
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$395.00
H: 7.5” W: 5” D: 3.75” | FREE SHIPPING
This finely carved vintage jauk mask is the manis (sweet, softer) version of a jauk mask. It and the dance present the gentle traits of a giant having more normal human-like features and a smile, and its white color is usually symbolic of purity. Those colored red or orange represent one easy to anger. Collected in the 1970s in Lombok, this mask is rare as then Lombok the Balinese community usually did not sell their masks. It has a fine aged patina with expected hairline cracks and frayed eyebrows consistent with its age and use.
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$395.00
SOLD
This antique coconut grater is a very practical multi-use creation designed to cut, grate, shave, husk, and shred coconuts and large fruits and vegetables. Some were carved as crouching rabbits and others like this were realistic renderings of small mammals. Its decorative appeal includes lovely 6-petal flowers above its four legs and elegantly curved and metal piece extending ” W:from its mouth. With its warm and rustic feel, it would be a unique decorative addition to any kitchen and an interesting conversational piece.
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$1,375.00
SOLD H: 23.25″ W: 9.25″ D: 6.25″
This Guanyin image was probably one of a pair of images along with the Taoist Queen Mother of the West (16206A-WACK) placed together on a community, local temple or home altar. Created by the same local artisan, they are provincial rather than imperial style having a humble, unadorned and simple rendering, seated on backless thrones, hands covered by a ritual cloth, uncharacteristic of Guanyin but common for Taoist goddesses. Both wear layered robes and a high pointed crown – the Queen Mother’s centered by a phoenix and Guanyin’s by a flower surrounded by symbolic aureole of radiating light. Both have soft blissful smiles with eyes cast slightly downwards to engage their devotees. Initially covered in bright polychrome colors, there are traces of surviving red, yellow, green, brown and black.
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$1,195.00
H: 17.25” W: 9” D: 5” | FOR SHIPPING INFORMATION CONTACT US AT 213-568-3030
This remarkable spiritual work combines characteristics of provincially rendered carvings with imperially sanctioned images of Nanhai Guanyin. She sits in meditation on a backless throne on a stylized rocky outcrop flanked by twisting vertical structures holding her vial and white parrot. Her half-closed eyes glance down serenely under painted arched eyebrows. She wears an arched crown over hair looped over her ears and down her shoulders and flowing gold robes bordered in red in contrast to the flesh tones of the face, chest, and hands. Much of the pigmentation and gilt on this artfully rendered image remains. Surviving depictions of her with the vial and the filial parrot in good condition are relatively rare.
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$1,375.00
SOLD | H: 23.25″ W: 9.25″ D: 6.5″
This Queen Mother of the West, the highest ranking female Taoist deity was probably displayed as a pair along a statue of Guanyin, the most significant Buddhism female (Guanyin on a Lotus Pedestal (16206B) highlighting the importance and similarity of these revered female images Like the Guanyin, the Queen Mother’s delicately carved face has half closed eyes, serene composure mouth with a hint of a smile, which is more Buddhist than Taoist. Her headdress, centered by her iconic phoenix, rests under a hood extending to her shoulders and back. She wears a high collared three-layered Taoist robe, her hands covered by a ritual cloth.
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$295.00
H: 9” W: 4.25 D: 3.125” | FREE SHIPPING
This mid 20th century Buddha Shakyamuni in Earth Witnessing position is carved in rural Lao style. Covered with gilt, the small rustic and simply carved image follows Lao artistic canons for depicting a Buddha: a curved hairline and high arched eyebrows that meet at the bridge of the nose, distinct hair curls, long ears, and a flame-shaped radiance emerging from his ushnisha. Its very large base is as tall and wide as the image, reflecting Laotian beliefs that a high pedestal reflects a deep respect for the Buddha. A base has been added for display purposes. Authentic old Lao images, even small personal ones like this, are difficult to find.
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$625.00
H: 14.75″ W: 4″ D: 4.5″ | FREE SHIPPING IN CONTINENTAL U.S.!
This unique carved head is the Queen Mother of the West, the first Chinese deity to be represented in Chinese art and the most important female deity in the Taoist pantheon. Carved from a single piece of wood, it is either a puppet head or was attached to a larger figure. Her headdress has three phoenixes instead of her iconic single phoenix. Having a cavity on the rear of the head is rare indicating it might have been consecrated by a Taoist monk.
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$195.00
Ht: 8.75″ D: 4″ D: 3.125″: | FREE SHIPPING
This delightful doll mounted on a frosted acrylic stand is dressed as a bearded official wearing a traditional ‘spread-wing” official’s hat. Originally mounted on a wood stick seen under his attire, he wears a dark blue and gold robe with a loose black, red and silver official’s belt and boots. Although dressed as a Chinese official, he is clearly an entertainer. He holds a set of paper clappers – Kuaiban – meaning “fast boards,” a two-millennia old Chinese castanets-like instrument made of bamboo or wood slats tied together which entertainers rattle, shake, or clap together to produce a complementary sound or beat. This piece is in excellent condition with expected signs of wear and use in the clothing and minor paint losses.
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$425.00
Ht: 14.5” W: 3.5” D: 2.25” | FREE SHIPPING!
This rare vintage carving was probably made for a home shrine or small rice field temple dedicated to Dewi Sri, the Balinese Goddess of Rice. The hole near the bottom indicates it may have been part of a larger decorative scheme.
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$475.00
H: 9.625″ W: 3″ D: 3″ | FREE SHIPPING!
This vintage Ibeji carved image portrays a simple yet strong elegance with his characteristic large conical head, long curved neck and elaborately striated hairstyle. His extremely large round bulging eyes under heavy lids, flaring nose, full lips, and large flat ears reflect the Yoruba idealized form of beauty and exemplify being a correct and upstanding example of tribal values. His prominent genitalia and buttocks and his sturdy vertical stance on wide feet, thick legs and strong rounded shoulders and arms symbolize his strength and fertility. Scarification patterns appear on his cheeks and forehead, and he wears a necklace with traditional Yoruba blue and multi colored beadwork.
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$325.00
H: 13.5” W: 7.5” D: 5” | FREE SHIPPING!
This Tibetan mask shows the mastery of Tibetan carvers. It emphasizes the horse’s strength and alertness by cutting deeply around the large and widely separated eyes, raising the lids, creating black eyelash lash patterns as if the horse is moving and proving its strength and stamina. Its open mouth reinforces this and reveals a fine set of teeth. In excellent condition, it was personally collected in Nepal in the late 1970’s.
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$675.00
H: 15.5” W: 8” D: 5.125” | FOR SHIPPING INFORMATION CONTACT US AT 213-568-3030
Identified in Bali as Topeng Dayu or Dahyu, the mask of a Brahmana, it is a bit large to be a dance mask and, if smaller, could have filled a series of important roles in mask dances and dramas. Presented as a charming and beautiful woman from the top Hindu caste, she has delicate, detailed and sensitive features, and the carving is superbly and subtlety modeled. There are some minor paint losses and darkening of the yellow paint but its condition remains very good given its age and use, and it is presented on a museum quality stand.
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