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Crafted during the Majapahit Empire in Java this head was part of a bas-relief frieze. Most unearthed figures are small decapitated heads with Javanese facial features, hairstyles and large ear ornamentations characteristic of the upper classes. A great small piece of history.
In China a set of earthenware Zodiac attendant figures was made as a 12 piece grouping, with each figure holding a small calendar animal with each year represented by a different animal – rat, ox, tiger, rabbit, dragon, snake, horse, goat, monkey, rooster, dog, and pig or boar – in a repeating 12-year cycle. Although…
Horseshoe chairs were considered a sign of rank used by officials and often ancestral figures were portrayed sitting in them to reflect their high status. This well-modeled green glaze ceramic mingqi of a horseshoe chair is decorated with a yellow glaze imitating caning and the decorative carved circular design on the splat. It pairs perfectly with Ming Dynasty Earthenware Horseshoe Chair 3330 and together would add to a fine collection of miniature Chinese ceramics.
Horseshoe chairs were considered a sign of rank used by officials and often ancestral figures were portrayed sitting in them to reflect their high status. This well-modeled green glaze ceramic mingqi of a horseshoe chair is decorated with a yellow glaze imitating caning and the decorative carved circular design on the splat. It pairs well with item Ming Earthenware Horseshoe Chair 3331. This would be a fine addition to a collection of antique ceramics or simply a beautiful decorative piece to brighten a small space.
Ht: 6.25” W: 5.5” D: 3.25” | FREE SHIPPING WITHIN CONTINENTAL U.S.!
This charming antique white glazed porcelain figurine is a cat teapot with a raised paw with removable head for pouring liquid into the vessel and long sinuous tail as a handle to pour liquid from the opening at the end of the paw. The hand painted design is whimsical and colorful with a thin ribbon-like blue collar and a dangling ornamental bow with black accents defining the face, ears, head and paws.
This elegantly shaped and beautiful high-fired antique porcelain ewer was decorated on its outside with a saffron-colored glaze called a coral red glaze. The sides have a white glazed quatrefoil panel with hand-painted multi-colored floral designs on a white background within a gold frame interspersed among sinuous gold leaf vines across the body and neck and a white glaze covers the inside and bottom. Its beauty is enhanced with its graceful spout, colorful white and gold panel beautiful.
Known as the Laughing, Happy, or Fat Buddha, Budai is regarded as a deity of contentment and plenty. Like most Early Chinese Republic porcelains this piece is hand decorated in famille rose enamels with vivid blue, red, and green pigments portrayed as a stout, smiling, bald monk in robes with a large, exposed pot belly surrounded by five children. Since the stomach is considered the seat of the soul in Chinese beliefs, it demonstrates his open heartedness. His wide smile attracts the children surrounding his body indicating his regard for them and his joy when they encircle him and well as the belief he can bequeath families with children.
Utilitarian ceramics like this were used in home kitchens and restaurants to hold oil, sauces, soy or other liquids. This spouted blue and white porcelain jar has four loops, also called lugs, so a natural fiber such as rattan could be threaded to either secure a top create a way to hang it to a peg. Sealing the top was very useful if the jars contained liquid and needed to be transported. The piece is decorated in a free and expressive manner with a charming impression of a country scene of a building in a landscape surrounded by tall trees. The cobalt is thick and dark in some areas of the foliage and applied with a thin, sparing and light brush elsewhere.
This simple, elegant beautifully shaped footed porcelain bowl is thinly crafted with a monotone coral saffron glaze on the outside and a grayish-white glaze on the inside. It has a rather high and deep foot and the bottom has a fading red stamped seal of an unknown kiln. It is in excellent condition and some minor pitting inside the bowl caused by gases escaping from the clay body during the firing cycle. Likely from the Togzhi Period 1862-1874.
Sawankhalok elegant mangosteen shape stoneware lidded bowl with raised calyx, cream and brown glazes, incised floral and geometric designs to store spices, cosmetics, betel nuts and medicine.
Shiwan stoneware peaches and lotuses on footed bowl auspicious symbols associated with springtime, fertility, long healthy life for many generations and therefore are propitious gifts for birthdays, especially for the elderly.
Shiwan stoneware glazed sculptures of fruit symbolizing life and new beginnings to place on temple or home altar. They augment plates of fresh stacked fresh fruit to honor ancestors. These pears symbolize long life.
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