Showing 25–36 of 103 results
Made in the Roman North Africa, this ancient ceramic flagon was made for the lower classes and called coarse wear. Used to hydrate all kinds of people and on home altars to make offerings to domestic family deities, it is a common ancient pottery shape having a handle and an angled edge around the entire vessel.
A fine ancient Roman platter produced for upper classes from the mid-1st century to the 7th century, this is refined and delicate and has stamped decorative images in complex circles. Although rough areas with small losses remain, it is an ancient piece otherwise in very good condition that, especially considering its age and use, remains a remarkable surviving piece of history.
This small 4th century BCE Xenon earthenware container has a single strap handle. Its body is decorated with orange painted designs of a continuous geometric meander, a band of tapering vertical lines above and a thin line around the body below it.
This charming miniature ewer or small pitcher was made during the Tongzhi Period and probably used in a restaurant or home kitchen as a dispenser for soy sauce, oils or other liquids. Likely from a provincial area, the spout and handle are elegantly curved. The thick cobalt blue designs are set on a spotted grey ground with a chrysanthemum on each side and abstract plantain curved vertical leaf designs below. There are also bindweed vines on both sides, neck and lid and the oval above the flower. The lid’s underside is unglazed and has a lotus shaped bud atop for lifting, and the inside and lid’s underside has century old stains from soy, dried oil or other dark liquids attesting to its age and use. It is in good condition with some chips, discoloration and spotting consistent with its age and use. The bottom has a Chinese antique export seal.
This elegantly shaped small teapot has finely painted cobalt blue chrysanthemum and bindweed designs in the center and upper registers and plantain leaf designs at the bottom, popular underglaze design elements were widely used in late 19th century in domestic and export wares. Below the short neck is a chain of roundels with nineteen spirals, and the lid is covered with bindweed and wave designs, the latter indicating a sea or lake. The lid is topped by a ball handle topped with a four-line star and the bottom has an abstract plantain leaf design. It is in very good condition with two small chips on the lid and a small chip on the end of the spout. The inside has been stained by more than a century of tea brewing.
This is unusual piece was likely on a scholar’s desk along with pots, brushes, water droppers, boxes, ink stones and other daily used objects used for a variety of tasks: a brush holder, a paper weight and more. A weighty high-fired object with a wide hole in the center, it has a raised top to hold paint dripping from a brush and is painted with cobalt blue petaled flowers under its clear glaze that covers all but the bottom. Its round body is a landscape of a Chinese village, mountains in the distance and seas or lakes with the calligraphic name of the scholar owner Shu Dai Ji (舒逮吉). The scene and calligraphy are well drawn pairs with thick cobalt blue decorative borders above and below. It is in very good condition with expected discolorations and stains consistent with its long use of paints and ink.
This large Meiji hand-made Japanese cast iron tetsubin tea kettle with a lid with a lotus bud, ornamental top handle, and curved pouring spout was for boiling and pouring water to brew tea for Japanese tea ceremonies. The simplicity of its form combined with its elegant raised galloping horse design is perfect for warming up kitchens of any style.
Japanese cast iron tetsubin teapots like this have traditionally been used to boil water for the Japanese Tea Ceremony. With its large handle, rounded shape, pitted surface and rare ornamental temple-shaped knob it would enhance any kitchen and be a wonderful gift of any tea lover.
Antique and vintage ceramic tobacco pipes are part of a long cultural tradition of Burmese/Myanmar and Thai hill tribes. Mould made and adorned with intricate designs, a bamboo or metal stem was often inserted at the end through which smoke was drawn. This highly collectible antique item reflects hill-tribe skills creating decorative functional objects and would be a unique gift for any pipe smoker, but, like all antique items, we recommended it be used as a decorative item.
This charming fanciful vintage underglaze blue and white porcelain pillow has added hand-painted green and red florals, fruits and vases in relief within framed geometric borders of blue cobalt oxide pigment. The top curves in the center to cradle the neck for comfort and flares outward. The front and back sides have charming painted relief images of vases on the front and fruit on the back. The top and bottom have seals applied to Chinese antiques indicating they were approved for export. There is a slight chip on the front, otherwise it is in excellent condition.
Antique and vintage ceramic tobacco pipes are part of a long cultural tradition of Burmese/Myanmar and Thai hill tribes. Mould made and adorned with intricate designs, a bamboo or metal stem was often inserted at the end through which smoke was drawn. This highly collectible antique item reflects hill-tribe skills creating decorative functional objects and would be a unique gift for any pipe smoker, but, like all antique items, we recommended it be used as a decorative item.
Antique and vintage ceramic tobacco pipes are part of a long cultural tradition of Burmese/Myanmar and Thai hill tribes. Mould made and adorned with intricate designs, a bamboo or metal stem was often inserted at the end through which smoke was drawn. This highly collectible antique item reflects hill-tribe skills creating decorative functional objects and would be a unique gift for any pipe smoker, but, like all antique items, we recommended it be used as a decorative item.
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