Showing 109–120 of 124 results
Framed Acrylic on Archival Board
This radiant painting displays Lark Pilinsky’s fascination with spring, the season of rebirth and regeneration made by applying paint from the tube and scratching it across the canvas.
Small Framed Acrylic Painting on Wood Panel
This small spirited painting is from Lark Pilinsky’s California Shores series which celebrates the power and energy of nature in the convergence of sky, ocean, land and sun.
Collage of Acrylic with Mixed Media of Found Objects
This vibrant collage was inspired by a European concert Lark Pilinsky attended with her husband, where the violin player smashed his instrument on the stage, possibly imitating Pete Townsend, lead Guitarist for The Who. This work draws directly from her love of these elevated musical experiences.
This work conveys a dramatic sense of motion, using a Chinese brush and whirls of mineral paint to show the inner turbulence, unrest and confusion of mankind.
Acrylic and Oil On Canvas
This dynamic painting is part of Lark Pilinsky’s Portal Series in which a portal represents an escape from the often grueling routine and challenges of everyday life into an uplifting spiritual realm. The passage is a solitary unexpected experience that “interrupts the rules of everyday life and keeps us guessing at what exciting event will be next.”
This rare, vintage spirit mask is from Timor in Indonesia. Their animism is characterized by ritual exchanges between individuals or social groups with ancestral and fertility spirits having a close reciprocal link between the deceased and the secular world as ancestors require sustenance, respect and attention (i.e. offerings), while humans seek advice, good fortune, health…
This finely cast metalwork brass Shakyamuni Buddha reflects the conservative tradition of Nepalese sculpture which experienced few changes in proportion or decorative details over the past several hundred years. Originating stylistically from Gupta and later Pala Indian art, Nepalese artists created their unique style from the 6th-7th centuries that evolved to a distinctive physiognomy including…
This lovely vintage 20th century Thai bronze statue is the White Clad Guanyin seated in meditation on a multi-tiered throne holding her vial of precious dew. Her open hood is centered by a mandorla surrounding an image of Buddha Amitabha, the Buddha of Infinite Light. This one of a kind piece is a vision of compassionate serenity with her half closed eyes and benevolent smile.
This charming Balinese mask is a traditional female Dayu, an ethnic Balinese high-caste Hindu Brahman Woman. This beautiful carving is too large to be a traditional dance mask , it is a beautiful decorative piece. Presented as a charming and beautiful woman from the top Hindu caste, she has delicate, detailed and sensitive features, that are superbly and subtlety carved. It is presented on a museum quality metal stand.
The culture, rituals, tribal and ethnic art of the Dayak (Dyak) of Kalimantan (Borneo), Indonesia is a mix of shamanism, animism and ancestor worship. Dyak festival masks worn on the face or large ones attached to a costume repel malicious spirits from entering communal spaces, insure village safety, protect babies in their carriers and defend…
This vintage hudoq Dayak ancestor mask has traditional Dayak features: wing-like separately carved ears attached with rattan that, like this, usually is replaced; long extended triangle nose, rounded arabesque-like ears and eye-holes, gnarled teeth, and geometric and curvilinear painted decorations. This one of three VA masks featured in collection of the Green Goblin in the 2002 Spiderman movie and is set on a museum-quality metal stand.
The religion of the ethnic Dayak (Dyak) people of Kalimantan (Borneo), Indonesia is a mix of animism, shamanism and ancestor worship. Their word hudoq describes three different things: it describes the pests that can destroy the rice harvest on which their survival depends; the name of the huge yearly Dyak planting celebration and the name…
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