Showing 109–120 of 134 results
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$1,375.00
SOLD H: 23.25″ W: 9.25″ D: 6.25″
This Guanyin image was probably one of a pair of images along with the Taoist Queen Mother of the West (16206A-WACK) placed together on a community, local temple or home altar. Created by the same local artisan, they are provincial rather than imperial style having a humble, unadorned and simple rendering, seated on backless thrones, hands covered by a ritual cloth, uncharacteristic of Guanyin but common for Taoist goddesses. Both wear layered robes and a high pointed crown – the Queen Mother’s centered by a phoenix and Guanyin’s by a flower surrounded by symbolic aureole of radiating light. Both have soft blissful smiles with eyes cast slightly downwards to engage their devotees. Initially covered in bright polychrome colors, there are traces of surviving red, yellow, green, brown and black.
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$1,195.00
One of the most popular Mahayana Pure Land Buddhism depictions of Guanyin, especially during the Ming and Qing dynasties, is Nanhai Guanyin shown here symbolically on a stylized rocky outcrop at her cave at Putuo in meditation (dhyana), legs in padmasana under her robes, flanked by twisted columns one topped by a vial placed on…
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$1,375.00
SOLD | H: 23.25″ W: 9.25″ D: 6.5″
This Queen Mother of the West, the highest ranking female Taoist deity was probably displayed as a pair along a statue of Guanyin, the most significant Buddhism female (Guanyin on a Lotus Pedestal (16206B) highlighting the importance and similarity of these revered female images Like the Guanyin, the Queen Mother’s delicately carved face has half closed eyes, serene composure mouth with a hint of a smile, which is more Buddhist than Taoist. Her headdress, centered by her iconic phoenix, rests under a hood extending to her shoulders and back. She wears a high collared three-layered Taoist robe, her hands covered by a ritual cloth.
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$3,375.00
This exquisite 18th-century statue of the Bodhisattva Guanyin is seated in serene meditation. She is a beautiful young woman, unpretentious yet elegant with smooth, gentle flowing lines that create an air of peaceful spirituality. Every strand of her hair and bun is carved with definition, and in perfect order. The original polychrome and lacquer finish has transformed into a glowing silver hue with a soft patina.
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$1,133.00
H: 32″ W: 20″ D: 7.5″ SHIPPING INFORMATION REQUIRED. CONTACT US AT 213-568-3030
This exceptional naga was one of two that comprised a gong stand. Gongs were used in Burma for both ceremonial and musical purposes in religious, state, or secular settings. A protection figure, this naga is a superb carving elaborately decorated with gold lacquer and pigmentation. He opens his mouth wide bearing mother-of-pearl teeth and a curled blood red mouth and tongue to drive away malevolent spirits, also reinforced by the large glaring eyes circled in red. On first glance it is menacing, but its history as a protector of Buddha Shakyamuni make it prized as a fanciful, gleeful guardian. His scales are arched relief designs of mixed lacquer and ash and they are highlighted with inset cut mirrors and green sequin-like glass “jewels.” It is mounted on a museum quality stand and is in excellent condition for its age and use despite missing an ear.
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$395.00
H: 21″ W: 8″ D: 4.75″ | FOR SHIPPING INFORMATION CONTACT US AT 213-568-3030
This traditional African hammered iron gong is elegantly shaped like a flaring bell. Heat riveted, a forging process joining two metal pieces together, it was made by Congolese tribal people. Made with 5 parallel lines of 5 decorative round bulges on both sides, it was often held using a raffia handle and beaten using sticks covered with rubber at its end. Originally a ritual instrument, they were also beaten to call members of special restricted societies to meetings and were a symbol of wealth, prestige, and influence.
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$1,550.00
This outstanding delicately antique carving is Nanhai Guanyin, the Bodhisattva of Compassion, seated on a rocky outcrop covered with a cloth, a reference to her home in a cave on the island of Putuo in the South China Sea. Other than the Buddha, she is the most revered deity in Mahayana Buddhism and one of…
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$675.00
H: 13″ W:16.5″ | CALL 213-568-3030 OR EMAIL [email protected] FOR SHIPPING
Framed Acrylic on Archival Board
This radiant painting displays Lark Pilinsky’s fascination with spring, the season of rebirth and regeneration made by applying paint from the tube and scratching it across the canvas.
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$750.00
H: 13″ W: 13″ | CALL 213-568-3030 OR EMAIL [email protected] FOR SHIPPING
Small Framed Acrylic Painting on Wood Panel
This small spirited painting is from Lark Pilinsky’s California Shores series which celebrates the power and energy of nature in the convergence of sky, ocean, land and sun.
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$1,900.00
H: 17″ W: 26″ | CALL 213-568-3030 OR EMAIL [email protected] FOR SHIPPING
Collage of Acrylic with Mixed Media of Found Objects
This vibrant collage was inspired by a European concert Lark Pilinsky attended with her husband, where the violin player smashed his instrument on the stage, possibly imitating Pete Townsend, lead Guitarist for The Who. This work draws directly from her love of these elevated musical experiences.
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$325.00
H: 35″ W: 5.75″ D: 8″ CALL 213-568-3030 OR EMAIL [email protected] FOR SHIPPing
This charming oil lamp is decorated with auspicious symbols: Fish symbolize harmony, marital happiness and double fish mean “may there be abundance.” The oil cup is a lotus seed with a lotus leaf, symbols of a harmonious and fruitful marriage and also mean “the continuous birth of sons.”
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$4,000.00
Ht: 31.25″ W: 25.25″ | CALL 213-568-3030 OR EMAIL [email protected] FOR SHIPPING
This work conveys a dramatic sense of motion, using a Chinese brush and whirls of mineral paint to show the inner turbulence and unrest of both the universe and mankind.
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