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Fine ladies vanity cabinet covered with red lacquer and gold highlights. Parents’ gift to newlyweds with auspicious symbols for happiness, long life and having sons reflecting Confucian belief that producing sons to carry on the family name is essential to happiness.
Charming antique low profile lacquered finished chest adds warmth to any setting. Drawers with carved auspicious symbols for the Five Happinesses include peonies, vines, butterflies, plum blossom and a Japanese lily. Inset panel with florals and decorative apron and brass butterfly handles.
Seated imperiously on a horseshoe chair with carved title “Holy Mother in Heaven,” Mazu is depicted in the imperial style, with a regal flat topped headdress, elaborate robes with dragons, official’s girdle in red and gilt.
Parents often gave small red and gold carved cabinets as wedding gifts as a wish for the young couple to have many sons. The peony is a metaphor for female beauty and fertility, a willow represents spring – season of youth, new beginnings, optimism and fertility.
Finely carved Nanhai Guanyin on base of three lotuses, elaborate scalloped crown centered by the Amitabha Buddha of Infinite light surrounding lines of his radiating aura.. This serene elegant carving perfect to enhance any meditative space.
Elegant Guanyin in meditation, gilt covered with five-lobed crown. Sacred vial on her right and parrot on left. Guanyins statues with symbols in this condition are rare and impart a feeling of serenity to the environment around them.
This excellently carved ancestor civilian official with gilt highlights was commissioned to be place on a home altar for veneration and impress those who viewed it and to honor the venerated ancestor’s persistence, success, status and power.
Pair of oil lamps for good fortune with diamond shaped double lozenge meaning many treasures, and plum blossoms, symboling the Five Happinesses – wealth, health, longevity, peaceful death and love of virtue.
Regional Rattanakosin carving of a Thai celestial guardian or attendant originally placed on a home or small temple for protection and devotion. Stylized layered garment, intricate detailing and headdress signify his celestial and royal status.
Carved Mandalay style peacocks with outspread feathers like this were placed over entrances to protect religious and government buildings. The peacock was emblem of last Burmese Dynasty symbolizing the monarchy descending from the sun.
One of a pair of Tibetan antique folding traveling prayer/study table for monks or nomadic families to lay out sutras (scriptures), scrolls, books, other study materials. Decorated with painted florals and fruit offering bowl symbolizing flowering of enlightenment and opening of the heart.
Ht: 22.25” W: 7.25” D: 5” | FREE SHIPPING WITHIN CONTINENTAL U.S.
This detailed male puppet head with a calm expression, round bun and half-smile was very versatile, used in religious or secular performances. Changing costumes and headgear, it could have been a Buddhist, Taoist or Popular Religion figure or deity or non religious character.
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