Showing 49–60 of 62 results
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$1,375.00
SOLD H: 23.25″ W: 9.25″ D: 6.25″
This Guanyin image was probably one of a pair of images along with the Taoist Queen Mother of the West (16206A-WACK) placed together on a community, local temple or home altar. Created by the same local artisan, they are provincial rather than imperial style having a humble, unadorned and simple rendering, seated on backless thrones, hands covered by a ritual cloth, uncharacteristic of Guanyin but common for Taoist goddesses. Both wear layered robes and a high pointed crown – the Queen Mother’s centered by a phoenix and Guanyin’s by a flower surrounded by symbolic aureole of radiating light. Both have soft blissful smiles with eyes cast slightly downwards to engage their devotees. Initially covered in bright polychrome colors, there are traces of surviving red, yellow, green, brown and black.
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$475.00
H: 6.875” W: 5.25” D: 2.25 | FREE SHIPPING
This fascinating thick Song pottery brick is a low-fired depiction of a dwarf foreigner with a rotund belly, a large head and nose, an open mouth and abnormal features. The Chinese believed dwarfs could ward off evil spirits and sickness, attract peace and blessings (fu) and were very wise. Images of dwarfs became so popular, some were produced in numbers.
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$495.00
H: 7.25” W: 11.5” D: 1.75” | FREE SHIPPING
This animated scene depicts the traditional Chinese Lion Dance performed at Chinese New Year, weddings, other important events and to honor guests, bring prosperity, happiness, good luck and ward off evil spirits. During the Song Dynasty tiles adorned the wall of tombs as well as government and important buildings with depictions of celebrations, mythology and deities and often included mythical animals, plants, vegetation and other auspicious objects.
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$485.00
H: 6.25” W: 10.125” D: 2.5” | FREE SHIPPING
This Song dynasty pottery brick tile depicts a pixiu, a mythical and a powerful feng shui symbol of wealth that brings money and good fortune and protect people from losing wealth. This fantastic winged creature has a dragon’s tail and head and a lion’s with an intensely angry expression to protect its master and his wealth and possessions. There is a rare handprint of the artisan who created it on the rear.
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$475.00
H: 9” W: 9” D: 2.25” | FREE SHIPPING
This thick decorative Song brick tile portrays a seated female musician holding a lute in a hall with attendants on each side and third person in the distance framed in a decorative wide border with a pointed ogee arch. Since most ancient buildings with these pieces used un-reinforced fired construction, they were subject to disasters and few survived intact.
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$485.00
H: 11” W: 9.5” D: 2” | FREE SHIPPING
As part of the The Song dynasty cultural expansion, government and public buildings and tombs were built with interior walls decorated with earthenware unglazed mold-made brick tiles. This fanciful vibrant tile with a scalloped frame portrays two people wéiqí which originated in China over 2500 years ago and is the world’s oldest ( and most complex) board game still played.
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$445.00
H: 6.5” W: 8.125 D: 1.5” | FREE SHIPPING
This ancient Song dynasty tile is likely a memorial tile as it portrays an official, hands in a farewell gesture looking up with devotion to his wife or mother ascending toward heavens on a cloud. A very striking and emotive scene, it would be a great wall piece with an appropriate mount.
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$495.00
H: 7” W: 5” D: 2.75” | FREE SHIPPING
This Song earthenware tile depicts the legendary scholar, poet and alchemist Taoist deity Lu Dongbin, one of the Eight Immortals, who sought to discover the elixir of immortality and used charms still used in Chinese homes to prevent illness and ward off evil. He and his fly whisk are auspicious symbols of longevity and a wish for immortality.
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$485.00
H: 14.75” W: 12.125” D: 4.375” | FOR SHIPPING INFORMATION CONTACT US AT 213-568-3030
Dayak Hudoq made after the arrival of masks from Java show their influence, but now even masks like this valid Vintage Dyak piece are hard to find. Authentic with strong parallels with traditional Hudoq pieces, it is painted in an unusual detailed pattern while the projecting mouth and nose, pierced eyes and undulating snake-like elements on the separately carved and attached wing-like ears align with Hudoq tradition. Mask reproductions throughout Indonesia are referred to as “antique baru” (new antiques), but this original, later, authentic vintage mask is hard to find and scarce. Personally collected in the 1970s, it is in excellent condition, placed on a museum-quality metal stand and without restoration or repairs except for the new wing-ear bindings.
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$1,450.00
H: 23.375” W: 13” W: 6” | FOR SHIPPING INFORMATION CONTACT US AT 213-568-3030
This vintage hudoq Dayak ancestor mask has traditional Dayak features: wing-like separately carved ears attached with rattan that, like this, usually is replaced; long extended triangle nose, rounded arabesque-like ears and eye-holes, gnarled teeth, and geometric and curvilinear painted decorations. This one of three VA masks featured in collection of the Green Goblin in the 2002 Spiderman movie and is set on a museum-quality metal stand.
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$675.00
H: 16” W: 7.875” D: 3.375” | FOR SHIPPING INFORMATION CONTACT US AT 213-568-3030
This vintage Dyak hudoq mask from Kalimantan (Borneo) reflects many characteristic hudoq elements: its characteristic head shape, white designs on the forehead and face, the curled mustache arabesques and other carved and painted areas around the eyes creating a well-carved, special and impressive image. Made from a single wood piece, it is a transitional stage carving that stylistically reflects traditional Dayak (Dyak) masks but blends it with Javanese mask traditions. Collected personally in Bali in the 1970s, it comes with a museum-quality metal stand.
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$105.00
H: 8.5 ” W: 3″ D: 2.5″ | FREE SHIPPING!
Topeng Dalem is a mask of an idealized, refined and upright model of a historical Hindu King and is usually a white mask, the color of purity. The dance presents actions and gestures validating the traits of a good king: grace, poise, dignity and refinement. This piece is well carved, balanced, in fine proportion and the crown, the triangular third eye and the animal hide and hair eyebrows and mustache are well integrated as is the mask’s pleasant smile. It is in very good condition with a wash applied as a patina to make the mask look older. It was personally collected in Bali in the 1970s.
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