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Mask carving is among the oldest of Tibetan art and folk-art forms dating to 6th century Bonpo dances, the religion predating Buddhism, that embraces animism and shamanism dances. Totem animal masks were traditionally used in sacred ceremonial dances: shamanic rituals to thank the gods, expel bad spirits, and ask for blessings; operas in performances without…
Vintage “crowns” called an ile ori the “house of the head,” were cowrie shell shrine made to show gratitude for and recognition of the power of the head and manifest Yoruba ideas of individuality and authority. Not meant to be worn they are often placed on altars for prayer and divination and can be a symbol of a Yoruba deity. This headdress with an impressive design was included in the San Francisco International Airport, “Crowning Achievements” exhibition in April-August, 1994. It comes with a Lucite stand.
This finely carved Ibeji has distinctive Yoruba features. The elongated head is narrow, has full lips, thick eyelids, incised lashes, flat prominent ears, a high stylized coiffure and scarifications. The strong stance with hands on hips, massive legs and arms are visible signs of fertility and power. The elongated head is where one’s spirit, intelligence and the seat of power lie. This vintage statue is finely carved with a smooth patina.
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