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This colorful terracotta image of Shiva and Parvati is aniconic (symbolic) and figurative. Shiva’s is a symbolic lingham (phallus) and Parvati a deity. Together they represent the union of masculine and feminine, thus all existence
This outstanding delicately antique carving is Nanhai Guanyin, the Bodhisattva of Compassion, seated on a rocky outcrop covered with a cloth, a reference to her home in a cave on the island of Putuo in the South China Sea. Other than the Buddha, she is the most revered deity in Mahayana Buddhism and one of…
Artfully shaped lacquered Hsun Ok for offerings to monks lid with a finial symbolizing a Buddhist stupa and applied mythical animals and floral decorations. Early 20th century pieces with these special details are harder to find and copies abound.
Vintage Nepali brass Buddha in teaching mudra standing on pedestal with 2 Buddhist lions, wearing “wet style” close fitting monk’s robes covering idealized body under drapery. Removable full body aureole with foliate designs.
Vintage Thai cast bronze White Clad Guanyin in meditation on multi-tiered throne holding vial of precious dew with image of Buddha Amitabha under hood. Vision of compassionate serenity, half closed eyes and benevolent smile.
Dayu mask of Balinese high-caste female Hindu Brahman, beautiful decorative piece on a museum quality metal stand.
In Dayak tradition, this vintage authentic hudoq mask has a white face paint around the eyes and forehead.and carved outlines with traditional upward curling moustache arabesques. Mounted on a museum quality metal stand.
Vintage miniature lacquer and bamboo hsun ok used on a home altar for offerings to the Buddha statue there with circular tiers repeated on the foot and the stupa finial top.
Balinese monkey masks (topeng bojog) are used in dance-dramas based on the ancient Indian moral epic the Ramayana. In Balinese Hinduism, monkeys as sacred guardians and protectors of temples where their auspicious presence brings good luck.
Authentic vintage mask of a king (topeng dalem) carved in the Balinese community on Lombok Island. Honoring historical kings, it was also an offering to please the gods. It exhibits the king’s qualities: a refined, cultured, idealized, model leader. Mounted on museum quality stand.
Given its size this smaller early 20th century Hsun-ok with simple sophisticated designs of with parallel rows of intricate triangular and beaded borders may been placed as decorative piece on a home altar.
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