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This rare vintage carving was probably made for a home shrine or small rice field temple dedicated to Dewi Sri, the Balinese Goddess of Rice. The hole near the bottom indicates it may have been part of a larger decorative scheme.
This vintage Ibeji carved image portrays a simple yet strong elegance with his characteristic large conical head, long curved neck and elaborately striated hairstyle. His extremely large round bulging eyes under heavy lids, flaring nose, full lips, and large flat ears reflect the Yoruba idealized form of beauty and exemplify being a correct and upstanding example of tribal values. His prominent genitalia and buttocks and his sturdy vertical stance on wide feet, thick legs and strong rounded shoulders and arms symbolize his strength and fertility. Scarification patterns appear on his cheeks and forehead, and he wears a necklace with traditional Yoruba blue and multi colored beadwork.
Identified in Bali as Topeng Dayu or Dahyu, the mask of a Brahmana, it is a bit large to be a dance mask and, if smaller, could have filled a series of important roles in mask dances and dramas. Presented as a charming and beautiful woman from the top Hindu caste, she has delicate, detailed and sensitive features, and the carving is superbly and subtlety modeled. There are some minor paint losses and darkening of the yellow paint but its condition remains very good given its age and use, and it is presented on a museum quality stand.
Dayak Hudoq made after the arrival of masks from Java show their influence, but now even masks like this valid Vintage Dyak piece are hard to find. Authentic with strong parallels with traditional Hudoq pieces, it is painted in an unusual detailed pattern while the projecting mouth and nose, pierced eyes and undulating snake-like elements on the separately carved and attached wing-like ears align with Hudoq tradition. Mask reproductions throughout Indonesia are referred to as “antique baru” (new antiques), but this original, later, authentic vintage mask is hard to find and scarce. Personally collected in the 1970s, it is in excellent condition, placed on a museum-quality metal stand and without restoration or repairs except for the new wing-ear bindings.
This vintage hudoq Dayak ancestor mask has traditional Dayak features: wing-like separately carved ears attached with rattan that, like this, usually is replaced; long extended triangle nose, rounded arabesque-like ears and eye-holes, gnarled teeth, and geometric and curvilinear painted decorations. This one of three VA masks featured in collection of the Green Goblin in the 2002 Spiderman movie and is set on a museum-quality metal stand.
This vintage Dyak hudoq mask from Kalimantan (Borneo) reflects many characteristic hudoq elements: its characteristic head shape, white designs on the forehead and face, the curled mustache arabesques and other carved and painted areas around the eyes creating a well-carved, special and impressive image. Made from a single wood piece, it is a transitional stage carving that stylistically reflects traditional Dayak (Dyak) masks but blends it with Javanese mask traditions. Collected personally in Bali in the 1970s, it comes with a museum-quality metal stand.
This large and heavy vintage Axum cross is centered with a never-ending knot created by pierced geometric forms enhanced by etched lines. The flared arms have modified rectangle that may represent the Ark of the Covenant. The knotted endless lines thwart malevolent beings from entering or reaching the wearer and conquer demons by trapping them. Using the lost wax technique, it is a one-of-a-kind pendant. The chain necklace is not included.
This vintage Coptic Axum cross pendant has a circle on top with pierced cutouts and the body has extended arms ending in stylized rectangles with etched circles decorated with etched cross-hatching. The squares at the arms ends may represent the Ark of the Covenant. The stamped circles are “protective eyes” to deflect misfortune and avert the “evil eye.” Made using the lost wax technique, it is a one of a kind piece. The chain necklace is not included.
This vintage Ethiopian cross pendant was crafted hand in Axum, known for its crosses with religious geometric shapes and symbols and apotropaic symbols to provide protection to the wearer. The center with cutouts and etched linear decorations simulates an endless knot to entangle malevolent spirits and the small incised circles on the arms are “protective eyes” that are believed to be able to bring blessings, deflect misfortune and avert the “evil eye.” The chain necklace is not included.
This vintage Axum Ethiopian cross pendant has religious and apotropaic symbols. The curved rectangular end shapes represent the Ark of the Covenant and the circles represents the eternal and everlasting love of God demonstrated Christ’s resurrection. The circles are also “protective eyes” that can bring blessings and repel evil. The gracefully stylized never-ending knots in the center entraps evil spirits for eternity.
This elegant Ethiopian cross displays the distinctive tri-partite design of Coptic crosses with rounded horizontal arms and bottom symbolizing the Trinity, portion of a circle symbolizing eternity, and apotropaic symbols to repel evil forces and avert the “evil eye.” Made using the lost wax technique, it is a one-of-a-kind piece with etched details on the front and some on the back and signs of wear. The chain necklace is not included.
This extremely decorative and lyrical pendant is beautifully crafted with elegant symmetry and curved pleasing designs. The tri-partite design depicts the Trinity. The three arms each have three-sided elaborate extensions, with etched circles that represents the eternal and everlasting love of God demonstrated in Christ’s Crucifixion as well as “protective eye” symbols to bring blessings and repel evil forces and avert the “evil eye.” The chain necklace is not included.
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