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Statues of attendants often appear as a pair looking inward and flanking a deity, unless they are very important ones and look straight ahead. They may carry a range of offerings. This antique Chinese woodcarving appears to be a Taoist image likely placed on a home altar along with deities, house gods and ancestors to…
Women have played a large role in Taoism as Taoist beliefs are compatible with feminine characteristics like modesty, softness, yielding to the Tao, and non-aggression. Women were welcomed as priests during the start of Taoism. The unusual headdress on this carving has a long necked phoenix, the Chinese “king of birds” who represents virtue, propriety, duty, mercy, and credibility.
This beautifully carved God of Wealth (Caishen) is portrayed as are all Taoist deities as an authoritative figure, right hand firmly placed on his knee and left hand holding a tael. His outer robe has decorative borders down the front and carved coins at the shoulders, stomach, and an undergarment is gathered with a floral designed tasseled cord. His well-defined face with incised wrinkles and long beard has a benevolent expression with rounded cheeks and an open mouth, topped by an elaborate official’s hat with ribbon-like extensions. Very fittingly, it is painted with red and gold both associated with wealth.
Carved wood Guanyin images were enormously popular in China’s provincial regions created by local artisans who did not follow proscribed court artistic rules or iconography and integrated elements from Buddhist, Taoist and Popular Folk Religion traditions into a syncretic blend as one of the Great Chinese Goddesses (Irwin). She sits on a raised lotus rising…
This vibrant image represents the “Heavenly Empress” Mazu wearing a red-tiered outer robe topped with a black scalloped collar bordered with gold and carved in graceful folds. Three ornamental flowers painted on her stomach might reflect the Popular Religion myth that when Mazu’s mother was pregnant, she prayed for a daughter as she already had six sons. In a dream Guanyin gave her a flower blossom to wear, and the next day Mazu was born.
This home devotional image, finely carved in the round, represents Mazu, the most revered Taoist female deity in coastal areas in mainland China, Taiwan and Vietnam. She sits in a traditional deity pose, hands covered by a ritual cloth with a space to hold a hu tablet on a plain armless high back chair. She is a provincial matronly figure, eyes calmly cast down and dressed in humble attire with characteristically small feet, a hanging red sash, and a modest hat with a flat phoenix.
As a syncretic Taoist deity, the Queen Mother of the West has a huge cult following among Taoist, Buddhist and folk religion devotees revered for her powers to control life and death and to determine the life span of all living beings. Irvin calls her one of the Great Chinese Goddesses who are all imperially…
Mazu has many names and titles. In China she is Mazu (Matsu) meaning ‘Ancestor Mother’ or ‘Eternal Mother’ and on southern China she is affectionately called ‘Ā-mā’ meaning ‘grandmother’ or ‘mother.’ In Taiwan she is ‘Holy Heavenly Mother’ and the ‘Empress of the Heavens’ and ‘Tianhou,’ Daughter of the Dragon. She is the most worshiped female Taoist…
This fine pair of the Kitchen God and his wife are mirror-images of each other seated on backless chairs with multi-sided pedestals and reflect the reverence and solemnity of their responsibility to live above the stove and protect the home. The original lacquer has darkened naturally over time and from exposure to candle and incense smoke leaving a soft patina. The cavity on the male has its original covering while the one on the female is missing, exposing contents inside – a string tied around the script placed by a monk when it was consecrated. Kitchen Gods radiate warmth, especially when placed near the stove and make unique house warming or wedding gifts and add positive chi to any household.
Finely detailed and carved from dense wood, this Kitchen God and his Wife monitor the members of the home from their perch above the stove. On Chinese New Year Zao Shen reports to the Jade Emperor in Heaven and a positive report bringsblessings and good fortune, while and unfavorable one brings misfortune. Family members often smear honey on his mouth to sweeten the report. Near mirror images they wear layered gold officials’ robes with decorative sashes and symbolically hold a hu tablet. They are in excellent condition and add positive chi and enhance feng shui. Kitchen Gods especially pairs are now rare and very collectible and make unique wedding and house gifts.
This husband and wife Kitchen Gods are near mirror images with similar layered gold officials’ robes clasped hands covered in ritual cloth. They portray house gods whose future of families are in their hands. They are in excellent condition with fine patinas and both have been consecrated with the consecration script remaining in the wife’s cavity but not in the male’s cavity.
The close association of the lotus and Guanyin (Sanskrit Padmapani meaning “born of the lotus,”) is depicted in this Guanyin image sitting on a flat, round open yellow lotus padmapitha pedestal held up by a stem flanked by red lotuses facing out in a folk art tradition. As one of the Great Chinese Goddesses (Irvin),…
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