Showing 1–12 of 226 results
This small vibrant carpet square with fringed edges can be used for meditation to sit on, an accent piece or hung on a wall. Made from wool and natural dyes, it has a cotton foundation and double weft with a medium wool pile and fine geometric designs. Meander designs and geometric motifs surround the center…
Most small utilitarian pottery jars like this one made in Roman North Africa were either a perfume, oil, ointment or cosmetic jars. This wheel made vessel has grooved furrows etched on the surface while the object turned on the wheel. Made without frills for durability, the slip made it less porous.
Although raw metals were found in nature and hammered into desired metalwork objects, no evidence of melting, smelting and casting has been found in North America prior to the 15th-century arrival of Europeans. Yet, two Andean South America sites in or close to Peru were active about 800-500BCE. The Incas were highly skilled with metalwork…
This extremely rare late Ming/early Qing dynasty antique-Chinese-wood-carving carving is divided in two parts and is significant for its juxtaposition of images as well as its unique iconography. The top is one of the Taoist officials in typical officials-attire: an official’s hat, a tiered robe with a red sash extending to the tops of the…
Although this wonderfully carved antique figure portrays an ancestor depicted as an official, his atypically benevolent and finely modeled face makes him a very endearing figure. Old and weathering from age in its rear, this piece was repainted probably in the 20th century, as was periodically done with old figures with losses, especially due to seasonal South China climate. With his individualized convincing features, he is a very relatable rather than authoritarian figure, possibly resulting from the affection of the family that commissioned it. This beautiful and vibrant carving would enhance any setting.
Artisans who were commissioned by family members to carve an ancestor figure they often emphasized positive personal features as well as their high status (or wish to enhance it). So, when they were placed on the family home altar with Buddhist, Taoist, Chinese Popular religious deities, they appeared more important and esteemed. This ancestor was…
This exceptional Qing carving portrays a seated official ancestor wearing traditional official’s attire, a red and black official’s hat and black boots. His inset glass eyes and high cheekbones frame a large curved nose, a strong projecting chin and forehead wrinkles indicating a man of importance with the wisdom of age who demands respect. The top two robe layers have wide borders with marvelous raised lacquer decorations that include beautiful cloud forms, flying phoenixes with spread wings and floral sprays.
Guandi lived during the latter part of the Han Dynasty and is the best known and most revered Chinese military historical hero. He was canonized in 1504 as Guan Di, the Taoist God of War and China’s Protector. According to Keith Stevens, he is “all things to all men, not only prayed to for protection…
This fine woodcarving is Chou Ts’ang, the aide-de-camp and attendant to Guandi, the most revered and well-known military hero in Chinese history and the Taoist God of War. As an attendant his hands held together and eyes down cast in respect and legs firmly planted on the ground. His protective military clothing and heavy boots presented in detail and the high red and black pedestal with painted gold florals make him a key figure even though the figure of Guandi he attends would have been much larger and important.
This sweet diminutive antique-Chinese-wood-carving of an enlightened Buddhist attendant on a double lotus base that was commissioned by the proud father to celebrate and bless a marriage as indicated by the inscription on the rear 陈门李氏双全 that indicates that it belonged to the Lee family. Although its meaning is not entirely clear, it appears to…
Attendants like this often accompanied Taoist figures on home altars, along with other deities and spiritual images. They frequently presented offerings to them which, when tied with ribbons, symbolized “ longevity for generations”. This 18-19th century carving may have accompanied a significant deity as the statue was covered in gilt and lacquer, some which has naturally darkened from age and from years of incense, age and use.
Nandi is among the most frequent Hindu deities worshiped in public places, temples, homes, or on a home altar throughout India. As one of Hinduism’s mythical animals, Nandi is Shiva’s vahana, (his mount that transports him), attendant and leader of his attendants and guardian of all four-footed animals. A recumbent image of Nandi on a…
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