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This extremely rare late Ming/early Qing dynasty antique-Chinese-wood-carving carving is divided in two parts and is significant for its juxtaposition of images as well as its unique iconography. The top is one of the Taoist officials in typical officials-attire: an official’s hat, a tiered robe with a red sash extending to the tops of the…
Nandi is among the most frequent Hindu deities worshiped in public places, temples, homes, or on a home altar throughout India. As one of Hinduism’s mythical animals, Nandi is Shiva’s vahana, (his mount that transports him), attendant and leader of his attendants and guardian of all four-footed animals. A recumbent image of Nandi on a…
This small antique brass Nandi is exquisitely handcrafted with a wonderfully aged patina. He sits recumbent on a raised rectangular platform. Delicately incised with decorative details delineating the head, neck, snout and body, his right leg and tail are sinuous, graceful ornaments rather than defining features. His head is at a 45-degree with lyrically curved horns in contrast to most versions with horns extending backwards. This Nandi is based on a South Indian cow whose humpback is emphasized here by two parallel lines covering it as if is part of a saddle or another ornament feature.
This rare carving of the infant Buddha with well defined features is clearly a provincial rendering that uniquely departs from traditional renderings. He holds a monk’s begging bowl as he points to the heavens and he stands on a lion’s head, as he is the lion of the Shakya clan. Given its small size, it was probably displayed on a home altar.
This charming carved and lacquered multi-use box opens from the top and has a side drawer with a metal pull. It is decorated with auspicious carved symbols for a good, healthy, prosperous and long life Carved fu lion heads with flowing manes adorn the front and plum blossoms and a fan the front and frame. Painted calligraphic phrases refer to a wish for many sons. It was likely a wedding gift to newlyweds and still for that or other purpose.
This very fine pair of antique carved males fu lions represents the dual nature of these mythical animals: as protective images they are powerful and fierce, as Buddhist images they are whimsical with smiling faces, dangling tongues, hanging ears and bushy tails. They are extremely well carved with harnesses and bells around their necks, detailed manes and tails on high intricately decorated bases to signal their importance. Perfect for enhancing feng shui in a home or office, large finely decorative wood pairs like this are extremely hard to find.
As part of Burmese animistic and shamanistic beliefs hand built oxcarts were decorated with figurehead prows of mythical beings to guide the owner. Using their spiritual and magical powers they bestow good fortune and ward off malevolent spirits. The legendary figure here is probably a nat – a deified spirits of the deceased believed to have magical and protective powers seen on non religious items and in Buddhist temples, pagodas, home shrines, other spiritual structures throughout Burma.
This small fearsome carving is the Taoist Thunder God who provides protection from injustices and punishes earthly beings and wicked spirits who harm humans. His drum and mallet produce thunder and his chisel to punish evildoers. He has a bird’s beak and claws and dragon’s wings and rides a mythical hou who protects it masters from evil and bad fortune. This carving and the Guanti God of Justice on a Hou (16325) are from a detailed bed frame with many protective deities guarding the home.
This pair of red and gold antique carvings were likely part of a woman’s bed frame to bless and protect its occupants. The lions hold spherical 5-leaf plums as a wish for the 5 blessings and for passing civilian official exams Mounted on a frosted acrylic base.
This elegant antique heddle-pulley carved from a single piece of Burmese teak is topped by a hamsa, a goose-like bird and a sacred Buddhist symbol of wisdom. Auspicious symbolic animal images are believed protect the weaver, assure quality weaving, and pleases the gods and spirits. It is wonderfully weathered from time and use.
This Hindu prayer bell was likely placed on a home or temple altar and used in daily puja rituals. It has a smooth and undecorated body with only incised parallel rings circling plain surfaces and is topped by a Garuda pair sheltered by Naga hoods. Garuda, Vishnu’s mythical winged bird mount, and Naga, a seven-headed hooded serpent, are natural enemies but when they are represented together, they symbolizes peace, a very appropriate adornment for the tranquility and serenity elicited by the pleasing sounds of a prayer bell.
Hindus use oil lamps (diya) like for ritual prayer rituals (puja) performed on home altars. Light and the act of lighting a lamp signify purity, virtuosity, goodness and brings one good luck and power. Peacocks are common motifs symbolize love, joy, peace and harmony.
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