Showing 25–36 of 49 results
This stone flu lion is not an elegant protective beast, it’s just a friendly pet hanging out. He probably lived in a garden and is looking for another one with people like old wonderful pieces to remind them not to take themselves too seriously.
Ceramic barrel shaped garden stools with cut cobalt blue auspicious double coin images as wealth symbols and 2 Tao tieh masks in relief with pierced rings to symbolically avoid gluttony, greed and desire.
Initially linked to the Big Dipper in Chinese mythology, Wen Chang is worshipped in the 3rd and 8th months as the God of several spheres: Literature, Books and Writing, Education, Learning and Examinations and is the patron saint of scholars. As one of the revered Taoist-deities, hero and one of the house-gods closely associated with…
This elegant antique heddle-pulley carved from a single piece of Burmese teak is topped by a hamsa, a goose-like bird and a sacred Buddhist symbol of wisdom. Auspicious symbolic animal images are believed protect the weaver, assure quality weaving, and pleases the gods and spirits. It is wonderfully weathered from time and use with minor losses with a fine patina. Mounted on a black wood base, this heddle pulley pairs well with item number 11298A.
Zhenwu (Perfected Warrior) one of most important and powerful Taoist deities, is revered for magical powers to suppress demonic forces. Forceful wood provincial image for personal devotion reflecting his iconography: on throne, bare feet resting on snake and tortoise, celestial scarf and maille armor.
Zhenwu (aka Xuanwu, Wuandi and Zhenwudadi) is one of the most revered Chinese Taoist figures, venerated for his ability to heal as well as to protect his country and the emperor. There are various depictions of his attire, but here he wears a plain black robe with an official’s belt which he holds in his…
Zhenwu, the True Warrior, Perfected Warrior or Northern Emperor was one of the most popular TaoistDeities in the Ming and Qing dynasties known as protector of the state and the imperial family. His feet here rest on a pedestal over a turtle with a lifted head and a snake curled around his shell. Among the many interpretations this represent beings over whom he presided including both celestial officers under his command, [and] former demons that were conquered by him. This is a fascinating carving symbolizes trusted strength. and power.
Elegant Ethiopian Latin Cross with a raised rounded cross in center. Soft edges and matted surface from wear impart feeling of grace and warmth. Made using lost-wax, it is one-of-a-kind. Chain not included.
Rare vintage Balinese mask of Jatayu used in performances of the Ramayana. Jatayu is the Hindu mythical vahana (vehicle) of Vishnu, one of the triad of principal Hindu gods. On a museum quality stand.
This finely detailed hardwood mold was used to make sweetmeats confections, perhaps mooncakes for the Chinese Autumn Moon Festival. It is covered with deeply carved propitious symbols for marital harmony, sons and successful endeavors: a four clawed dragon for fertility, two ducks symbolizing marital bliss and harmony, one atop a carp for conjugal bliss and achieving noble rank and a boat with a sail for making all this easy sailing. This would be a great accessory or gift (especially for weddings) to spice up any kitchen.
This image from Guandong wears typical Taoist priest or shaman attire – an undergarment crossed at the neck, an overcoat clasped at the waist and a double-winged high hat centered with an image of a taotie. The taotie is a mystical animal sometimes on the hat of Taoist priests or shamans as a guardian or…
Guandi, the God of War and Justice and Protector of China and its citizens was a Chinese model of loyalty, virtue and morality and was depicted in Temples and home shrines throughout China. This antique figurine was probably part of a larger carving. He wears military maille, black gloves with a carved taotie which is a warning against gluttony and is covered in gold as a sign of power. The open back confirms it was consecrated by a Taoist priest. Mounted on a frosted acrylic stand.
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