Showing 73–84 of 193 results
Burmese teak heddle pulley surmounted by a graceful peacock that symbolizes wholeness, combining colors and fleeting nature of all things. Based on old animistic beliefs, heddles are decorated with auspicious animals providing the weaver protection, assuring good quality weaving and pleasing the gods.
This elegant heddle pulley carved from a single piece of Burmese teak is topped by a peacock, which in Buddhism represents the short-lived nature of all things. In Burmese animistic traditions, it auspicious animal images protect the weaver, assure quality weaving, and please the gods and spirits. Finely weathered from time and use.
Carved Mandalay style peacocks with outspread feathers like this were placed over entrances to protect religious and government buildings. The peacock was emblem of last Burmese Dynasty symbolizing the monarchy descending from the sun.
One of a pair of Tibetan antique folding traveling prayer/study table for monks or nomadic families to lay out sutras (scriptures), scrolls, books, other study materials. Decorated with painted florals and fruit offering bowl symbolizing flowering of enlightenment and opening of the heart.
Puppet theatre has traditionally assumed a major role in Chinese religious rituals and honoring major life and historical events. Local productions with beautifully carved puppets, music, drama and costumes instilled societal and cultural values as well as providing entertainment to audiences of all ages and educating provincial ones. This head has a typical tapering shaft…
Provincial carving with iconic phoenix headdress, hands in karana mudra to cast out demons, negative energy and purify spaces. Image was on home altar and consecrated with a sealed cover.
Dense hardwood Queen Mother carving with phoenix in crown, holding robe across body, calmly seated on backless throne, much original polychrome and lacquer finish remains. Sealed consecrated cavity.
This ancestor figure of a huntsman in the round is unique, standing on a domed pedestal, facing half right holding a flint lock, wearing a hunting coat, a two-level hat, traditional under- and outer-garment, and thick boots. As the noted scholar on Chinese wood carvings stated, a similar figure like this “unusual and extraordinary ancestral image of a huntsman with a flintlock gun, was the only ancestral image in his vast collection which “depicts the calling of the deceased.”
Very rare depiction of Queen Mother of the West puppet head wearing elaborate headdress with outstretched tortoise legs atop a phoenix, reflecting early shamanism rites of turtle shell divination. Mounted on acrylic base.
Rare provincial carving of Guanyin in lalitsana clasping a rosary on a mythical Hǒu that symbolizes righteousness, morality and ushers in peace and prosperity. Small yet powerful, consecrated and mounted on Acrylic base.
Rare single image of Kitchen God and wife, indicating their close/lasting relationship as family’s protectors. Detailed elaborate officials’ robes, headgear. Individually portrayed holding hu tablets like those held by high court officials or Taoist priests.
During the Ming and Qing dynasties small images of Taoist officials and priests were often shown holding a cup of the elixir of life to place on home altars along with ancestor figures, house gods and other religious images to bring blessings (fu) to the household. By commissioning figures like this artful carving, families honored their ancestors and met their filial piety duties. Mounted on an acrylic stand.
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