Showing 61–72 of 201 results
Seated imperiously on a horseshoe chair with carved title “Holy Mother in Heaven,” Mazu is depicted in the imperial style, with a regal flat topped headdress, elaborate robes with dragons, official’s girdle in red and gilt.
This antique Nuo Opera mask is Tudi Gong, benevolent Earth god with smiling animated face, long eyebrows, hemp beard and high decorative hat. With an honest gentle disposition, he symbolizing the power of good to defeat evil. Nuo popular in Ming/ Qing dynasties, there are few remaining troupes.
Chinese Noa opera mask is likely a female zhengshen – a benevolent gods with kind and honest nature and gentle disposition -symbolizing the power of good to defeat evil. Age and heavy use
Mandarin ancestor official in court attire and hat holding up his belt of office. Rare consecration inscriptions on the back indicate the names of two families who pooled funds to commission, carve, and dedicate a sacred figure to their shared local temple or ancestral altar.
This excellently carved ancestor civilian official with gilt highlights was commissioned to be place on a home altar for veneration and impress those who viewed it and to honor the venerated ancestor’s persistence, success, status and power.
Pair of oil lamps for good fortune with diamond shaped double lozenge meaning many treasures, and plum blossoms, symboling the Five Happinesses – wealth, health, longevity, peaceful death and love of virtue.
Burmese teak heddle pulley surmounted by a graceful peacock that symbolizes wholeness, combining colors and fleeting nature of all things. Based on old animistic beliefs, heddles are decorated with auspicious animals providing the weaver protection, assuring good quality weaving and pleasing the gods.
This elegant heddle pulley carved from a single piece of Burmese teak is topped by a peacock, which in Buddhism represents the short-lived nature of all things. In Burmese animistic traditions, it auspicious animal images protect the weaver, assure quality weaving, and please the gods and spirits. Finely weathered from time and use.
Carved Mandalay style peacocks with outspread feathers like this were placed over entrances to protect religious and government buildings. The peacock was emblem of last Burmese Dynasty symbolizing the monarchy descending from the sun.
One of a pair of Tibetan antique folding traveling prayer/study table for monks or nomadic families to lay out sutras (scriptures), scrolls, books, other study materials. Decorated with painted florals and fruit offering bowl symbolizing flowering of enlightenment and opening of the heart.
Ht: 22.25” W: 7.25” D: 5” | FREE SHIPPING WITHIN CONTINENTAL U.S.
This detailed male puppet head with a calm expression, round bun and half-smile was very versatile, used in religious or secular performances. Changing costumes and headgear, it could have been a Buddhist, Taoist or Popular Religion figure or deity or non religious character.
Rangda mask of the Balinese demon-queen with scary upper fangs, missing lower fangs, jagged facial elements, menacing eyes in deep red. She is one of the most important masks in Balinese ceremonial dance traditions .
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