Ancestor Worship

The Merriam-Webster dictionary defines ancestor worship as the “veneration of deceased ancestors who are considered still a part of the family and whose spirits are believed to have the power to intervene in the affairs of the living.” Based on love and respect for the deceased, it is the belief that showing respect and loyalty to the deceased is a reciprocal agreement: the living engage in ceremonial rites and make offerings that provide the deceased happiness and well-being in the afterlife in exchange for the departed protecting and looking after the welfare of the family. Although not required, having some type of physical memorial is often an important ancestor worship component that can be displayed in variety of forms: altars, shrines, plaques or tablets, sculptures, masks, gravestones, tombs, monuments, buildings and other designated places. While ancestor worship is often associated with the Confucian concept of filial piety, it is practiced in much of the world, in many religious traditions and among most socioeconomic groups. In China the concept of ancestor worship as a demonstration of piety originally espoused by Confucius is an essential belief and everyday practice among all major Chinese religious – Buddhism, Taoism and other folk religions. The Chinese family unit traditionally consisted of the deceased as well as the living and worshiping one’s ancestors has been a means of strengthening the family and Chinese society. As the “residence of ancestral spirits”, the family altar/shrine 祠堂, with ancestor carvings and tablets is the commemorative site for daily prayers, rituals and offerings. In contemporary settings ancestor worship can be viewed as a connection with our past, and perhaps reaping the benefits our forefathers provided us.

Showing 13–24 of 30 results

  • Antique Ming Attendant with Zodiac Animal, China (1155BCK) $395

    $395.00
    H: 7.375”  W: 2.75”  D: 2.5” | FREE SHIPPING!

    A group of 12 zodiac figures as mingqi sometimes accompanied the wealthy deceased in their tomb. This Ming dynasty earthenware figurine stands on a low circular base and wears an official’s hat and long flowing robes. It is difficult to identify the specific animal held here but it may be a rabbit, small dog or baby pig. The detailed figure is hollow and partially mould-made and unlike glazed mingqi, was covered with a white slip and painted using black and white pigments which are mostly extant.

  • Antique Ming Dynasty Earthenware Horseshoe Chair, China (3331BOK) $685

    $685.00
    H: 7.375″  W: 4.375″  D: 3.75″ | FREE SHIPPING!

    Often ancestral figures were portrayed sitting in horseshoe chairs to reflect the high status of the figure they were portraying. As many earthenware mingqi, this well-modeled chair has a liberally applied thick green glaze resulting in expected drips around the stretchers. The seat is decorated with a yellow glaze imitating caning and the decorative carved design on the splat also has a yellow glaze and a carved decorative “clocklike” circular design. The bottom of the seat and legs are not glazed, as is usual.  It is in very good condition with expected minor chips and minor glaze pitting and deterioration consistent with its age and long burial. It pairs perfectly with item 3330 and together would add to a fine collection of Chinese ceramics.

  • Antique Ming Earthenware Horseshoe Chair, China (3330BOK)

    $685.00
    H: 7.375″  W: 4.375″  D: 3.75″ | FREE SHIPPING

    This charming miniature Ming dynasty ceramic horseshoe pottery chair is an accurate model of an impressive Ming chair that would have been made of a beautifully grained hardwood and constructed with a continuous horseshoe shaped top rail and a caned seat. The curved splat of a wood chair might have either carved or pierced motifs or medallions and straight or curved stretchers joining the legs in pairs at the same height on each side. Often ancestral carved figures were portrayed sitting in horseshoe chairs to reflect the high status of the figure they were portraying. This ceramic mingqi has a thick green glaze throughout which was liberally applied normal usual drips around the stretchers. The seat is decorated with a yellow glaze in imitation of caning as is the decorative carved design on the splat, but the bottoms of both the seat and legs are unglazed. The rail ends splay to the right and left for hand comfort and decorative effect are traditionally found in Ming Dynasty hardwood horseshoe-shaped chairs. It is in very good condition with minor chips and paint losses and fading due to its being buried underground in a tomb for centuries. It would be a fine addition to a collection of antique ceramics.

  • Antique Nanhai Guanyin with Attendants and Donor, China (16218BHEM) $5900

    $5,900.00
     H: 34″    W: 12 ”    D: 15 ” SHIPPING INFORMATION REQUIRED. CONTACT US AT 213-568-3030

    Guanyin clearly dominates this majestic carving, in meditation and wearing  an ornate high  blue crown centered with an Amitabha Buddha in a deep arched border and her  traditional three-part robe  extending to her pedestal throne topped by flat lotus leaves.This remarkable carving Nanhai-Guanyin  is extremely rare, unique and difficult to interpret. We have never seen a Guanyin in her cave at Putuo surrounded by with two sets of attendants, her acolytes Shan Tsai  and the Dragon Princess Longnu and a seated Taoist official/ priest or possible the donor at the apex.  This was clearly commissioned by a very wealthy donor who wished to make a spiritual statement while emphasizing his reverence and status.

     

    Add to cartLoading Done
  • Antique Official in Red Robes with a Hu Tablet, China (16851BOK)

    $875.00
    H: 15.5:  W: 6.125″  D: 4.125″ | free shipping!

    This fine ancestor figure portrayed as a Chinese official with many indications of his high status. He sits on a backless chair upon a high decorative pedestal upon which his feet rest and . He wears officials attire: a futou cap and high collared red robe with double belt extending to his shoes. He sits in a formal pose with hands on his thighs holding a long slender  hu tablet. His facial hairs indicate a mustache and beard, now partially lost, on his gilt colored face.

     

  • Antique Official with Hu Tablet, China (14001ZSK) $395

    $395.00
    H: 14.25”  W: 5.5”  D: 4” | FREE SHIPPING!

    This unique and dense antique/vintage carving may represent the noted historical figure:  the principal regent Dorgon  of the first Qing Emperor Shunzhi who ruled from 1643-1650 as a”quasi” emperor based  on the four-character inscription that reads “Southern Holy Emperor.” He is presented wearing an impressive and detailed hat and coat holding a hu tablet characteristic of one standing before an emperor.

     

  • Antique Rare Carving of a Huntsman with Rifle, China (16743WHK) $315

    $315.00
    H: 9″  W: 3.625″  D: 3.5″ | FREE SHIPPING!

    This unusual ancestor-huntsman figure is like a similar example in the collection of described by the notable scholar Keith Stephens as “An Unusual and Extraordinary Ancestral Image” standing with legs spread firmly on a plain rounded triangular base holding an 19th century flint lock rifle while scouting for prey. Much of original paint has been lost or covered by darkened lacquer, but the flesh tone on the face and remnants of red and white paint remain.

  • Antique Rare Set of Ming Ceramic Attendants, China (3224ABC-BKEM) $4985

    $4,985.00
    H: 17.875″  W: 4.875″  D: 4.75″ | FOR SHIPPING INFORMATION CONTACT US AT 213-568-3030

    This brilliant set of three Ming dynasty attendants – one male and two female – are in a unique category of refinement and elegance that reflects the importance and high status of the tomb, the deceased and the family that commissioned them. Standing on hexagonal bases with arms folded below their chests and presenting offerings to the deceased, their clothing and parts of the bases have a rare cobalt blue glaze for burial objcts, two have yellow glazed areas and all have painted unglazed areas. Their removable heads are highly detailed and beautifully modeled fitting inside high collars.  These figures are presented and sold as a remarkable set reflecting their original presentation and condition.

    Add to cartLoading Done
  • Antique Seated Ancestor Official, China (16289BME) $650

    $650.00
    H: 7.25”  W: 4.625”  D: 3.5” | FREE SHIPPING

    This finely carved ancestor wears official’s attire and hat and sits in a horseshoe chair with his feet on a pedestal to emphasize his power and status, although he appears to be a lovwer level civilian official.  It is masterfully carved and lacquered and is painted on front and back in red  with traces of gilt – all propitious colors of “fu” as a wish for wealth, health, good fortune, long life and long life – that has faded over it years of use into a great patina.

  • Antique Seated Taoist Priest Holding Elixir of Immortality (16312BOK) China

    $675.00
    H: 9 ”  W: 5 ”   D:3.5  ”    | FREE SHIPPING in continental u.s.!

    This finely carved, beautifully detailed statue of a Taoist Official was created using a combination of simplified geometric forms and colors to create a small but striking and significant piece. Holding the Elixir of Immortality, the statue symbolizes a wish for a long and happy afterlife. Mounted on a uniquely crafted frosted acrylic base, it complements any décor.

  • Antique Stoneware Fruit Offering, Shiwan, China (19330-BLE) $375

    $375.00
    H: 8.75″  DIA: 6.75 ” | FREE SHIPPING!

    This colorful antique Shiwan stoneware food offering would have been placed on a Chinese home or temple altar to augment or in place  of a plate of stacked fresh fruit. These offerings are still made honor the family’s ancestors, communicate with deities and bring prosperity, good luck and health to the home.

  • Antique/Vintage Carved House Deity, China (7507QOK) $295

    $295.00
    H: 12.7”  W: 3.375”  D: 3”| FREE SHIPPING!

    Images like this were commissioned by families to honor departed ancestors, and this family seems to have requested an amplified tribute by posing him with characteristics of Guandi, the god of war, or maybe it is Guandi very liberally depicted by a provincial artist. He sits on a high backless chair, hands on knees, one holding a small tael and the other poised to hold a sword, wearing military maille at the chest and knees, also used in depictions of Guandi. The calligraphy on the base is the name Wu (last) Fa Tian (first), the ancestor to whom the statue was dedicated.

End of content

End of content