Buddhists have used images of enlightened beings including Buddhas, Guanyin, Bodhisattvas, Lohans, and monks for nearly two millennia to show devotees how Truth can be found within oneself through meditation and spiritual training. Statues of the Buddha and other enlightened beings are placed in temples, monasteries or home shrines as a reminder of the spiritual potential inherent within all of us to awaken to the Truth as the Buddha, a fellow human being, did. When one pays reverence to Buddhist images, they are not worshipping the image, rather the image reminds them of the great compassion of the Enlightened Ones who have taught them the way to liberation.
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Sensitive modeling of the face, body and lotus base, its appealing features and graceful garments, make this diminutive statue truly endearing. The rear inscription indicates it was commissioned to celebrate the wedding of a daughter and, as such would make a superb wedding gift.
Finely modeled vintage Mandalay style Burmese bronze Buddha in Earth Witnessing mudra made by lost wax process is a one-of-a-kind exquisite work of art. Soft youthfully sweet smiling face with almond-shaped eyes are inlaid with glass.
Finely carved from dense wood Mazu is the Heavenly Empress on a horseshoe chair, holding official’s girdle, phoenix hat with outstretched wings and cloud collar symbolizing her place in heaven.
Rare Nanhai Guanyin with lobed crown of 5 “Dhyani” Tantric Buddhas of Wisdom seated on rocky outcrop before her cave on Putuo, showing Vajrayana influence rarely seen for Nanhai Guanyin. Gilt surface reflects personal devotion and personal wealth.
White clad Guanyin in royal ease and karana mudra to expel evil, remove problems and rid sickness or other negativities rarely used for Guanyin. Consecrated for home altar use.
Guanyin sits on an elaborate lotus throne held by 8 long stemmed and 1 flat leaf lotus as an enlightened being. 5-lobed crown reflects her stature as Buddhist royalty.
Guanyin’s elegance, compassion and serenity are emphasized in this provincial carving on 3 tiered high lotus throne on a hexagonal base with carved patterns. Portrayed in meditation with flowing robes this consecrated image was designed for personal veneration in a home setting.
Delicately detailed and consecrated Guanyin in meditation on a backless throne, flowing braids, simple necklace, 3-part crown centered with Amitabha Buddha on lotus throne surrounded by a radiating aureole. Compassionate downcast eyes, serene contemplative expression, calm smile to enhance any surrounding.
Delicately carved antique Guanyin in meditation, tall 3-lobed crown with flaring triangles and crosshatches. high forehead and oversized head focuses viewer on beautifully formed, quiet and calm face as model of inner serenity
In the Pure Land Buddhist tradition this vibrant provincial Guanyin wears a high crown centered with Amitabha Buddha. Far from imperial influences, this charming carving is a unique eclectic folk art blend of Buddhism, Taoism and Popular Religion. traditions.
White Hooded provincial Guanyin in lalitsana depicted as humble with a plain hood, gentle smile, holding a scroll symbolizing the Buddhist sutras in which she is mentioned including the Lotus Sutra Chapter 25.
Provincial Lohan meditating wearing monks robes associated with Lohans – hood, shoulder ring and cowl crossed at the neck but atypically decorated with raised curvilinear lacquer designs highlighted with gilt.
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