Buddhists have used images of enlightened beings including Buddhas, Guanyin, Bodhisattvas, Lohans, and monks for nearly two millennia to show devotees how Truth can be found within oneself through meditation and spiritual training. Statues of the Buddha and other enlightened beings are placed in temples, monasteries or home shrines as a reminder of the spiritual potential inherent within all of us to awaken to the Truth as the Buddha, a fellow human being, did. When one pays reverence to Buddhist images, they are not worshipping the image, rather the image reminds them of the great compassion of the Enlightened Ones who have taught them the way to liberation.
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Finely carved from dense wood Mazu is the Heavenly Empress on a horseshoe chair, holding official’s girdle, phoenix hat with outstretched wings and cloud collar symbolizing her place in heaven.
Antique Guanyin is magnificent example of fine provincial Buddhist statues. Made to be seen in the round, her garment has delicate incised leaves and leaf motifs on front, back, and sleeves. High pointed crown with the Five Tantric Dhyani Buddhas, rare in provincial Guanyins.
Guanyin sits on an elaborate lotus throne held by 8 long stemmed and 1 flat leaf lotus as an enlightened being. 5-lobed crown reflects her stature as Buddhist royalty.
Consecrated red lacquer and gilt home altar provincial Guanyin, elaborate 5-lobed crown centered with radiating bars symbolizing Amitabha Buddha and his aureole that represent the flames of Buddhism.
White Clad Guanyin in royal ease and karana mudra to expel evil, remove problems and rid sickness or other negativities rarely used for Guanyin. Consecrated for home altar use.
Guanyin’s elegance, compassion and serenity are emphasized in this provincial carving on 3 tiered high lotus throne on a hexagonal base with carved patterns. Portrayed in meditation with flowing robes this consecrated image was designed for personal veneration in a home setting.
Delicately detailed and consecrated Guanyin in meditation on a backless throne, flowing braids, simple necklace, 3-part crown centered with Amitabha Buddha on lotus throne surrounded by a radiating aureole. Compassionate downcast eyes, serene contemplative expression, calm smile to enhance any surrounding.
Delicately carved antique Guanyin in meditation, tall 3-lobed crown with flaring triangles and crosshatches. high forehead and oversized head focuses viewer on beautifully formed, quiet and calm face as model of inner serenity
This provincial Guanyin made for a home altar sits in anjali mudra. Portrayed as humble, approachable, she wears a 5-lobed diadem, hair in a chignon with braids and modest robe seated on a waisted lotus throne with stacked lotuses.
Vibrant provincial Guanyin, high crown centered with Amitabha Buddha with swirling florals blends many religious traditions. Indentation for urna (third eye) on forehead held cut glass.
Provincial Lohan meditating wearing monks robes associated with Lohans – hood, shoulder ring and cowl crossed at the neck but atypically decorated with raised curvilinear lacquer designs highlighted with gilt.
Large provincial Guanyin is natural and modest rather than idealized in relaxed lalitsana pose. Remarkable oversized crown centered with rustic Amitabha on a lotus with pointed aureole. This personalized depiction is a charming, innocent portrayal of a spiritual subject.
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