Also known as Non-Western Art, the terms Ethnographic or Ethnic Art, Indiginous Art and Tribal Art are interchangeable and refer to art or artifacts created by indigenous people which includes North American Indians, pre-Columbian peoples of Mexico and Central and South America, and cultures or tribal peoples of Africa, Oceania and parts of Mecico and East, South and Southeast Asia. Art forms are generally masks, carved sculptures, paintings, textiles and jewelry which often are spiritual or religious representations.
Showing 1–12 of 47 results
This rare 13-14th century Sukhothai ring-shaped bronze bangle has a unique design. While many Sukhothai were undecorated, this one is has three raised knobs dividing it into thirds, articulated ends and, rather than being a complete circle, it has a small opening.
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metalsmiths from Eastern India using the same lost wax casting process for millennia. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece is a typical grain measure and has a handle for hanging and decorated with horizontal striations across the top and bordered by downward striated triangles with a smooth patina from age and use. This bowl were regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
Click here for the Blog Dhokra Metal Smiths: Retaining Primitive Techniques with Unfailing Success
Click here for the Blog Hindu Home and Temple Shrines and Religious Practices
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metal smiths from Eastern India using the same lost wax casting process for over 4000 years. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece has a handle for hanging with horizontal striations and downward striated triangles with a smooth patina from age and use. This type of bowl was regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
Click here for the Blog Hindu Home and Temple Shrines and Religious Practices
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metal smiths from Eastern India using the same lost wax casting process for over 4000 years. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece has a handle for hanging with horizontal striations and downward striated triangles with a smooth patina from age and use. This type of bowl was regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metal smiths from Eastern India using the same lost wax casting process for over 4000 years. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece has handle for hanging with horizontal striations and downward striated triangles with a smooth patina from age and use. This type of bowl was regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
This antique brass vessel was a daily measuring bowl for rice or other grains made by Dhokra metal smiths from Eastern India using the same lost wax casting process for over 4000 years. Extremely labor intensive and time consuming, each piece is one-of-a-kind. Dhokra items are beautifully and intricately decorated with simple uncomplicated forms. This charming piece has a handle for hanging with horizontal striations and downward striated triangles with a smooth patina from age and use. This type of bowl was regarded as a symbol of the Hindu goddess Lakshmi and was prized by villagers who could afford them for puja home worship and placed on a home altar.
Finely carved figures were attached to ox cart yokes to protect farmers from malevolent spirits who inhabited all seen/unseen sectors of their world. . This beautifully carved ox cart yolk image is a chinthe, a mythical Burmese lion/dragon creature commonly decorating many everyday items. A propitious spiritual and protective guardian, the animalsymbolizes power, courage, and strength. This carving displays the common traits of a lions with a long face, large eyes, a long sharp nose, a lion-like beard, and a flame-like shape on the top of his head. Masterfully carved with careful attention to details, see the deeply incised hairs that cover his body. The 2-part piece is held together with a wooden plug. Though for daily use, Burmese craftsmen created beautiful objects and finished them with the best materials they could afford.
H: 9.25” W: 5.75” D: 2.25” | FREE SHIPPING WITHIN CONTINENTAL U.S.!
This antique Chinese wood hand-carved mask was used in Nuo Operas mask in Southern China She is a smiling woman with a slender face, delicate features and hair in a topknot. She is a zhengshen, a friendly female deity (shen) with a kind, honest nature and a gentle disposition and a symbol of the power of good capable of defeating evil. Most Nuo masks are brightly painted, but the age and heavy use of this one has resulted in paint losses. Different colored bases under the reddish-brown indicate it was repainted and reused a number of times. The bright red lips have faded and areas around the eyes, mouth, nose and hair reveal what may be an original first layer of white gesso. Mask enthusiasts will appreciate the resulting paint and lacquer layers which tell the story of this mask’s colorful history, and, yes, the pun is intended. In very good condition for its age and use and for its journey surviving China’s modernization, masks like these were initially considered ethnic folk art offerings to the gods.
This wonderful Coptic Cross is in the form of a fleury or floriated trefoil cross with the end of each arm splayed into three pointed lobes representing the Trinity. The body is embellished with parallel rows of small granulates which results in a vibrant textured surface. The chain is not included.
This antique Ethiopian Cross combines several cultural traditions: an Egyptian round ankh surmounted on cross pattée with flaring arms that narrow towards the center. This striking pendant is heavy and large with a massive presence softened by its smooth surface and simple elegance. Prior to the 20th-century, pendant crosses were often made in small villages by skilled local metal smiths that were simpler, yet strikingly beautiful and powerful. The coin silver chain is not included.
This elegant antique Ethiopian Coptic cross was fashioned as a Cross Pattée with flaring arms that narrow towards the center and expand to its end. Often crosses made prior to the early 20th century in small villages by skilled local metal smiths were simpler, yet they are strikingly beautiful and powerful. This weighty piece was made using the lost-wax process to create a one-of-a-kind pendant, embellished with six round protruding bosses and etched dots added after the lost wax process. The chain necklace is not included.
This heavy vintage pendant is beautifully crafted with elegant symmetry and curved pleasing designs. Two stylized birds under the circular portion at the top artistically and spiritually transform the Cross into the Tree of Life symbolizing the beginning of humanity and end of time, the lineage of the Ethiopian people to the Queen of Shebas and provided wood for the True Cross. The etched circles are the protective eyes that bring blessings avert the “evil eye.” The center of is a cross pattée, with flared even sized arms and the bottom is a tri-partite design with triangular finials on the lower three arms, all symbols of the Trinity. containing circles – protective eyes to bring personal blessings and deflect misfortune. It is centered with a cross pattée with flared even-sized arms. The chain necklace is not included.
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