Xiao, the Chinese word for filial piety, is one of the foundations of Confucianism and was also embraced by Taoism. It delineates the attitude towards and practice of obedience, devotion, and care toward one’s parents and elder family members. In practicing piety, one puts the needs of parents and family elders over self, spouse, and children, deferring to parents’ judgment, and observing this reverence through prescribed behavioral acts of respect. Emphasizing rites and ritual behaviors is believed to strengthen family harmony, sociopolitical stability, and the power of the governing hierarchy. Ancestor worship and propitiating ancestor images on home altars with offerings and prayers are manifestations of filial piety. Belief in filial piety was later adopted in Japan.
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Mingqi are ancient earthenware pottery items usually made using a bivalve mould and covered with a lead glaze that fired to a dark green. The lead in the glaze often combined with tomb dampness for centuries creating a chemical reaction changing its coloring into a lustrous and iridescent green seen here. Han mingqi were ancestral…
Although this wonderfully carved antique figure portrays an ancestor depicted as an official, his atypically benevolent and finely modeled face makes him a very endearing figure. Old and weathering from age in its rear, this piece was repainted probably in the 20th century, as was periodically done with old figures with losses, especially due to seasonal South China climate. With his individualized convincing features, he is a very relatable rather than authoritarian figure, possibly resulting from the affection of the family that commissioned it. This beautiful and vibrant carving would enhance any setting.
This exceptional Qing carving portrays a seated official ancestor wearing traditional official’s attire, a red and black official’s hat and black boots. His inset glass eyes and high cheekbones frame a large curved nose, a strong projecting chin and forehead wrinkles indicating a man of importance with the wisdom of age who demands respect. The top two robe layers have wide borders with marvelous raised lacquer decorations that include beautiful cloud forms, flying phoenixes with spread wings and floral sprays.
Dressed in a red robe with a high neck collar, extremely wide sleeves extending below the knees and a belt around his waist, this ancestor figure portrayed as a civilian official standing on a rectangular base with hands together wearing a long civil official’s robe that extends to his shoes but has no rank badge indicated.
Designation as civilian Mandarin officials was so significant that families fervently sought to perpetuate this image through generations in carved and painted ancestral renderings, especially ancestor-figures. This civilian official sits in the traditional official’s pose with arms on short armrests in an an ornately carved high back chair, curved backrest, tall legs and vertical slats…
This masterfully carved ancestor as a mandarin official sits on horseshoe chair set on a footed high decorated plinth dressed in a well-appointed formal 3-button Mandarin long coat and pointed rattan hat. His face is uniquely and unusually individualized with heavy lidded eyes, in a benevolent expression and his advanced aged indicated by the wrinkles clearly depicting a loved individual. This exquisitely carved image in excellent condition with a fine patina was true homage to a revered family member and is one of our finest ancestor figures.
Portrayed as an official, this ancestor figure sits on a horseshoe chair showing his status wearing compulsory officials attire: a 5-button Mandarin long coat with a round collar and official headwear – a woven hat whose shape and color reflected his rank. His personalized personalized oval-shaped is tranquil with a hint of a smile on his pursed lips, and a triangular pigtail down his back.
In China a set of earthenware Zodiac attendant figures was made as a 12 piece grouping, with each figure holding a small calendar animal with each year represented by a different animal – rat, ox, tiger, rabbit, dragon, snake, horse, goat, monkey, rooster, dog, and pig or boar – in a repeating 12-year cycle. Although…
Often ancestral figures were portrayed sitting in horseshoe chairs to reflect their high status. As many earthenware mingqi, this well-modeled chair has a liberally applied green glaze resulting in expected drips around the stretchers. The seat is decorated with a yellow glaze imitating caning and the decorative carved design on the splat also has a green glaze and a carved decorative “clocklike” circular design. The bottom of the seat and legs are not usually glazed. In very good condition with expected minor chips and minor glaze deterioration consistent with its age and long burial, it pairs perfectly with item 3330 and together would add to a fine collection of Chinese ceramics or brighten up a small space.
This charming miniature Ming dynasty ceramic horseshoe pottery chair is an accurate model of an impressive beautifully grained hardwood Ming chair with a continuous horseshoe shaped top rail and a caned seat. The curved splat of a wood chair might have either carved or pierced motifs or medallions and straight or curved stretchers joining the legs in pairs at the same height on each side. Often ancestral carved figures were portrayed sitting in horseshoe chairs and reflect the high status of the figure they were portraying. This ceramic mingqi (burial item) has a thick green glaze throughout which was liberally applied normal usual drips around the stretchers. The seat is decorated with a yellow glaze in imitation of caning as is the decorative carved design on the splat, but the bottoms of the seat and legs are unglazed. The rail ends splay to the right and left for hand comfort and decorative effect are traditionally found in Ming Dynasty hardwood chairs. In very good condition with minor chips and paint losses, it was buried underground in a tomb for centuries. This would be a fine addition to a collection of antique ceramics or simply a beautiful decorative piece to brighten a small space.
This carved ancestor figure portrayed as an official sits on a backless chair with a decorative pedestal in official’s attire: a high collared red robe, double belt above and below his ample stomach and holding a long slender curved hu-tablet, all signs of his office and status. He is vibrantly painted in red, the color of fu, as a wish for prosperity and status.
This excellently carved civilian official with gilt highlights was commissioned by a family to place on a home altar for veneration and to impress those who viewed it. The imposing ancestor figure grasps his belt of office to show his pride in passing examinations to become a civil official, which leads to a life of rank and prosperity for him and his family. Statues like this are an affirmation of persistence, success, status and power and they honor those who display these characteristics.
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