As defined by the International Museum of Folk Art, folk art encompasses a broad range of forms – dance, song, poetry, and foods as well as art. It is handmade; traditional, reflecting shared cultural aesthetics and social issues which may change over time; and is of, by and for the people inclusive of class, status, culture, ethnicity, gender, and religion. It may be for community use or for sale as income or empowerment; learned formally, informally, or self-taught. It can be decorative or utilitarian used for daily, ritual or ceremonial purposes.
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The Fulani are the most numerous nomadic people on earth and one of the largest ethnic groups in West Africa. Mostly Muslim, they are primarily nomads and sedentary farmers. For centuries theyc reated African metalwork and jewelry in the form of arm and ankle bracelets as symbols of wealth and status, fashion adornments and for…
This standing Guanyin reflects the Mahayana Buddhism Pure Land tradition popular during the Ming and Qing dynasties which holds the belief that Guanyin guides devotees upon their death to Amitabha Buddha’s Western Paradise where they may be reborn until ready for enlightenment. This carving is a provincial folk art representation that was placed on home…
Burmese carvings are known for fine craftsmanship, masterful decoration, and functional items including carved heddle pulleys used in strip-weaving. Used in pairs at the top of the loom, heddle pulleys are functional and aesthetic and usually decorated with auspicious images symbolizing figures or animals protecting the weaver, assuring good quality weaving, and pleasing the gods…
Oil lamps (diya) are used daily by Hindus throughout India for prayer rituals (puja) performed on a home altar or in temples for devotional worship. Hindus believe that diyas are essential, as light itself is the absence of darkness and where evil forces dwell. Light and the act of lighting a lamp signify purity, virtuosity,…
While most families have had prints or paper-cuts of the Kitchen God (Zao Shen) with or without his wife above their stove, carved images were owned by wealthier families. The Kitchen God is syncretic as a Taoist, Popular Religion and Buddhist tutelary deity, protector of the home who was responsible for making sure there was…
Finely detailed and carved from dense wood, this Kitchen God and his Wife monitor the members of the home from their perch above the stove. On Chinese New Year Zao Shen reports to the Jade Emperor in Heaven and a positive report bringsblessings and good fortune, while and unfavorable one brings misfortune. Family members often smear honey on his mouth to sweeten the report. Near mirror images they wear layered gold officials’ robes with decorative sashes and symbolically hold a hu tablet. They are in excellent condition and add positive chi and enhance feng shui. Kitchen Gods especially pairs are now rare and very collectible and make unique wedding and house gifts.
The Kota are a fairly small tribe in Gabon, Africa with strong ties to France. African metalwork bracelets became known as manillas and were locally made and used as currency, s medium of exchange for trade or barter, purchase land, livestock and other goods and services; pay for significant life events such as births, coming…
Whimsical carvings of fu lions were the most popular mythical animals in Chinese homes, especially during the Ming and Qing dynasties, as free standing statues, designs on furniture, architectural elements and functional pieces in private homes or gardens or on a home altar to bring fu and the blessings to the home. Â This incredibly cute…
The close association of the lotus and Guanyin (Sanskrit Padmapani meaning “born of the lotus,”) is depicted in this Guanyin image sitting on a flat, round open yellow lotus padmapitha pedestal held up by a stem flanked by red lotuses facing out in a folk art tradition. As one of the Great Chinese Goddesses (Irvin),…
This stylized pair of folk art tigers covered with lacquer and highlighted with black pigment was likely part of a larger item, as there are indentations on top to insert vertical extensions. The tiger is one of many ancient mythical animals, and as the mount of the Taoist god Heavenly Master Zhang Tianshi tiger images,…
The origins of Nuo Opera, performed in provincial villages in Southern China since antiquity, is found in spirit and ancestor worship and Taoism. Performances use a few dozen to 200 masks having distinctive facial features, decorations, regional and ethnic individuality and aesthetic diversity. Usually carved from poplar or willow which are light and less likely…
Nuo Chinese-Opera performances are religious dramas and operas as well as secular entertainment based on historic events, folktales, or literature that are still popular among ethnic groups along the Yangtze River. The two types of performances include the grand Nuo ceremony held by the royal court during national holidays, and local performances exemplified by this…
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