Mahayana meaning ”Great Vehicle,” is the largest school of Buddhist thought in the world, practiced mainly in China, Japan, Korea Taiwan, Tibet and Mongolia. It was created as a result of the great schism from Theravada Buddhism after the Second Buddhist council in 383 B. C.E. The three main aspects of Mahayana Buddhism are the importance of the sutras, meditation and the bodhisattvas along with the communities they serve. Bodhisattvas are enlightened beings who have chosen to remain in the human realm and assist other sentient beings in achieving enlightenment rather than entering nirvana. Bodhisattvahoodis the goal of the Mahayana which requires a resolve to win full enlightenment for the benefit of all sentient beings. Mahayana acknowledges human weaknesses and offers help in salvation through the use of the Bodhisattvas. It is a very inclusive form of Buddhism, absorbing beliefs of indigenous religions and accepting different gods and spirits into its massive pantheon and was very influenced by Taoist and Popular Religion ideologies.
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18 original Lohans were the major disciples of Shakyamuni Buddha whom he, at his death bed, entrusted to protect and promulgate Buddhist teachings. Over centuries, their numbers increased to over 500 enlightened beings recognized for their courage and supernatural powers. In Mahayana Buddhism, Lohans represent the ideal toward which Buddhist devotees should strive as they…
This provincial Guanyin made for a home altar sits in anjali mudra. Portrayed as humble, approachable, she wears a 5-lobed diadem, hair in a chignon with braids and modest robe seated on a waisted lotus throne with stacked lotuses.
Rare small yet majestic carving of the Buddha in meditation with gracefully draped robes and beautifully idealized features that radiates serenity, compassion and spirituality. A truly magnificent piece.
Very rare and fine 16th century home shrine image with compassionate countenance of Songzi Guanyin the “Bestower of Children.” With joyful half-closed eyes, she looks lovingly at the child whose arm is draped over hers.and leans slightly forward.Wearing a 5- lobed crown centered with a camellia flower a Chinese symbol of young sons and daughters. Inscription dates it to 1521-1567
Rare provincial consecrated carving of Nanhai Guanyin on a lotus, representing purity of the mind, above a fish symbolizing her power to help beings sail through sea of suffering separating mortal world from the Western Paradise.
Carved from one piece of wood, triad depicts Nanhai Guanyin and 2 acolytes (one deteriorated) , crown centered with Amitabha Buddha in meditation bordered by flames of Buddhism.
Rare provincial home altar consecrated gender neutral Guanyin is in meditation on lotus throne wearing five-lobed crown symbolically representing the 5 Dyhani Buddhas in the Vajrayana Tantric tradition.
With a benevolent expression, this rare large Ming Buddha sits on lotus pedestal signifying his purity and enlightenment. Originally placed in a Mahayana Buddhism spiritual setting, this important and brilliantly carved image is calming, inspiring and imparts a feeling of serenity to his surroundings.
Rare wood carved Ming Vairocana Buddha, the central figure of the Five Wisdom Buddhas. He sits in unction associated with Northern esoteric Buddhist Vajrayana/Tantric/ sects. This pose reflects the concept of consecration, symbolizes wisdom, perfection and connection to the divine.
This remarkable figurine is Guanyin on her mythical mount, the Hǒu, guardian master of the universe and model for righteousness and morality who symbolizes bringing forth peace and prosperity.The round orb in its mouth representing a pearl can be rubbed for good luck. It is one of our most unique and favorite Buddhist statues, mounted on a frosted Acrylic stand.
This Guanyin image was probably one of a pair of images along with the Taoist Queen Mother of the West (16206A-WACK) placed together on a community, local temple or home altar. Created by the same local artisan, they are provincial rather than imperial style having a humble, unadorned and simple rendering, seated on backless thrones, hands covered by a ritual cloth, uncharacteristic of Guanyin but common for Taoist goddesses. Both wear layered robes and a high pointed crown – the Queen Mother’s centered by a phoenix and Guanyin’s by a flower surrounded by symbolic aureole of radiating light. Both have soft blissful smiles with eyes cast slightly downwards to engage their devotees. Initially covered in bright polychrome colors, there are traces of surviving red, yellow, green, brown and black.
Large provincial Guanyin is natural and modest rather than idealized in relaxed lalitsana pose. Remarkable oversized crown centered with rustic Amitabha on a lotus with pointed aureole. This personalized depiction is a charming, innocent portrayal of a spiritual subject.
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