Taoist deities include humans such as those who became immortal through Taoist practices, ancient legendary heroes, humanized planets and stars, and all human activities, even such things as drunkenness, are also represented by deities. Other deities include nature spirits, and animals such as dragons, tigers, and snakes. The more significant Taoist deities are the Three Pure Ones who represent three aspects of the divinity that exist in all living things; the Jade Emperor, the supreme being of Heaven and Earth, both living and the dead; the Eight Immortals who help and protect mankind, and Xiwangmu, the Queen Mother of the West, the most powerful female Taoist deity who presides over life and death.
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Wonderfully aged and weathered stone Tudi Gong reflecting many traits of this beloved Earth God holding a tael for wealth and fortune. He sat happily on an outdoor shrine, and would be happy to sit in a garden to bring an aura of past times to a new family.
God of Literature, Books and Writing, Education, Learning and Examinations, Wen Chang is the patron saint of scholars. Thin, surly, demon like with exposed ribs and facial distortions, he stands on a dragon’ head among waves. Unique wonderful carving that would look spectacular on a desk.
Zhenwu (Perfected Warrior) one of most important and powerful Taoist deities, is revered for magical powers to suppress demonic forces. Forceful wood provincial image for personal devotion reflecting his iconography: on throne, bare feet resting on snake and tortoise, celestial scarf and maille armor.
Provincial carving of Zhenwu the Perfected Warrior, one of the most popular Taoist deities in the Ming/Qing dynasties, iconically shown standing on a snake and turtle, symbolizing those over whom he presides.
This happy benevolent couple are Taoist Earth God Tudi Gong and his wife Tudi Po placed on a home altar to assure an abundant harvest. Referred to as “Grandpa” and “Grand Ma” they wear vibrant Mandarin official’s attire, him with a mandarin square with a bird, and her with a phoenix headdress.
This Kitchen God and his Wife is posed as streamlined virtual mirror-images and fashioned with a general quality relying on paint rather than deep carving for details. They sit on backless chairs on a plinth, with simplified gold officials’ robes with long color sashes, and well-carved black and gilt head gear. The wife’s face is smooth, generalized and the male face has a more deeply carved surface and painted highlights.
Antique Xiwangmu puppet head with 3 phoenixes in crown, traditional Qing head ware worn by the Empress for official occasions, ceremonies. Acrylic stand.
Exquisite carved Taoist Queen Mother of the West Jade Maiden attendant who carries a peach of immortality grown in the Queen’s Garden. These fruits blossom every 3,000 years and are served at her famous banquet in the Western Paradise.
This Queen Mother of the West, the highest ranking female Taoist deity was probably displayed as a pair along a statue of Guanyin, the most significant Buddhism female (Guanyin on a Lotus Pedestal (16206B) highlighting the importance and similarity of these revered female images Like the Guanyin, the Queen Mother’s delicately carved face has half closed eyes, serene composure mouth with a hint of a smile, which is more Buddhist than Taoist. Her headdress, centered by her iconic phoenix, rests under a hood extending to her shoulders and back. She wears a high collared three-layered Taoist robe, her hands covered by a ritual cloth.
Zhenwu, the True Warrior, Perfected Warrior or Northern Emperor was one of the most popular TaoistDeities in the Ming and Qing dynasties known as protector of the state and the imperial family. His feet here rest on a pedestal over a turtle with a lifted head and a snake curled around his shell. Among the many interpretations this represent beings over whom he presided including both celestial officers under his command, [and] former demons that were conquered by him. This is a fascinating carving symbolizes trusted strength. and power.
This elegant Chinese Republic Period porcelain is the Taoist immortal Han Xiangzi carrying his auspicious flute dressed in a beautiful blue robe with wide black borders, fine internal decorations and a decorative yellow floral undergarment. On the bottom is the kiln seal. As the patron saint of musicians and florists, it is a great gift for someone who enjoys these pursuits.
This Song earthenware tile depicts the legendary scholar, poet and alchemist Taoist deity Lu Dongbin, one of the Eight Immortals, who sought to discover the elixir of immortality and used charms still used in Chinese homes to prevent illness and ward off evil. He and his fly whisk are auspicious symbols of longevity and a wish for immortality. Firecrackers, are traditionally used to celebrate the Chinese New Year, to bring in wishes for a safe and prosperous year, scare away evil and provide pleasure for the ancestors’ spirit.
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