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Large C-shaped Tuareg manilla made from sand moulds, has massive finials with 12 facets with detailed hand-etched and hammered designs including raised circles.
Antique horseshoe shaped Tuareg “King” manilla, magnificent metalwork, 10 faceted flat finial ends with traditional etched and hammered geometric designs, excellent condition, fine patina.
Tuareg horseshoe-shaped manilla with bold hammered and incised decorative motifs unique to individual Tuareg tribes Divided in sections, with etched designs, circular cutouts, ending knot finials. .
Tuareg horseshoe shape manilla with bulbous rounded faceted ends, hand hammered fine details.
Finely fashioned Tuareg slim circular-shaped manilla bracelet/anklet, hand incised striated decorations, and faceted rounded beads at the open hoof-shaped terminals ends.
This 19th-century miniature wood figure is a finely and whimsically carved portly seated merchant. He is depicted as a Laowai or “old foreigner” with a westernized face and hat and oversized hands placed on his knees. Seated on a platform base, he wears garments reflective of the Chinese culture at this time but wears a hat that is clearly not of Chinese origin. Other indications this charming figure is a foreigner include the roundness of his face, western facial features and oversized hands.
Antique carving of a Devi (Sanskrit: divine) probably a child’s toy and and protective item. Tikka on forehead, ample breasts – a wish for fertility with a shiny patina from use.
While major deities such as Guandi were officially sanctioned by government and religious authorities, many popular deities and historic figures were integrated into Popular Religion beliefs where they were assimilated and greatly modified with local traditions and iconographic depictions such as this. We assume this is Guandi, one of the most revered Chinese deities based…
This Kitchen God and his Wife is posed as streamlined virtual mirror-images and fashioned with a general quality relying on paint rather than deep carving for details. They sit on backless chairs on a plinth, with simplified gold officials’ robes with long color sashes, and well-carved black and gilt head gear. The wife’s face is smooth, generalized and the male face has a more deeply carved surface and painted highlights.
Guandi, the God of War and Justice and Protector of China and its citizens was a Chinese model of loyalty, virtue and morality and was depicted in Temples and home shrines throughout China. This antique figurine was probably part of a larger carving. He wears military maille, black gloves with a carved taotie which is a warning against gluttony and is covered in gold as a sign of power. The open back confirms it was consecrated by a Taoist priest. Mounted on a frosted acrylic stand.
This provincial Guanyin made for a home altar sits in anjali mudra. Portrayed as humble, approachable, she wears a 5-lobed diadem, hair in a chignon with braids and modest robe seated on a waisted lotus throne with stacked lotuses.
One of a set of 12 Zodiac attendant figures holding a small calendar animal of the year represented as part of mingqi placed in the graves of deceased.
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