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Antique horseshoe shaped Tuareg “King” manilla, magnificent metalwork, 10 faceted flat finial ends with traditional etched and hammered geometric designs, excellent condition, fine patina.
Tuareg horseshoe-shaped manilla with bold hammered and incised decorative motifs unique to individual Tuareg tribes Divided in sections, with etched designs, circular cutouts, ending knot finials. .
Tuareg horseshoe shape manilla with bulbous rounded faceted ends, hand hammered fine details.
Finely fashioned Tuareg slim circular-shaped manilla bracelet/anklet, hand incised striated decorations, and faceted rounded beads at the open hoof-shaped terminals ends.
This intricately hand carved gold and silver platter with indentations on both sides was used to make confections called sweetmeats eaten at festivals, holidays, and other key celebrations. The round molds symbolize the moon and cohesion of the family. The 5-petal plum blossoms attached to vines symbolize purity and endurance, as well as the coming of spring, renewal, and longevity. The multiple seeds are a wish for fertility and sons, and thus this mold may have been a holiday and/or marriage gift to a young couple.
White clad Guanyin in royal ease and karana mudra to expel evil, remove problems and rid sickness or other negativities rarely used for Guanyin. Consecrated for home altar use.
18 original Lohans were the major disciples of Shakyamuni Buddha whom he, at his death bed, entrusted to protect and promulgate Buddhist teachings. Over centuries, their numbers increased to over 500 enlightened beings recognized for their courage and supernatural powers. In Mahayana Buddhism, Lohans represent the ideal toward which Buddhist devotees should strive as they…
This 19th-century miniature wood figure is a finely and whimsically carved portly seated merchant. He is depicted as a Laowai or “old foreigner” with a westernized face and hat and oversized hands placed on his knees. Seated on a platform base, he wears garments reflective of the Chinese culture at this time but wears a hat that is clearly not of Chinese origin. Other indications this charming figure is a foreigner include the roundness of his face, western facial features and oversized hands.
Lao carved Buddha statues are renowned for their delicacy and refinement. This elegant antique Buddha is depicted in the “Calling for Rain” mudra found only in Laos with his half-closed gazing downward in meditation, elegant gestures, lyrical flaring robes and graceful curves of the body reflecting the Buddha’s gentleness. The curvature, proportions and oversized head indicate the perfection, wisdom and compassion of the “Enlightened One. He stands on a multi-tiered circular and waisted base. Carved Laotian images as old and elegant as this are rare.
Zhenwu (Perfected Warrior) one of most important and powerful Taoist deities, is revered for magical powers to suppress demonic forces. Forceful wood provincial image for personal devotion reflecting his iconography: on throne, bare feet resting on snake and tortoise, celestial scarf and maille armor.
Zhenwu (aka Xuanwu, Wuandi and Zhenwudadi) is one of the most revered Chinese Taoist figures, venerated for his ability to heal as well as to protect his country and the emperor. There are various depictions of his attire, but here he wears a plain black robe with an official’s belt which he holds in his…
Zhenwu, the True Warrior, Perfected Warrior or Northern Emperor was one of the most popular TaoistDeities in the Ming and Qing dynasties known as protector of the state and the imperial family. His feet here rest on a pedestal over a turtle with a lifted head and a snake curled around his shell. Among the many interpretations this represent beings over whom he presided including both celestial officers under his command, [and] former demons that were conquered by him. This is a fascinating carving symbolizes trusted strength. and power.
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