Showing 193–204 of 393 results
Shiwan 2 part chopsticks holder with top holes for hanging and bottom ones for drainage. Chopsticks were wedding gifts from mothers to daughters with auspicious wishes: sons as soon as possible, blessing for prosperity, happiness and fertility, life-giving rain and abundance.
Wall pockets are used to hold chopsticks and flowers to bring good fortune. This Shiwan pocket has frog and a lotus that together symbolize nurturing energy and transformation. Great cozy accessory for feng shui and a wonderful wedding gift.
White Clad Guanyin sits in royal ease her hands in karana mudra on her lap to expel evil, remove problems and rid sickness or other negativities. This powerful mudra is rarely used for Guanyin images. The cavity Consecrated for home altar use.
This 19th-century miniature wood figure is a finely and whimsically carved portly seated merchant. He is depicted as a Laowai or “old foreigner” with a westernized face and hat and oversized hands placed on his knees. Seated on a platform base, he wears garments reflective of the Chinese culture at this time but wears a hat that is clearly not of Chinese origin. Other indications this charming figure is a foreigner include the roundness of his face, western facial features and oversized hands.
Lao carved Buddha statues are renowned for their delicacy and refinement. This elegant antique Buddha is depicted in the “Calling for Rain” mudra found only in Laos with his half-closed gazing downward in meditation, elegant gestures, lyrical flaring robes and graceful curves of the body reflecting the Buddha’s gentleness. The curvature, proportions and oversized head indicate the perfection, wisdom and compassion of the “Enlightened One. He stands on a multi-tiered circular and waisted base. Carved Laotian images as old and elegant as this are rare.
This inspirational, serene monk with youthful, serene, and smiling face stands on a tall pedestal symbolizing his spiritual significance. Size, pose and consecration suggest it was placed in a temple or community shrine.
Zhenwu (Perfected Warrior) one of most important and powerful Taoist deities, is revered for magical powers to suppress demonic forces. Forceful wood provincial image for personal devotion reflecting his iconography: on throne, bare feet resting on snake and tortoise, celestial scarf and maille armor.
Provincial carving of Zhenwu the Perfected Warrior, one of the most popular Taoist deities in the Ming/Qing dynasties, iconically shown standing on a snake and turtle, symbolizing those over whom he presides.
Antique carving of a Devi (Sanskrit: divine) probably a child’s toy and and protective item. Tikka on forehead, ample breasts – a wish for fertility with a shiny patina from use.
Rare mask used in Noh Opera performances depicting Zhīxiàn – a popular figure of a wise, benevolent judge who resolved local disputes and was likely used in rituals to ask the gods for blessings, health, and long life. Signs of authentic wear from dance theater performances.
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This animated mask of a jokester folk character (topeng bondres) provides comic relief, entertainment, and social commentary in serious theatrical dance dramas. An asymmetrical caricature, its open jaw allows actors to tell jokes and interact with the audience. Collected in Bali in the 1970’s, it has authentic signs of use in performances and was said to be made in Sebatu in the 1920s-1940s.
This authentic danced topeng bondres Balinese mask is a clownish character in both mask dances and traditional historical topeng dramas. With an exaggerated smile and grotesque features, it provides comic relief. Carved by same artisan as1212B, they make great as a pair.
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