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This masterfully and elaborately carved image represents the legendary Guan Ti (also Guandi, Guan Yu), the Chinese God of War and Justice wearing a celestial scarf. This most popular Chinese historical military hero is all things to all men, prayed to for protection and prosperity. He is generally portrayed as here wearing a soldier’s uniform…
The most distinguishing feature of this finely carved Nanhai Guanyin is her elaborate scalloped crown centered by the Amitabha Buddha of Infinite light. In Pure Land Buddhism crowns are believed to bestow a divine and solemn quality to Guanyin images. This serene yet elegant carving is perfect to enhance any personal meditative space.
Chinese belt hooks were worn with the hook end on the wearer’s left and fastened to clothing with a button like bronze piece fixed to the belt’s end. Initially only functional, metalwork belt hooks became a symbol of wealth, high status and power by the Han Dynasty. They were made using a variety of materials…
Cocoon jars were mingqi made for placement in tombs to comfort the deceased on their journey to and in their afterlife. An elixir of Immortality made from mulberry leaves or their ashes was placed inside for the deceased to drink and transmigrate into the world of the beyond. Ovoid in shape to resemble a silkworm cocoon, ajar rests on a small trumpet-shaped foot and has a narrow neck and a wide lip at its mouth. Painted after firing with vertical bands dividing it into panels, swirling cloud scrolls, and circular “eye” motifs at each end, this beautiful vessel is in excellent condition for its age with expected paint losses, scrapes, and dirt adhesions.
Acrylic and Oil on Canvas
“Sometimes the Treasures of Life are close within our reach,” according to Lark. “We just have to seek them out around or within us to discover them.”
Tribal jewelry is especially significant in Afghan culture, reflecting the identity, unique style, motifs and symbolism of its many ethnic groups. Jewelry made by the Kuchi tribe, also known as the Pashtun people, has a 3000-year history. ‘Kuchi’ is an Afghan Persian Farsi term meaning ‘those who go on migrations’. It is the generic term…
Framed Acrylic on Canvas
Painted by Lark in late 2024, this work represents a remarkable premonition of the Los Angeles fires, months before they happened in January 2025.
Framed Acrylic Painting
This is one of a pair of “Buddha in Bliss” paintings by Lark, celebrating the energetic spirit and joyous wisdom shared by the Buddha with all of humanity.
Acrylic on Canvas
This is one of a pair of “Buddha in Bliss” paintings by Lark, celebrating the energetic spirit and joyous wisdom shared by the Buddha with all of humanity.
Oil and Acrylic on Canvas
This large painting—with its stunning rounded portal at center—reflects Lark’s stated artistic mission: to foster personal determination and the desire to follow one’s passions with joy and optimism through her work.
Framed Oil Painting Collage On Archival Board
Combining painting with rough objects in a collage, here Lark portrays the effect of sunset lights reflecting on the waters and roofs of a mystical Mediterranean city.
This magnificent and rare Ming Dynasty Buddha is covered with dark lacquer and indications of the vibrant gold and red pigmentation that once enhanced this image. His beautiful face radiates serenity with its benign expression as he sits in meditation on an elaborate lotus throne. Made to be viewed on all sides his three part monk’s robe extends with flowing sleeves over his feet and down his back. In excellent condition with minor paint losses, this rare masterpiece would enhance any environment with its spiritual energy and beauty.
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