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This rare Ming/Qing wood Buddha as an infant is probably more striking than the original piece. A piece for lovers of wood, its erosion shows the random miracle of chance. Highlighted on a frosted acrylic base.
Rare wood carved Ming Vairocana Buddha, the central figure of the Five Wisdom Buddhas. He sits in unction associated with Northern esoteric Buddhist Vajrayana/Tantric/ sects. This pose reflects the concept of consecration, symbolizes wisdom, perfection and connection to the divine.
This painting presents a lively cosmic vision with a radiant eye at its center, from which divine energies seem to descend and bless a sacred human encounter. The work exudes a sense of mystery and reverence, suggesting communion between the celestial and the earthly.
In Sagittarius, the magic of the Winter Solstice is captured in the contrast between darkness and light, with deep-hued colors that capture the natural beauty and chill of the winter season.
Acrylic on Canvas
The balance, harmony and muted colors of this large ethereal painting were designed to bestow calm and inner peace upon the artist as well as the viewer.
Acrylic and Oil on Canvas
This radiant painting reflects Lark’s belief that the sumptuous beauty and healing power of the seas can bring internal and external peace as well as harmony to the world.
This remarkable figurine is Guanyin on her mythical mount, the Hǒu, guardian master of the universe and model for righteousness and morality who symbolizes bringing forth peace and prosperity.The round orb in its mouth representing a pearl can be rubbed for good luck. It is one of our most unique and favorite Buddhist statues, mounted on a frosted Acrylic stand.
This earthenware brick tile bordered with a deep scalloped frame depicts a vase with a bouquet of propitious flowers: a chrysanthemum and a peony wrapped with an elegant ribbon. Tiles like this were made to decorate the large numbers of buildings created during the prosperous Song dynasty and to adorn tombs. This elegant brick is in good condition for its age with expected chips and cracks, some restoration of background and a re-glued frame break on each side. It has earth adherents from its burial in a tomb.
This finely hand-painted rectangular porcelain cobalt blue and white box with underglaze designs was used to store ink cakes as part of an assortment of prized items on a Chinese scholar’s desk. The cover is painted with bindweed designs, wave-like curved lines usually indicating water, and a fanciful bat’s face inside a continuous geometric meander or fret pattern. The box sides are covered with bindweed, spirals, and circles, and although circles and round shapes are usually associated with or represent heaven, these seem strictly decorative. There are traces of red, brown, and black ink inside and on the edges of the unglazed portions and rough and stained areas on the unglazed portions of the box and wear consistent with and demonstrating its age and use.
This Nanhai Guanyin (Guanyin of the South Sea) sits in her cave on Putuo island in the South China Sea with most of her traditional features. She is portrayed as White Hooded or Clad Guanyin with her hair in a bun covered with a short hood seated in royal ease (lalitsana) with her right hand…
Early Christianity oil lamps were also seen as a symbol of light and a manifestations of the presence of the divine.
This Roman ceramic flagon is a uniquely shaped vessel used to store and pour potable liquids. A crème slip carinated jug with a high profile and a trefoil pouring spout, it has a strap handle attached from the carinated edge to just below the rim for easy handling. Roman coarse wars like this were use for liquids and to make offerings to household deities.
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