Showing 313–324 of 405 results
This elegant Chinese Republic Period porcelain is the Taoist immortal Han Xiangzi carrying his auspicious flute dressed in a beautiful blue robe with wide black borders, fine internal decorations and a decorative yellow floral undergarment. On the bottom is the kiln seal. As the patron saint of musicians and florists, it is a great gift for someone who enjoys these pursuits.
This small charming Qing or early Chinese Republic teapot is in the form of an attendant, the arm she holds up imitates the spout of a teapot, the left arm arches to touch her waist suggesting a teapot handle and the hair is atop her head with flowers is a removable lid for pouring water inside. She typical attendant clothing, a high mandarin collared jacket draped over a flaring skirt that is the piece’s base.
This rare wood carving of the Buddha as an infant is remarkable because of the way it has survived. As with many antique Chinese wood carvings, there is extensive deterioration from age/insect damage. Although there is total loss to the arms, legs and torso, it is virtually untouched from the neck up. This is a piece for lovers of wood, with the body worn to a delicately smooth but irregular surface. It is probably more striking than original piece, as its erosion shows the random miracle of chance and is highlighted on a frosted acrylic base. .
This extraordinary rare and delicately rendered rural carving is a female bodhisattva possibly Guanyin seated on a lotus throne atop an ox. Beautifully highlighted in vibrant gold and adorned with intricate designs on the lotus petals and ox’s saddle coverings, this statue shows how the concept of a bodhisattva was adapted to the deification of “draft animals” (beasts of burden) who were integral to rural daily and agricultural activities in Chinese Popular Religion, Buddhism and Taoism beliefs.
This rare 13-14th century Sukhothai ring-shaped bronze bangle has a unique design. While many Sukhothai were undecorated, this one is has three raised knobs dividing it into thirds, articulated ends and, rather than being a complete circle, it has a small opening.
This delicately carved home altar figure is Guanyin represented as gender neutral in meditation on a lotus throne. Her humble demeanor, modest robes and absence of stylized decorative details indicate it was carved by a provincial artisan, and its simple elegance exemplifies the best of provincial Ming and Qing carvings. She is a tranquil figure with simple, soft, and beautifully rendered facial details with almond shaped eyes cast down in serene composure wearing a five-lobed crown symbolically representing the five Dyhani Buddhas and reflecting Vajrayana Tantric influence.
This magnificent 19th century Kerala, South Indian carving highlights the extraordinary abilities of local artists to combine Indian with western artistic styles and techniques. Joseph stands slightly elongated in an altered European contrapposto pose, depicted as light-skinned, blue-eyed, bearded man with western features. Likewise the infant Christ with blue eyes has a child’s smile, hands are crossed at the chest, dressed in a flowing white garment.The combined tenderness, softness, and strength make this a powerful and vibrant yet highly approachable image.
This rare Chinese carving is probably Chun-ti P’u-sa, a tantric female deity called the Bodhisattva of Light, worshipped by Chinese Chan (Zen) Buddhists as a merciful Bodhisattva. In tantric style she has three faces, multiple arms and six hands, and an elegant lobed crown centered by Amitabha, as does Guanyin. This is an extremely rare and important piece and is as lovely as it is spiritual.
Yixing stoneware teapots are praised as the best in the world for tea infusion. This gorgeous, extremely rare antique teapot with tight-fitting lid and elegant spout is finely decorated with a brown wash and hand applied bright painted enamel designs designs of a scene from the Peking opera Romance of Three Kingdoms. The floral images are a wish for a long and healthy life, perfect metaphors for those sharing a fresh pot of tea with those they love. Kiln seals are impressed in the body, bottom and lid.
This finely carved vintage jauk mask is the manis (sweet, softer) version of a jauk mask. It and the dance present the gentle traits of a giant having more normal human-like features and a smile, and its white color is usually symbolic of purity. Those colored red or orange represent one easy to anger. Collected in the 1970s in Lombok, this mask is rare as then Lombok the Balinese community usually did not sell their masks. It has a fine aged patina with expected hairline cracks and frayed eyebrows consistent with its age and use.
This earthenware brick tile bordered with a deep scalloped frame depicts a vase with a bouquet of propitious flowers: a chrysanthemum and a peony wrapped with an elegant ribbon. Tiles like this were made to decorate the large numbers of buildings created during the prosperous Song dynasty and to adorn tombs. This elegant brick is in good condition for its age with expected chips and cracks, some restoration of background and a re-glued frame break on each side. It has earth adherents from its burial in a tomb.
This finely hand-painted rectangular porcelain cobalt blue and white box with underglaze designs was used to store ink cakes as part of an assortment of prized items on a Chinese scholar’s desk. The cover is painted with bindweed designs, wave-like curved lines usually indicating water, and a fanciful bat’s face inside a continuous geometric meander or fret pattern. The box sides are covered with bindweed, spirals, and circles, and although circles and round shapes are usually associated with or represent heaven, these seem strictly decorative. There are traces of red, brown, and black ink inside and on the edges of the unglazed portions and rough and stained areas on the unglazed portions of the box and wear consistent with and demonstrating its age and use.
End of content
End of content
