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Whimsical carvings of fu lions were the most popular mythical animals in Chinese homes, especially during the Ming and Qing dynasties, as free standing statues, designs on furniture, architectural elements and functional pieces in private homes or gardens or on a home altar to bring fu and the blessings to the home. This incredibly cute…
Large provincial Guanyin is natural and modest rather than idealized in relaxed lalitsana pose. Remarkable oversized crown centered with rustic Amitabha on a lotus with pointed aureole. This personalized depiction is a charming, innocent portrayal of a spiritual subject.
The Mid Autumn Moon Festival, also called the Mooncake Festival, is the 2nd most important holiday after the Chinese New Year, celebrated when the full moon is at its brightest point on the 15th day of the 8th month of the lunar calendar. It is a time for multi-generational gatherings when families dine together in harmony,…
One of the most popular Mahayana Pure Land Buddhism depictions of Guanyin, especially during the Ming and Qing dynasties, is Nanhai Guanyin shown here symbolically on a stylized rocky outcrop at her cave at Putuo in meditation (dhyana), legs in padmasana under her robes, flanked by twisted columns one topped by a vial placed on…
This is a really great pair of stone small fu lions with lots of character, humor, and detailed carving. Each of these very joyous creatures has open mouthed smiling faces with radiant eyebrows and tufts below their chins, scalloped manes and bushy tails. Carved from one piece of a blackish hard stone they could easily withstand additional wear of the elements in a garden. Pairs of fu lions like this belong in the home of people who appreciate spirituality and wish for happiness and fortune along with a touch of wit and whimsy.
This Queen Mother of the West, the highest ranking female Taoist deity was probably displayed as a pair along a statue of Guanyin, the most significant Buddhism female (Guanyin on a Lotus Pedestal (16206B) highlighting the importance and similarity of these revered female images Like the Guanyin, the Queen Mother’s delicately carved face has half closed eyes, serene composure mouth with a hint of a smile, which is more Buddhist than Taoist. Her headdress, centered by her iconic phoenix, rests under a hood extending to her shoulders and back. She wears a high collared three-layered Taoist robe, her hands covered by a ritual cloth.
Magnificent joyful Queen Mother of the West radiant smile, regal jewelry and exquisite attire and striking headdress with phoenix symbolizing the sun. She holds a cup with elixir of immortality, fingers in Taoist karana mudra to cleanse and purify and emanate energy to rid obstacles and unwanted energy.
Produced in Thai kilns in the 14th to 15th centuries, Sawankhalok glazed stoneware lidded bowls were distributed through southeast Asia along with a variety of larger and smaller items. Lidded bowls like this were used to store many things, especially spices, powders and cosmetics, betel nut chewing materials, and medicine. This bowl rests on a thick foot, has a lid with a brown lotus bud handle and covered with decorative panels of underglaze brown crosshatch and vegetal scrolls.
Produced in Thai kilns in the 14th to 15th centuries, Sawankhalok glazed stoneware lidded bowls were distributed through southeast Asia along with a variety of larger and smaller items. Lidded bowls like this were used to store many things, especially spices, powders and cosmetics, betel nut chewing materials, and medicine. This bowl rests on a thick foot, has a lid with a brown lotus bud handle and covered with decorative panels of underglaze brown crosshatch and vegetal scrolls.
This exquisite 18th-century statue of the Bodhisattva Guanyin is seated in serene meditation. She is a beautiful young woman, unpretentious yet elegant with smooth, gentle flowing lines that create an air of peaceful spirituality. Every strand of her hair and bun is carved with definition, and in perfect order. The original polychrome and lacquer finish has transformed into a glowing silver hue with a soft patina.
This large rare vibrant carving is the Taoist Deity of fertility Niangniang (“The Maiden Who Brings Children”) is often confused with Songzi Guanyin. Represented as an empress like figure, she glances serenely at 3 diminutive children, 2 males and a female extending their arms for protection. Stunning and peaceful, it is covered with gold highlights with intricate details.
Manillas were commonly used by the Yoruba in the Coastal regions of Nigeria and along the Niger River. This thin simple round C-shaped manilla is decorated with incised linear designs on the outer round surface: it is centered on the top with parallel zig zag lines between a set of four parallel indentations which frame it. Each end also has zig zag indented striations. Simple, yet elegant, the bracelet is in very good condition, with normal wear, and pitting that verify its age and use. It comes with a wood metal stand.
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