Showing 325–336 of 424 results
This charming vintage porcelain cat teapot with raised paw for pouring tea, removable head and a sinuous tail handle is whimsical and colorful with a red ribbon collar, green bow and green, black and red accents defining the expressive face, ears, head and paws, all beautifully hand-painted.
This porcelain rotund cat teapot has a raised paw to poured tea, a removable head to add water and long sinuous tail handle. He is whimsically and finely hand painted with colorful designs: blue for the ribbon-like collar, pink, green, black and blue accents on the face and head and green streaks on its coat and tail.
This porcelain teapot is a rotund cat figurine comically sitting on a mouse. It has a raised paw spout, a removable head and a long sinuous tail handle. The whimsical and colorful design with long ribbon and blue collar with a dangling blue bow and the black, pink, and brown accents that define the face, ears, head, paws and body and all are hand painted.
This charming Chinese Republic porcelain cat teapot with a raised paw used to pour tea and removable head for adding water has a long sinuous tail handle to pour brewed tea from the opening at the end of the paw. The accents defining the face, ears, head, and paws and the whimsical and colorful, thin blue ribbon collar and dangling ornamental bow are beautifully hand painted.
Unlike other white porcelain cat tepots, this charmingly plump one is a single piece. Tea is poured from its raised paw but it has no removable head for adding water. Instead, water is added using the opening on its back. Its long sinuously curved tail is a handle and its paw is the spout. It is whimsically and colorfully hand painted with a thin ribbon-like gold collar with dangling ornamental tassels and red, brown, gold, orange and black accents defining the face, ears, head, and paws.
This elegant Chinese Republic Period porcelain is the Taoist immortal Han Xiangzi carrying his auspicious flute dressed in a beautiful blue robe with wide black borders, fine internal decorations and a decorative yellow floral undergarment. On the bottom is the kiln seal. As the patron saint of musicians and florists, it is a great gift for someone who enjoys these pursuits.
This small charming Qing or early Chinese Republic teapot is in the form of an attendant, the arm she holds up imitates the spout of a teapot, the left arm arches to touch her waist suggesting a teapot handle and the hair is atop her head with flowers is a removable lid for pouring tea inside. She typical attendant clothing, a high mandarin collared jacket draped over a flaring skirt that is the piece’s base.
Luristan nomads made sophisticated and imaginative bronzes prized in the ancient world for their inventive designs and fine craftsmanship. This Iron Age finely cast figurine depicting a long horned goat, a major source of food for survival has a detailed head with long antlers, tall thin legs, large eyes and a slightly curved body and is mounted on a Lucite base.
This extraordinary rare and delicately rendered rural carving is a female bodhisattva possibly Guanyin seated on a lotus throne atop an ox. Beautifully highlighted in vibrant gold and adorned with intricate designs on the lotus petals and ox’s saddle coverings, this statue shows how the concept of a bodhisattva was adapted to the deification of “draft animals” (beasts of burden) who were integral to rural daily and agricultural activities in Chinese Popular Religion, Buddhism and Taoism beliefs.
This delicately carved home altar Guanyin is gender neutral in meditation on a lotus throne. Her humble demeanor, modest robes and absence of stylized decorative details exemplify the best of provincial Ming and Qing carvings. She is a tranquil figure with simple, soft, and beautifully rendered facial wearing a five-lobed crown symbolically representing the five Dyhani Buddhas and reflecting Vajrayana Tantric influence.
Cadence drums in the form of carved pairs of fish are used by monks and lay people in the Mahayana Buddhist tradition to create a cadence and chanting rhythm during rituals when reciting and memorizing sutras, mantras, and other Buddhist texts. This rare beautiful drum is held by its handle composed of a pair of fish surrounding a pearl symbolizing unity and harmony and struck on the side with a wood mallot. Wear on its rear side indicates years of use.
This rare wood carving of the Buddha as an infant is remarkable because of the way it has survived. As with many antique Chinese wood carvings, there is extensive deterioration from age/insect damage. Although there is total loss to the arms, legs and torso, it is virtually untouched from the neck up. This is a piece for lovers of wood, with the body worn to a delicately smooth but irregular surface. It is probably more striking than original piece, as its erosion shows the random miracle of chance and is highlighted on a frosted acrylic base. .
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