Showing 325–336 of 409 results
One of the most popular Mahayana Pure Land Buddhism depictions of Guanyin, especially during the Ming and Qing dynasties, is Nanhai Guanyin shown here symbolically on a stylized rocky outcrop at her cave at Putuo in meditation (dhyana), legs in padmasana under her robes, flanked by twisted columns one topped by a vial placed on…
This Queen Mother of the West, the highest ranking female Taoist deity was probably displayed as a pair along a statue of Guanyin, the most significant Buddhism female (Guanyin on a Lotus Pedestal (16206B) highlighting the importance and similarity of these revered female images Like the Guanyin, the Queen Mother’s delicately carved face has half closed eyes, serene composure mouth with a hint of a smile, which is more Buddhist than Taoist. Her headdress, centered by her iconic phoenix, rests under a hood extending to her shoulders and back. She wears a high collared three-layered Taoist robe, her hands covered by a ritual cloth.
This exquisite 18th-century statue of the Bodhisattva Guanyin is seated in serene meditation. She is a beautiful young woman, unpretentious yet elegant with smooth, gentle flowing lines that create an air of peaceful spirituality. Every strand of her hair and bun is carved with definition, and in perfect order. The original polychrome and lacquer finish has transformed into a glowing silver hue with a soft patina.
Manillas were commonly used by the Yoruba in the Coastal regions of Nigeria and along the Niger River. This thin simple round C-shaped manilla is decorated with incised linear designs on the outer round surface: it is centered on the top with parallel zig zag lines between a set of four parallel indentations which frame it. Each end also has zig zag indented striations. Simple, yet elegant, the bracelet is in very good condition, with normal wear, and pitting that verify its age and use. It comes with a wood metal stand.
A potlatch means “to give away” or “a gift” and is a traditional feast central to many cultures of indigenous peoples of the Canadian Pacific Northwest Coast including the Haida tribe who have existed for over 17,000 years and currently inhabit Northern British Columbia, Pacific Northwest United States, and Southeast Alaska. Its main purpose is…
This traditional African hammered iron gong is elegantly shaped like a flaring bell. Heat riveted, a forging process joining two metal pieces together, it was made by Congolese tribal people. Made with 5 parallel lines of 5 decorative round bulges on both sides, it was often held using a raffia handle and beaten using sticks covered with rubber at its end. Originally a ritual instrument, they were also beaten to call members of special restricted societies to meetings and were a symbol of wealth, prestige, and influence.
This vibrant carpet can be used as aid for meditation to sit on or hung on a wall.
Constructed in the Taisho Period, this finely crafted jewelry box is covered with Japanese Tamo Ash, one of the world’s most prized, and beautiful hardwoods known for its beautiful grain. Perfect for storing jewelry, papers or other valuables. This piece is featured in a VA instagram post.
This exceptional naga was one of two that comprised a gong stand. Gongs were used in Burma for both ceremonial and musical purposes in religious, state, or secular settings. A protection figure, this naga is a superb carving elaborately decorated with gold lacquer and pigmentation. He opens his mouth wide bearing mother-of-pearl teeth and a curled blood red mouth and tongue to drive away malevolent spirits, also reinforced by the large glaring eyes circled in red. On first glance it is menacing, but its history as a protector of Buddha Shakyamuni make it prized as a fanciful, gleeful guardian. His scales are arched relief designs of mixed lacquer and ash and they are highlighted with inset cut mirrors and green sequin-like glass “jewels.” It is mounted on a museum quality stand and is in excellent condition for its age and use despite missing an ear.
This rare magnificent image of Buddha Shakyamuni is represented in meditation position called Ch’ien Pai Yi Hua-shen (the Hundred Billion Human Manifestations) in Chinese, the position the Buddha assume while seeking enlightenment under the Bodhi tree. Thumbs touching at forming a triangle symbolizing the Three Jewels of Buddhism.
This elegant Chinese Republic Period porcelain is the Taoist immortal Han Xiangzi carrying his auspicious flute dressed in a beautiful blue robe with wide black borders, fine internal decorations and a decorative yellow floral undergarment. On the bottom is the kiln seal. As the patron saint of musicians and florists, it is a great gift for someone who enjoys these pursuits.
The Song dynasty (960–1279) is considered the most culturally brilliant era in later imperial Chinese history. A massive expansion during this dynasty produced government, public and religious buildings and tombs with walls decorated with earthenware unglazed mold-made brick tiles. Some were purely decorative and others were wishes for happiness and comfort in the deceased’s afterlife…
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