Showing 49–60 of 186 results
This elm storage cabinet has lacquered and painted door panels auspicious paintings of birds, foliage, and florals. One door panel has a magpie on a plum tree and the other has a tree with a chrysanthemum below – together they are wishes for double happiness, the birth of sons, and longevity.
This antique fu lion pair with candle holders arising from their backs look like they sprung from the mind of a Disney artist – they’re whimsical, have exaggerated features, possess a modicum of power, and command our attention while making us smile. In Buddhist traditions, fu lions were more friendly than fierce, with open mouths displaying teeth in a fanciful almost grinning pose. Following artistic traditions: they sit with forefeet on the ground, have thin bodies with rows of hair, a three-part tail, and are covered with auspicious reds and gilt. This endearing, fanciful, quirky, and delightful additions to any environment.
During the Ming and Qing dynasties, small fu lion pairs were very popular accessories. As protectors of Buddhism, they are both menacing and friendly and this remarkably fanciful pair of crouching beasts joyously reflects both traits, with floppy ears, smiling open mouthed faces with tongues hanging out, and curled tails versus bushy eyebrows, bulging eyes and long pointed nails. As originally decorations on furniture with flat rear sides, they can stand alone as decorative accessories or even be a great pair of bookends. However they are used, they are guaranteed to bring a smile to those who are fortunate to see them on a regular basis.
This very fine ladies vanity cabinet is covered with red lacquer, the color of blessings (fu), highlighted with gold and deeply carved and painted decorations of auspicious symbols to bring happiness, good fortune, long life and many sons to the elite couple who may have received it as a wedding gift by parents in hopes of them successfully carrying on the family tradition. This is a reflection of the Confucian belief having sons to carry on the family name is essential to real happiness.
This finely designed 14/15th century globular stoneware box resting on a short foot has an olive-brown glazed lotus bud handle surrounded by radiating radiating olive-brown and lightly glazed petals above a band of geometric shapes. The body is lyrically ornamented with an intricate scroll of white, light glazed and incised colored branches and florals on an olive-brown glaze background. Its fine appearance is a result of the unusual lovely olive-brown surface with a glaze applied sparsely in some areas and thicker in others to offset the vegetal scrolls.
This charming small antique wood cabinet has two intricately carved drawers for storage and was probably made from elmwood. Its low profile and fine lacquered finish add warmth and a touch of antique fine craftsmanship lends itself to a multitude of uses in any setting. Auspicious symbols to bring blessings of fu carved on it include peonies and vines surrounding the butterfly pull, plum blossom and a Japanese lily on the left. The two sides have inset panel with florals and the bottom of the three sides has a decorative apron with fretwork vine design. It is covered with a warm patina which extends to the detailed brass butterfly handles. The drawers have marvelous carved wood designs.
This terracotta head was crafted during the Majapahit Empire in Java and was either part of a bas-relief frieze or made as a freestanding figurine. Most figures found are small decapitated heads with no bodies, and it is very rare to find a complete figure with a naturalistic facial expression. As with many heads, this one displays Javanese facial features, hairstyles and ear ornamentation typical of the period. It has a naturalistic facial expression and wears large round coiled earrings, possibly suggesting it represented someone of the upper classes. It is in very good condition given its age and use and is mounted on a metal stand. This item pairs with Majapahit Miniature Terracotta 1138.
This terracotta head was crafted during the Majapahit Empire in Java and was either part of a Hindu bas-relief frieze or made as a freestanding figurine. Most figures found are small decapitated heads with no bodies, and it is very rare to find a complete figure with a naturalistic facial expression. As with many heads, this one displays Javanese facial features, hairstyles and ear ornamentation typical of the period. It has a naturalistic facial expression and wears large round coiled earrings, possibly suggesting it represented someone of the upper classes. It is in very good condition given its age and use and is mounted on a metal stand. This items pairs with Majapahit Terracotta Head 1137.
Often ancestral figures were portrayed sitting in horseshoe chairs to reflect the high status of the figure they were portraying. As many earthenware mingqi, this well-modeled chair has a liberally applied thick green glaze resulting in expected drips around the stretchers. The seat is decorated with a yellow glaze imitating caning and the decorative carved design on the splat also has a yellow glaze and a carved decorative “clocklike” circular design. The bottom of the seat and legs are not glazed, as is usual. It is in very good condition with expected minor chips and minor glaze pitting and deterioration consistent with its age and long burial. It pairs perfectly with item 3330 and together would add to a fine collection of Chinese ceramics.
This charming miniature Ming dynasty ceramic horseshoe pottery chair is an accurate model of an impressive Ming chair that would have been made of a beautifully grained hardwood and constructed with a continuous horseshoe shaped top rail and a caned seat. The curved splat of a wood chair might have either carved or pierced motifs or medallions and straight or curved stretchers joining the legs in pairs at the same height on each side. Often ancestral carved figures were portrayed sitting in horseshoe chairs to reflect the high status of the figure they were portraying. This ceramic mingqi has a thick green glaze throughout which was liberally applied normal usual drips around the stretchers. The seat is decorated with a yellow glaze in imitation of caning as is the decorative carved design on the splat, but the bottoms of both the seat and legs are unglazed. The rail ends splay to the right and left for hand comfort and decorative effect are traditionally found in Ming Dynasty hardwood horseshoe-shaped chairs. It is in very good condition with minor chips and paint losses and fading due to its being buried underground in a tomb for centuries. It would be a fine addition to a collection of antique ceramics.
This cabinet painted in auspicious red and gilt with block feet and a scalloped apron is especially charming with front door panels decorated with raised rectangular registers bordered in black and gilt and a bottom drawer with original metal pulls decorated with painted florals. The ornate side panel has two small and one large deeply carved registers: the bottom two registers have floral images: one has a peony, and the other is a couple under a willow tree.
Although tigers tiger images are said to expel evil, protect Chinese homes and as a male yang symbol that represents and stimulates one’s courage, these folk art chubby tigers have a friendly demeanor with smiling mouths, eyes staring upward, ears close to the face. Crouching on a pedestal with scalloped borders they grasp a round orb in their pudgy front paws. Curly tails extend upwards from behind covered with carved indentations with radiating striations. This pair would be an endearing, fanciful, quirky, and delightful addition to any environment.
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