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Carved Mandalay style peacocks with outspread feathers like this were placed over entrances to protect religious and government buildings. The peacock was emblem of last Burmese Dynasty symbolizing the monarchy descending from the sun.
The Chinese characters within a circled seal in the mold on the bottom indicate this teapot is an antique. As the thin ribbon blue collar as wishes for long life, it is a perfect birthday gift. Recommended for decorative use only.
This elegantly shaped and beautiful high-fired antique porcelain ewer was decorated on its outside with a saffron-colored glaze called a coral red glaze. The sides have a white glazed quatrefoil panel with hand-painted multi-colored floral designs on a white background within a gold frame interspersed among sinuous gold leaf vines across the body and neck and a white glaze covers the inside and bottom. Its beauty is enhanced with its graceful spout, colorful white and gold panel beautiful.
Known as the Laughing, Happy, or Fat Buddha, Budai is regarded as a deity of contentment and plenty. Like most Early Chinese Republic porcelains this piece is hand decorated in famille rose enamels with vivid blue, red, and green pigments portrayed as a stout, smiling, bald monk in robes with a large, exposed pot belly surrounded by five children. Since the stomach is considered the seat of the soul in Chinese beliefs, it demonstrates his open heartedness. His wide smile attracts the children surrounding his body indicating his regard for them and his joy when they encircle him and well as the belief he can bequeath families with children.
Utilitarian ceramics like this were used in home kitchens and restaurants to hold oil, sauces, soy or other liquids. This spouted blue and white porcelain jar has four loops, also called lugs, so a natural fiber such as rattan could be threaded to either secure a top create a way to hang it to a peg. Sealing the top was very useful if the jars contained liquid and needed to be transported. The piece is decorated in a free and expressive manner with a charming impression of a country scene of a building in a landscape surrounded by tall trees. The cobalt is thick and dark in some areas of the foliage and applied with a thin, sparing and light brush elsewhere.
Puppet theatre has traditionally assumed a major role in Chinese religious rituals and honoring major life and historical events. Local productions with beautifully carved puppets, music, drama and costumes instilled societal and cultural values as well as providing entertainment to audiences of all ages and educating provincial ones. This head has a typical tapering shaft…
Very rare depiction of Queen Mother of the West puppet head wearing elaborate headdress with outstretched tortoise legs atop a phoenix, reflecting early shamanism rites of turtle shell divination. Mounted on acrylic base.
Rare single image of Kitchen God and wife, indicating their close/lasting relationship as family’s protectors. Detailed elaborate officials’ robes, headgear. Individually portrayed holding hu tablets like those held by high court officials or Taoist priests.
This simple, elegant beautifully shaped footed porcelain bowl is thinly crafted with a monotone coral saffron glaze on the outside and a grayish-white glaze on the inside. It has a rather high and deep foot and the bottom has a fading red stamped seal of an unknown kiln. It is in excellent condition and some minor pitting inside the bowl caused by gases escaping from the clay body during the firing cycle. Likely from the Togzhi Period 1862-1874.
Copper alloy repoussé votive plaque of Vishnu surrounded with head and body aureoles. Symbols of his power as Universe’s Protector include a conch shell, his crown and lotus leaves symbolizing purity, truth, and unfolding of creation.
Sawankhalok elegant mangosteen shape stoneware lidded bowl with raised calyx, cream and brown glazes, incised floral and geometric designs to store spices, cosmetics, betel nuts and medicine.
This fine and rare kneeling image is Shen Nong one of most revered cultural heroes in Chinese mythology. He is the Founder of Natural Medicine, the Father of Agriculture and an Earth God. He is said to have invented farming implements and introduced planting, cultivation, crop rotation and methods of raising domestic animals and the author of the earliest known Chinese medical classic covering medical physiology, anatomy and acupuncture – the Canon of Internal Medicine. It is a perfectly fitting and unique carving for a professional in the health care, pharmaceutical agricultural professions.
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