Showing 49–60 of 197 results
Ancestor figure is finely depicted as loved family member, individualized pudgy joyful smiling face. Displays strength and status by his demeanor, composure, portly size, and elaborate horseshoe chair. On lucite stand, a wonderful accessory for a home or business.
Finely carved Kitchen God and his wife, mirror images on backless chairs with multi-sided pedestals reflecting reverent and responsibility to protect the home. Naturally darkened lacquer, soft patina. Male with consecration covering, female open with contents. Unique house warming/wedding gift.
Husband and wife Kitchen Gods are near mirror images with similar layered gold officials’ robes, clasped hands covered in ritual cloth. Excellent condition, fine patinas. Consecration script remaining in wife’s cavity but not in husband’s.
Finely detailed and carved from dense wood, this Kitchen God and his Wife monitor the members of the home from their perch above the stove. On Chinese New Year Zao Shen reports to the Jade Emperor in Heaven and a positive report bringsblessings and good fortune, while and unfavorable one brings misfortune. Family members often smear honey on his mouth to sweeten the report. Near mirror images they wear layered gold officials’ robes with decorative sashes and symbolically hold a hu tablet. They are in excellent condition and add positive chi and enhance feng shui. Kitchen Gods especially pairs are now rare and very collectible and make unique wedding and house gifts.
Provincial Lohan meditating wearing monks robes associated with Lohans – hood, shoulder ring and cowl crossed at the neck but atypically decorated with raised curvilinear lacquer designs highlighted with gilt.
Finely carved figures were attached to ox cart yokes to protect farmers from malevolent spirits who inhabited all seen/unseen sectors of their world. . This beautifully carved ox cart yolk image is a chinthe, a mythical Burmese lion/dragon creature commonly decorating many everyday items. A propitious spiritual and protective guardian, the animalsymbolizes power, courage, and strength. This carving displays the common traits of a lions with a long face, large eyes, a long sharp nose, a lion-like beard, and a flame-like shape on the top of his head. Masterfully carved with careful attention to details, see the deeply incised hairs that cover his body. The 2-part piece is held together with a wooden plug. Though for daily use, Burmese craftsmen created beautiful objects and finished them with the best materials they could afford.
Javanese terracotta head part of bas-relief frieze from Majapahit Empire. Most unearthed figures were small decapitated heads with Javanese facial features, hairstyles, large ear ornamentations of upper classes. A great small piece of history.
Crafted during the Majapahit Empire in Java this rare head was part of a bas-relief frieze decapitated as part of religious offerings.
This masterfully carved ancestor as a mandarin official sits on horseshoe chair set on a footed high decorated plinth dressed in a well-appointed formal 3-button Mandarin long coat and pointed rattan hat. His face is uniquely and unusually individualized with heavy lidded eyes, in a benevolent expression and his advanced aged indicated by the wrinkles clearly depicting a loved individual. This exquisitely carved image in excellent condition with a fine patina was true homage to a revered family member and is one of our finest ancestor figures.
Portrayed as an official, this ancestor figure sits on a horseshoe chair showing his status wearing compulsory officials attire: a 5-button Mandarin long coat with a round collar and official headwear – a woven hat whose shape and color reflected his rank. His personalized personalized oval-shaped is tranquil with a hint of a smile on his pursed lips, and a triangular pigtail down his back.
During the Qing Dynasty, reverence for Mandarin officials and their associated high status with it was so significant that families sought to perpetuate this image through the generations in carved and painted renderings of their ancestors. Ancestor-figures were the highest form of filial piety, and ancestor-worship was a cornerstone of Confucianism. Stuart (p. 82) states…
This antique Nuo Opera mask is Tudi Gong, benevolent Earth god with smiling animated face, long eyebrows, hemp beard and high decorative hat. With an honest gentle disposition, he symbolizing the power of good to defeat evil. Nuo popular in Ming/ Qing dynasties, there are few remaining troupes.
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