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This kiln-fired medium size earthenware platter is a wheel made functional piece called African Red Slip (ARS). A category of ancient pottery used by those of high status for formal occasions to serve food, it was made in Roman-Empire production centers in the Roman-North-Africa province called Africa-Proconsularis. They were shipped everywhere along the same trade…
This ancient wheel-thrown pottery was made in the Greek colonies, Apulia, Magna Graecia in Southeastern Italy and dates from the 4th century B.C.E. Magna Graecia is the Roman name for coastal Southern Italy colonized by Greek city-states and first named by the Roman poet Ovid in his poem Fasti. These settlers brought their Hellenic culture,…
Stone reliefs or mold made earthenware brick tiles were made for ancestor worship and to decorate doors and the walls of tombs, temples and other structures from the Han Dynasty onwards. As China expanded its trade along the Silk Roads in the Song dynasty, foreign artistic influences began to be seen in the expanded use…
The Song dynasty (960–1279CE) is considered the most culturally brilliant era in later imperial Chinese history. A massive expansion produced government and public buildings and tombs with walls decorated with earthenware unglazed mold made brick tiles. Some were purely decorative and others were wishes for happiness and comfort in live and deceased people’s afterlife called mingqi. With…
Banquet scenes and feasts have been part of Chinese art and culture for millennia. They include celebrations of important rituals and social events, both public and private. These can be religious or social rituals, funerary practices performed by families filling their obligations of filial piety, family fêtes, scenes of scholarly gatherings, casual feasts for couples and…
Unglazed earthenware pottery cocoon jars were used extensively during the Han dynasty as mingqi, items made for placement in tombs to comfort the deceased on their journey to the afterlife. These ancient pottery vessels were ancestral objects, part of ancestor worship, made to revere and honor the deceased, fulfill Chinese duties of filial piety, and have…
During the Song Dynasty earthenware unglazed brick tiles made using a mould were produced to decorate inner chamber walls of tombs and government and public buildings. Used as funerary decorations to wish the deceased happiness and comfort in their afterlife, these Song Brick Tiles are another example of a mingqi ancestral item. Without knowledge of…
Although most famous for Christian burials, people of all religions were interred in the catacombs due to a shortage of land and demand for burial space after a switch from cremations to underground burials in the 2nd century A.D. Roman made closed earthenware terracotta lamps became the dominant oil lamp style in the Roman world…
The Song dynasty (960–1279) is considered the most culturally brilliant era in later imperial Chinese history. A massive expansion during this dynasty produced government, public and religious buildings and tombs with walls decorated with earthenware unglazed mold-made brick tiles. Some were purely decorative and others were wishes for happiness and comfort in the deceased’s afterlife called…
The Song dynasty (960–1279) is considered the most culturally brilliant era in later imperial Chinese history. A massive expansion during this dynasty produced government, public and religious buildings and tombs with walls decorated with earthenware unglazed mold-made brick tiles. Some were purely decorative and others were wishes for happiness and comfort in the deceased’s afterlife…
The Song dynasty (960–1279) is considered the most culturally brilliant era in later imperial Chinese history. A massive expansion during this dynasty produced government, public and religious buildings and tombs with walls decorated with earthenware unglazed mold-made brick tiles. Some were purely decorative and others were wishes for happiness and comfort in the deceased’s afterlife…
Chinese funerary tiles, as forms of mingqi adorned tomb as early as the Han dynasty depicting everyday scenes, entertainment, mythical beasts, folklore, history, literature and poetry. A Han stone tomb relief rubbing in Stories from China’s Past (p. 173) labeled “Ascending to Heaven in Deer Chariot” is reflective of this Song brick-tile. During the Song…
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