Showing 25–36 of 37 results
Made in the Roman North Africa, this ancient ceramic flagon was made for the lower classes and called coarse wear. Used to hydrate all kinds of people and on home altars to make offerings to domestic family deities, it is a common ancient pottery shape having a handle and an angled edge around the entire vessel.
A fine ancient Roman platter produced for upper classes from the mid-1st century to the 7th century, this is refined and delicate and has stamped decorative images in complex circles. Although rough areas with small losses remain, it is an ancient piece otherwise in very good condition that, especially considering its age and use, remains a remarkable surviving piece of history.
This small 4th century BCE Xenon earthenware container has a single strap handle. Its body is decorated with orange painted designs of a continuous geometric meander, a band of tapering vertical lines above and a thin line around the body below it.
Cocoon jars were mingqi made for placement in tombs to comfort the deceased on their journey to and in their afterlife. An elixir of Immortality made from mulberry leaves or their ashes was placed inside for the deceased to drink and transmigrate into the world of the beyond. Ovoid in shape to resemble a silkworm cocoon, ajar rests on a small trumpet-shaped foot and has a narrow neck and a wide lip at its mouth. Painted after firing with vertical bands dividing it into panels, swirling cloud scrolls, and circular “eye” motifs at each end, this beautiful vessel is in excellent condition for its age with expected paint losses, scrapes, and dirt adhesions.
This earthenware brick tile bordered with a deep scalloped frame depicts a vase with a bouquet of propitious flowers: a chrysanthemum and a peony wrapped with an elegant ribbon. Tiles like this were made to decorate the large numbers of buildings created during the prosperous Song dynasty and to adorn tombs. This elegant brick is in good condition for its age with expected chips and cracks, some restoration of background and a re-glued frame break on each side. It has earth adherents from its burial in a tomb.
This Roman catacomb terracotta oil lamp is a basic, undecorated, and functional lamp beautiful in its simplicity. It is a well moulded piece with a finely rounded circular body, a short raised rim surrounding the fill hole centered in the middle, and has a hand made spatulate nozzle added to its body. The nozzle extends out with flat angular ridges and a wide opening to accommodate the wick which extends from inside the lamp,through the nozzle, and then reaches over its edge. It has no handle but, like all such lamps, it has a flat bottom to rest comfortably and securely on any surface. Much of the original crème slip on this lamp remains and has turned a brownish-beige from the soil in which it was buried underground. There are minor chips the rim atop the fuel chamber and projecting nozzle and is otherwise is very good condition.
This fascinating thick Song pottery brick is a low-fired depiction of a dwarf foreigner with a rotund belly, a large head and nose, an open mouth and abnormal features. The Chinese believed dwarfs could ward off evil spirits and sickness, attract peace and blessings (fu) and were very wise. Images of dwarfs became so popular, some were produced in numbers.
This animated scene depicts the traditional Chinese Lion Dance performed at Chinese New Year, weddings, other important events and to honor guests, bring prosperity, happiness, good luck and ward off evil spirits. During the Song Dynasty tiles adorned the wall of tombs as well as government and important buildings with depictions of celebrations, mythology and deities and often included mythical animals, plants, vegetation and other auspicious objects.
This Song dynasty pottery brick tile depicts a pixiu, a mythical and a powerful feng shui symbol of wealth that brings money and good fortune and protect people from losing wealth. This fantastic winged creature has a dragon’s tail and head and a lion’s with an intensely angry expression to protect its master and his wealth and possessions. There is a rare handprint of the artisan who created it on the rear.
This thick decorative Song brick tile portrays a seated female musician holding a lute in a hall with attendants on each side and third person in the distance framed in a decorative wide border with a pointed ogee arch. Since most ancient buildings with these pieces used un-reinforced fired construction, they were subject to disasters and few survived intact.
As part of the The Song dynasty cultural expansion, government and public buildings and tombs were built with interior walls decorated with earthenware unglazed mold-made brick tiles. This fanciful vibrant tile with a scalloped frame portrays two people wéiqí which originated in China over 2500 years ago and is the world’s oldest ( and most complex) board game still played.
This ancient Song dynasty tile is likely a memorial tile as it portrays an official, hands in a farewell gesture looking up with devotion to his wife or mother ascending toward heavens on a cloud. A very striking and emotive scene, it would be a great wall piece with an appropriate mount.
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