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In Babayan’s native Armenia, autumn is celebrated as a golden time of reflection, with shinning sun, fresh air and multi-colored leaves. The painting expresses the season’s tension between decay and beauty with delicate, swirling strokes that evoke both transformation and stillness.
This lyrical and radiant painting captures the energetic dance of summer and nature in full bloom. With swirling marks, dynamic color and movement, Anush memorably celebrates her favorite season.
In Angels of Love, three angels rise organically above what can be interpreted as the Tree of Life. Symbolically for the artist, love nourishes both the internal and external roots of the universal Tree of Life in all of us.
Although this wonderfully carved antique figure portrays an ancestor depicted as an official, his atypically benevolent and finely modeled face makes him a very endearing figure. Old and weathering from age in its rear, this piece was repainted probably in the 20th century, as was periodically done with old figures with losses, especially due to seasonal South China climate. With his individualized convincing features, he is a very relatable rather than authoritarian figure, possibly resulting from the affection of the family that commissioned it. This beautiful and vibrant carving would enhance any setting.
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This exceptional official is one of the most significant ancestor figures in our collection. His attire, glass eyes and distinct facial features indicate a wise man of importance who commands respect. Cranes and clouds symbolize longevity, wisdom, good fortune and emphasize his high rank.
Attendant Chou Ts’ang, to Guandi, most revered Chinese military hero and Taoist God of War, hands clasped and eyes down in respect wearing detailed military clothing and boots on high pedestal with painted gold florals.
Graceful heavenly attendant carrying offerings with ribbon winding around her, a nod to the phrase “May longevity bring blessings.” Elegant and serene demeanor honoring the being she attends.
Magnificent and rare Buddha in Earth Witnessing posture combining Southeast Asian artistic traditions and folk like charm. Made of copper color lacquer with gilt he sits on a multi-tiered throne with simple monk’s robes embellished with green enamel.
This antique Lao Buddha stands in refined dignity displaying inner tranquility and strength, hands in abhaya mudra that connotes reassurance, divine protection, and dispelling fear and signifies Buddha’s spiritual power as he bestows protection from evil and ignorance and conveys “fear not” to devotees. As typical of Lao Buddhas he is covered in gilt visually reflecting his golden skin and a finial or radiance as a flame emerging from atop his head. His wet style Buddha robe that is smooth and graceful in its simplicity and adds elegance to the carving while showing his body underneath his clothing.
This rare, elegant, gilt covered Jambupati Buddha wears regal Burmese court attire with luxuriant jewelry and huge decorative flanges surrounding his multi-layered elaborate faceted crown topped by an elongated ushnisha. Seated on a high ornate multi-tiered waisted throne in Earth Witnessing position, he looks directly at onlookers with strength and a sweet smile to emphasize his spiritual and material power.
This very fine pair of antique carved males fu lions represents the dual nature of these mythical animals: as protective images they are powerful and fierce, as Buddhist images they are whimsical with smiling faces, dangling tongues, hanging ears and bushy tails. They are extremely well carved with harnesses and bells around their necks, detailed manes and tails on high intricately decorated bases to signal their importance. Perfect for enhancing feng shui in a home or office, large finely decorative wood pairs like this are extremely hard to find.
As part of Burmese animistic and shamanistic beliefs hand built oxcarts were decorated with figurehead prows of mythical beings to guide the owner. Using their spiritual and magical powers they bestow good fortune and ward off malevolent spirits. The legendary figure here is probably a nat – a deified spirits of the deceased believed to have magical and protective powers seen on non religious items and in Buddhist temples, pagodas, home shrines, other spiritual structures throughout Burma.
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