Showing 97–108 of 116 results
One of the most popular Mahayana Pure Land Buddhism depictions of Guanyin, especially during the Ming and Qing dynasties, is Nanhai Guanyin shown here symbolically on a stylized rocky outcrop at her cave at Putuo in meditation (dhyana), legs in padmasana under her robes, flanked by twisted columns one topped by a vial placed on…
This Queen Mother of the West, the highest ranking female Taoist deity was probably displayed as a pair along a statue of Guanyin, the most significant Buddhism female (Guanyin on a Lotus Pedestal (16206B) highlighting the importance and similarity of these revered female images Like the Guanyin, the Queen Mother’s delicately carved face has half closed eyes, serene composure mouth with a hint of a smile, which is more Buddhist than Taoist. Her headdress, centered by her iconic phoenix, rests under a hood extending to her shoulders and back. She wears a high collared three-layered Taoist robe, her hands covered by a ritual cloth.
This exquisite 18th-century statue of the Bodhisattva Guanyin is seated in serene meditation. She is a beautiful young woman, unpretentious yet elegant with smooth, gentle flowing lines that create an air of peaceful spirituality. Every strand of her hair and bun is carved with definition, and in perfect order. The original polychrome and lacquer finish has transformed into a glowing silver hue with a soft patina.
This traditional African hammered iron gong is elegantly shaped like a flaring bell. Heat riveted, a forging process joining two metal pieces together, it was made by Congolese tribal people. Made with 5 parallel lines of 5 decorative round bulges on both sides, it was often held using a raffia handle and beaten using sticks covered with rubber at its end. Originally a ritual instrument, they were also beaten to call members of special restricted societies to meetings and were a symbol of wealth, prestige, and influence.
This outstanding delicately antique carving is Nanhai Guanyin, the Bodhisattva of Compassion, seated on a rocky outcrop covered with a cloth, a reference to her home in a cave on the island of Putuo in the South China Sea. Other than the Buddha, she is the most revered deity in Mahayana Buddhism and one of…
Small Framed Acrylic Painting on Wood Panel
This small spirited painting is from Lark Pilinsky’s California Shores series which celebrates the power and energy of nature in the convergence of sky, ocean, land and sun.
Collage of Acrylic with Mixed Media of Found Objects
This vibrant collage was inspired by a European concert Lark Pilinsky attended with her husband, where the violin player smashed his instrument on the stage, possibly imitating Pete Townsend, lead Guitarist for The Who. This work draws directly from her love of these elevated musical experiences.
Acrylic On Canvas
This dynamic painting is part of Lark Pilinsky’s Portal Series in which a portal represents an escape from the often grueling routine and challenges of everyday life into an uplifting spiritual realm. The passage is a solitary unexpected experience that “interrupts the rules of everyday life and keeps us guessing at what exciting event will be next.”
Framed Acrylic and Oil On Canvas
One of Lark’s most inspired works, this large vibrantly hued painting echoes nature’s energy and vibrations that are both grounding and energizing.
This rare, vintage spirit mask is from Timor in Indonesia. Their animism is characterized by ritual exchanges between individuals or social groups with ancestral and fertility spirits having a close reciprocal link between the deceased and the secular world as ancestors require sustenance, respect and attention (i.e. offerings), while humans seek advice, good fortune, health…
This finely cast metalwork brass Shakyamuni Buddha reflects the conservative tradition of Nepalese sculpture which experienced few changes in proportion or decorative details over the past several hundred years. Originating stylistically from Gupta and later Pala Indian art, Nepalese artists created their unique style from the 6th-7th centuries that evolved to a distinctive physiognomy including…
This lovely vintage 20th century Thai bronze statue is the White Clad Guanyin seated in meditation on a multi-tiered throne holding her vial of precious dew. Her open hood is centered by a mandorla surrounding an image of Buddha Amitabha, the Buddha of Infinite Light. This one of a kind piece is a vision of compassionate serenity with her half closed eyes and benevolent smile.
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